Big Idea: God delights in the spiritual transaction of repentance that begins in the human heart.
Understanding the Text
Bernhard W. Anderson calls Psalm 51 “one of the pearls of the Psalter.”1Among the seven penitential psalms,2this one, in Weiser’s estimation, is the most important because it “demonstrates the essence of true penitence.”3This psalm falls generally under the classification of the individual lament, and more specifically, to use Kraus’s subcategory, “Songs of the Sick and Anguished.”4As a confession of sin, it is unparalleled in the Psalter, with only a few brief comparisons in Psalms 32:5; 38:18; 41:4; 69:5; and 130:1–8.
Both Psalms 50 and 51 have an eye on the sacrificial system, but the focus is different. Psalm 50 raises no objections to sacrifices, even though God does not need them (50:8–15), while Psalm 51 insists that God takes no pleasure in sacrifices, but he has great regard for “a broken and contrite heart” (51:17). Despite the ostensible contradiction, they may in effect be complementary (see below). See “The Text in Context” in the unit on Psalm 50.
The psalmist commits himself to the duty of teaching others God’s ways (51:13), having learned them from God himself, while the suppliant of Psalm 25 (25:4, 9, 12), without explicitly committing himself personally to the task, prays that the Lord himself will execute the didactic function.
The poetic neighborhood in which Psalm 51 is located gives evidence that the formation of the Psalter utilized minicollections that were at the editors’ disposal. After a long series of Korah psalms (Pss. 42–49), followed by the insertion of a single Asaph psalm (Ps. 50), the editor introduces a rather lengthy cadre of Davidic psalms (Pss. 51–65; 68–70; see the sidebar).
In Romans 3:4 the apostle Paul quotes the second half of Psalm 51:4 from the Greek translation (LXX) to show that God is just, even when some of the covenant people have been unfaithful. Even though David was unfaithful, God did not withdraw his faithfulness from him, anymore than he withdrew his faithfulness from unfaithful Israel.5In other words, God’s faithfulness is not contingent on human faithfulness.
Outline/Structure
This psalm is difficult to outline. Schaefer provides a helpful way to look at it in three movements:
1. First Movement: Prayer for personal cleansing (51:1–9)
a. The metaphors of forgiveness (51:1–2) [These verbs occur in reverse order in 51:7 and 9.]
i. “blot out”
ii. “wash”
iii. “cleanse”
b. Confession of sin (51:3–6)
c. Prayer for cleansing (51:7–9)
2. Second Movement: Prayer for personal renewal and right sacrifice (51:10–17) [framed by repetition of “heart” and “spirit,” 51:10, 17]
a. Prayer for spiritual restoration (51:10–12)
b. A vow to praise and public contrition (51:13–17)
3. Third Movement: Prayer for restoring the city and God’s pleasure with Israel’s worship (51:18–19)6
Historical and Cultural Background
The title of the psalm identifies the prophet Nathan’s rebuke of David after his adulterous relationship with Bathsheba as the event that has elicited this moving confession (2 Sam. 11–12). Adultery, prohibited by the seventh commandment (Exod. 20:14/Deut. 5:18; also 50:18b), was a moral violation that carried the death penalty for both partners (Deut. 22:22). It was recognized generally in Israel’s world as such a serious offense that it was sometimes called the “Great Sin.”
David prays that the Lord will cleanse him with hyssop (51:7a). There are several subspecies of this plant; one has white flowers and may suggest the result of the cleansing mentioned in 51:7b: “and I will be whiter than snow.”7It is also mentioned as the applicator of the lamb’s blood on the doorpost as a sign of God’s favor to the Israelite family awaiting the exodus from Egypt (Exod. 12:22) and as an herb in the cleansing of the leper (Lev. 14:4).
Interpretive Insights
Title after David had committed adultery.See “Historical and Cultural Background.”
51:1 Have mercy on me, O God, according to your unfailing love . . . blot out my transgressions. God’s “unfailing love” (hesed) is the basis of God’s mercy. Note the structure of the verse, which involves a chiasm, the verbal clauses (A and Aʹ) and the adverbial modifiers (B and Bʹ) appearing in crisscross positions:
A Have mercy on me, O God,
B according to your unfailing love;
Bʹaccording to your great compassion
Aʹblot out my transgressions.
51:2 Wash away all my iniquity and cleanse me from my sin.The verb translated as “wash away” is used of washing clothing and denotes the “treading” that one would do when washing laundry (cf. Jer. 2:22). More often in the Old Testament it refers to sacramental cleansing (Lev. 15). “Cleanse” refers to a sacramental cleansing that turns something defiled into something pure, usually accomplished by ritual washing and/or sacrifice. The three verbs of forgiveness in verses 1 and 2 (“blot out,” “wash,” and “cleanse”) are repeated in reverse order in verses 7 and 9.
51:3 For I know my transgressions.Repentance involves a consciousness and admission of sin, made possible by Yahweh’s revelation in the Torah. Other cultures of David’s world recognized some sins as wrong, such as adultery and murder, but were unaware of other moral aberrations, since they had no such revelation from their deities.
51:4 Against you, you only, have I sinned.Wilson explains: “The measure of the psalmist’s sin in this case is ‘what is evil in [God’s] sight’ (51:4)—a much higher standard than the world holds.”8
51:5 sinful at birth.While the doctrine of original sin may not be in mind here—nor is it a doctrine in Judaism—David may be thinking of the sinful nature and sinful tendencies of humanity, from the very beginning of the biblical story. In truth, this affects human beings “at birth,” inclining them in the direction of sin.9
51:6 Yet you desired faithfulness even in the womb; you taught me wisdom in that secret place. “Faithfulness” (“truth,” ’emet) is parallel to “wisdom” (hokmah), and “womb” (lit., “the inner parts”) is parallel to “secret place,” so the entire verse is speaking about God’s prenatal care of David, much like Jeremiah’s awareness of both Yahweh’s knowledge of him before he was conceived and his special mission before he was born (Jer. 1:5). The Hebrew word that the NIV translates as “womb” occurs only here and in Job 38:36 (NJPS: “hidden parts”). The last phrase of the verse suggests that the matter of repentance does not come naturally but is inspired by God.10
51:7 Cleanse me with hyssop. This is a figure of speech that is drawn from certain rituals prescribed in the Torah. Generally the hyssop plant was used as an applicator, while at the same time yielding its medicinal qualities in the process (Exod. 12:22; Lev. 14:4, 6, 49, etc.). See “Historical and Cultural Insights.”
51:9 Hide your face from my sins.God’s hiding his face from the worshiper’s sins implies that God will not take them into account.
51:10 Create in me a pure heart, O God, and renew a steadfast spirit within me.The language of 51:10–12 is suggestive of the Genesis narrative. In addition to the verb “create,” the second half of the verse picks up the noun “spirit,” reminiscent of Genesis 1:2 (see also Gen. 6:17). Thus the psalmist prays that God will re-create him. The “spirit” (ruah) of the human person is the dynamic force that animates humans and resonates with the divine.
51:11 Do not cast me from your presence.The suppliant prays not to be “cast” out of God’s presence, the place where he can be in communion with God. God’s presence may be the sanctuary, or a spiritual relationship with God, certainly not apart from the sanctuary. Note the allusion to Genesis 3:23–24, where we have verbal synonyms for “cast.”
51:13 Then I will teach transgressors your ways.First the suppliant needs to have his own life re-created, and then he can teach others God’s ways.
51:14 Deliver me from the guilt of bloodshed, O God.The idea here resonates with David’s story in 2 Samuel 11–12 and implicates him in the death of Uriah. It could, however, be a prayer that God will deliver him from having his own blood spilled, perhaps in revenge (lit., “deliver me from blood/bloodshed”). In light of the allusions to the Genesis narrative, we might also raise the question whether “you do not delight in sacrifice” (51:16) is an allusion to God’s rejection of Cain’s sacrifice, and “bloodshed” to Cain’s murder of Abel, his brother (Gen. 4);11so serious is his sin that the psalmist may be casting himself in the role of Cain.
51:15 Open my lips, Lord.Note that the fact that “Lord” does not use small caps indicates that the name of the deity here is not YHWH but ’adonay. The divine name YHWH is not used in this psalm.
51:16 You do not delight in sacrifice.This is not a rejection of sacrifice (see 51:19) but an admission that God has other preferences, in this case, “a broken and contrite heart” (51:17). Some take it to imply that no sacrifice would be effective in removing his sin, particularly since the sacrificial system did not provide atonement for the sins of adultery and murder. “Sacrifice” (zebah) may refer to a thanksgiving offering or to sacrifices in general, as is often the case with this word.12
51:17 a broken spirit; a broken and a contrite heart.In this case the Lord regards the psalmist’s broken spirit as a sacrifice, compensating, perhaps, for the lack of provision for the atonement of intentional sin.13“Contrite” is an interpretation of the word nidkeh (“crushed”). It is less likely that David is admitting that his spirit has been broken by his sin. That would not fit well the penitent spirit of the psalm.
51:18 May it please you to prosper Zion.Verses 18 and 19 may be a response by a later, perhaps postexilic, community.14Yet, while it may seem like an alien thought in the psalm, the suppliant is so emotionally related to Zion that a restoration of his relationship to Yahweh will leave his aspirations only partially fulfilled. His inner cleansing and restoration to the joy of God’s salvation require the restoration of Zion. Not only does the psalmist’s fulfillment require the welfare of Zion, but God’s own full delight in the offerings made in Zion’s sanctuary is also contingent on the welfare of Jerusalem. “May it please you” translates a prepositional phrase “in your endearing pleasure,” the noun ratson (“pleasure”) being a term of endearment rather than willingness.15
51:19 Then you will delight in the sacrifices of the righteous, in burnt offerings.The word ‘olah (“burnt offering”) denotes a sacrifice that was totally burned on the altar (Lev. 6:8–9/Heb. 6:1–2). The two words for sacrifice, however, are not to be distinguished, but are used for sacrifice in general. It is only when David is restored to the joy of God’s salvation and the walls of Jerusalem are in good repair that the pleasing combination will have transpired to bring God the greatest delight in the sacrifices that Israel offers. Sacrifices alone do not delight him, but the renewal of the people’s hearts and the good welfare of their beloved city are circumstances attendant to God’s delight.
Theological Insights
Long before Paul spoke about a “new creation” (2 Cor. 5:17), David recalled the language and imagery of the first creation and prayed for a “new creation” to take place in his life. Psalm 51:10–12 is reminiscent of the language of the early Genesis narrative (Gen. 1–11). The verb “create” (51:10) reflects the idea of a miraculous transaction, as Calvin comments,16reminiscent of the original creation (Gen. 1:1, etc.), and the second half of the line picks up the noun “spirit,” that also occurs in the creation narrative (ruah, Gen. 1:2, “spirit” of God; Gen. 6:17, etc., “spirit of life”). While this may be merely coincidental, the fact that David prays, “Do not cast me from your presence” (root, shlk, v. 11a), brings to mind the expulsion of the first human couple from the garden of Eden (root, shlh, Gen. 3:23). Even though two different verbs are used, the effect is the same—the psalmist is praying that God will “re-create” him and transform him into a new person so that he will not be cast out of God’s presence.
Nor is the psalmist far from Paul’s theological truth that “where sin increased, grace increased all the more” (Rom. 5:20). That is indeed the faith that underlies the psalm. Schaefer makes the interesting observation that the word for sin and its cognates occur six times in the first movement and once in the last movement. At the same time, and in reverse proportion, the name God (’elohim) occurs once in the first movement and six times in the remainder of the psalm. Schaefer comments: “Sin disappears in the second half in the same ratio that God appears.”17
Teaching the Text
To begin our study, we may observe that, while the historical titles sometimes seem to be loosely related to their psalm, Psalm 51 fits perfectly the story of David’s adulterous relationship with Bathsheba (2 Sam. 11–12). Although the Samuel narrative does not give an account of David’s repentance, his admission of sin (2 Sam. 12:13) and the emotional trauma associated with the death of his and Bathsheba’s infant son certainly implies the spirit of repentance that permeates Psalm 51. We might build the lesson around the anatomy of repentance that this psalm lays out for its audience.
First, repentance means we are conscious of our sin, and David begins the psalm with a plea for God’s mercy (51:1–2). In this prayer David describes God’s forgiveness with three metaphors: “blot out” (which means to “wipe clean”), “wash away,” and “cleanse.” Following the literary pattern of double-tracking, these three verbs of forgiveness are repeated in verses 7 and 9, and in reverse order, so as to call attention to these transactions in a slightly different way.
The second step is confession, and that is what David does in verses 3–6. David describes the condition of this stage of repentance as “a broken and contrite heart” (51:17), recognizing that ultimately his sin is against God and God only (51:4), which expresses the gravity of his sin. Others have been hurt in the process, but his sin has affected God most severely, because it was an infraction of his moral law.
The third stage of repentance is restoration. That is what David prays for when he has acknowledged his sins and laid them out before God (51:10, 12).
Note also that if we listen to the language of verses 10–12, we begin to hear overtones from the creation/Eden narrative: “create,” “spirit,” “do not cast me from your presence.” Calvin says this language is reminiscent of the original creation and reflects the idea of a miraculous transaction,18reminding us also of Paul’s statement about God’s re-creative work in Christ. The work of transforming grace is reflected in the structure of the psalm, as Schaefer has observed (for the comments by both Calvin and Schaefer, see “Theological Insights”).
The fourth step in repentance is one that we do not often associate with that process, at least as a vital part of repentance, and that is witnessing to others about God’s grace. David commits himself to that task, to “teach transgressors your [God’s] ways,” “sing of your righteousness,” and “declare your praise” (51:13–15). Further, we might say that repentance has an evangelistic edge: “and sinners will turn back to you” (51:13). While repentance for this suppliant is a very personal matter, its larger effect is the restoration of Zion, an indication that personal piety in the Psalms has corporate implications (51:18). One of the marvels of repentance is that it stretches from the individual to the community, and while it might be overreaching to suggest that repentance is not complete until it affects the community to which the repentant belongs, true repentance has the power to overflow the individual and spill over into the community of faith. That is, community repentance must certainly be personal, and personal repentance should be predictably communal.
Illustrating the Text
“Wash me, and I will be whiter than snow.”
Hymn: “Whiter Than Snow,” by James Nicholson. The hymn “Whiter Than Snow,” written by Nicholson in 1872, is based on Psalm 51. The first verse is a prayer, inviting God both to reveal and to rid us of our sin (51:1–4). In the second verse we are confessing our desire to sacrifice our will and all we are to the Lord (51:16–17). In verse 3 we are confessing our faith in the sacrifice of Jesus on the cross to deal completely with our sin (51:7). Finally, the last verse is a prayer, asking God to create a new heart in us that we may live in a new way (51:10). Each verse ends with the petition, “Now wash me, and I shall be whiter than snow!”19We should recognize, however, that the hymn and the psalm deal with two different spiritual conditions. The hymn is concerned with how one deals with one’s sinful condition in order to come to faith in Christ. The psalm is concerned with how one, already within the faith, deals with one’s sinful condition.
A picture of a snow-covered mountain with the sun highlighting the white snow could complement this illustration well. Also, it would be good to have your listeners sing this song after you explain the meaning and its connection to the text.
David the prodigal
Bible: David’s view of God is equivalent to the image of the father in the parable of the prodigal son (Luke 15). Like the prodigal, David has engaged in “wild living” (Ps. 51 title; Luke 15:13, 30), is obsessed by his sinful condition (51:3; Luke 15:17), and is aware that his sin is basically against God (51:4a; Luke 15:18–19). In both instances God is justified in the verdict (51:4b; Luke 15:19), and God is responsive to a broken and contrite heart (51:17; Luke 15:21–24). The story of the prodigal is not designed to duplicate the story of Psalm 51, but it is a match for its spiritual character. This psalm, as well as the parable of the prodigal, sums up the teaching of Scripture about God’s forgiveness. There is another story, said to be found in the Talmud, that wraps up this truth in a real-life action. Like the prodigal, a certain son left his father’s house and went away. The father sent his servant to ask the boy to come home, and the boy sent back word, “It is too far. I cannot come back.” Then the father returned word to his son, “Come as far as you can, and I will meet you there.”
The power of God’s grace
Christian Allegory: Pilgrim’s Progress, by John Bunyan. Bunyan’s book is a great picture of the sufficiency of God’s amazing grace (see Rom. 5:20), or in the words of our psalm, the sufficiency of God’s unfailing love (v. 1). As Christian is on his way to the Eternal City, Interpreter leads him to a place where there is a fire burning against a wall. And there at the wall is someone continually throwing water on the fire, trying to put it out, while the fire just burns higher and hotter. When Christian asks the meaning of what he sees, Interpreter leads him around to the other side of the wall, where he sees a man with a vessel of oil in his hand, which he is continually throwing into the fire. Interpreter explains: “This is Christ, who continually, with the oil of His grace, maintains the work already begun in the heart; by the means of which, notwithstanding what the devil can do, the souls of His people prove gracious still.”20