Philippians 2:1-11 · Imitating Christ’s Humility
The Ear of the Heart
Philippians 2:5-11
Sermon
by Dr. Ronald Love
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Carol Klein, with schoolbooks under one arm and a sheet of music under the other, got off the express train from Brooklyn to Manhattan. The year was 1957 and the 15-year- old was determined to be a singing sensation. Wearing bobby socks, white sneakers, and a black skirt with a pink poodle embroidered on it, she opened the New York City telephone book. Starting with the “As” in the directory, she visited every music industry executive until she found one who would record her songs.

After being turned away by several recording studios, ABC-Paramount invited her to record four songs. Five decades later we know her as Carol King who has over twenty solo albums. At the age of 71, King was the first woman, on May 22, 2013, to receive Library of Congress’s Gershwin Prize for Popular Song. The award is named after the mu- sic-writing team of George and Ira Gershwin.

Whenever King performs at a concert, a large number of baby boomers are in the audience. They were the ones who knew her best in the 1960s and ’70s. Regarding the boomer audiences King said, “They have connected with me, and in connecting with me, they’re really connecting with them- selves and thinking of where they were when they first heard one of my songs.”

The reason why we enjoy music so much is because of its connective quality. We connect to a message, a place, a person, or a memory. That connection continues to interpret and sustain life for us, as it gives us a sense of purpose and meaning. The Britannica Encyclopedia defines music as, “art concerned with combining vocal or instrumental sounds for beauty of form or emotional expression, usually according to cultural standards of rhythm, melody, and in most Western music, harmony.” The important point is the phrase “emotional expression.” Music often articulates that which we feel but are unable to put into grammatical sentences.

This morning we celebrate Palm Sunday. It is the sabbath day when we celebrate the joyful entry of Jesus into the city of Jerusalem through the east gate as he came down from the Mount of Olives.

Sitting in the pews before me is a worshiping congregation that spans the ages from toddlers to octogenarians. But, on this sabbath day every person of every generation has something in common — we share in the same Palm Sunday experience. As we participated in the opening processional this morning with the waving of the palms, our octogenarians have participated in that same processional ritual for eighty years. It is the day we wave palms, wear brightly colored clothes, and sing triumphal hymns. And those hymns give us “emotional expression.”

The scripture passage that I have selected to read and preach on each Sunday comes from the Revised Common Lectionary. The lectionary follows the calendar of the Christian year, with an appropriate scripture reading for that particular liturgical day. The lectionary provides a scripture pas- sage from the Old Testament, the Epistles, and the Gospel.

Prior to the established lectionary the scriptural passages for each Sunday were selected helter-skelter, with no rhyme nor reason to them. This ambivalent approach dates back to the Medieval church. The Roman Catholic church realized that this was a problem because the scripture readings were not being presented in a systematic fashion and the readings did not correspond to the liturgical calendar. At the Second Vatican Council in the 1960s the church remedied this problem with the publication in 1969 of the first lectionary that was called the Ordo Lectionem Missae, which means “Order of the Readings for Mass.” It established a correct systematic and liturgical reading of scripture for each Sunday on  a recurring in a three-year cycle. The Protestant denominations in 1983 published The Common Lectionary based on the Ordo Lectionem Missae. In 1992, the Common Lectionary was replaced by the updated Revised Common Lectionary, which we are still using today. The epistle reading from Philippians for today, Palm Sunday, comes from the Revised Common Lectionary.

The epistle reading for today is a hymn that was sung by the first-century Christians and was recorded by Paul in Philippians. It is appropriate that we read a hymn today in worship because it gives us emotional expression for our celebration of Palm Sunday. The hymn stanzas follow the life of Christ from his preexistence with God, his life on earth, and his final enthronement in our celestial heaven.

The hymn we have in Philippines is a Christology hymn. There are six Christological hymns recorded in the New Testament. The Christological hymn that you would be most familiar with is the Prologue to John’s gospel. “In the beginning was the Word, and the Word was with God…” The prologue to John’s gospel, the first fourteen verses, was a Christological hymn sung in worship by first-century Christians.

The term Christology comes from the Latin Christo, which means Christ, and logy, which means knowledge. Christology is the study of the meaning of Christ. Christology is the part of theology that is concerned with the nature and work of Jesus, including the Incarnation, the Resurrection, and his human and divine nature.

A Christological hymn is a “Hymn to Christ.” The doctrine embodied in these hymns is the cosmological role of Christ. Cosmology studies the origin and structure of the universe. The hymns are outlined in stages beginning with the preexistence of Jesus, his earthly ministry as one in the flesh, circling back to his ascension and enthronement. It is within this context that that the first-century Christians sang a Christological hymn in worship. The hymn gave them emotional expression.

As we study and live the message of the Philippian hymn, we too will be given emotional expression to our feelings on this Palm Sunday.

The hymn in Philippians, like all Christological hymns, was sung by Christians years prior to Paul placing it in his letter to the church at Philippi. Philippi was a city in eastern Macedonia, established by Philip II in 356 BC and abandoned in the fourteenth century after the Ottoman conquest. Paul visited Philippi on his second missionary journey in the years of 49 to 51. It was the first congregation Paul established in Europe. After leaving Philippi, Paul later wrote this letter of instruction to the Christians in Philippi. There familiarity with the stanzas and meaning of this hymn would assist them in understanding and interpreting the content of Paul’s letter, as our familiar hymns help us understand the Bible today.

The Philippians hymn has five phases. These five phases follow this outline:

First: Jesus was preexistent with God
Second: Jesus became incarnate as a man
Third: Jesus lived the incarnate life
Fourth: Jesus ascended back to God
Fifth: Jesus is exalted with God

The hymn moves from Jesus being sovereign over creation to being enslaved within creation. Jesus in the “form” of God was preexistent and equal with God. But Jesus would not “grasp” this as he voluntarily surrendered himself to being in the form of a man. Jesus exchanged the divine mode of existence for a “slave” mode of existence. The significance of this is that Jesus experienced life as we do each day. After voluntarily humbling himself, Jesus was resurrected and ascended to heaven where he was once again exalted over creation. Jesus was given a new name; he is called Lord for he is the ruler over all creation. Before this name even the heathen gods bow in submission.

Verse 11 of our hymn is often considered one of the most important scriptural passages in the New Testament. That line is not only a part of a Christological hymn, but it contains one of the earliest creeds of the church which is, “Jesus Christ is Lord.” Today we often recite in worship the Apostles Creed and Nicene Creed, which are rather lengthy and esoteric. But the earliest creed of the church is simply four words in which the entire doctrine of the church is confessed--“Jesus Christ is Lord.”

It is appropriate that we read and even sing, if we had the music, the Philippian hymn today. Today is Passion Sunday, the first Sunday of Holy week. In the days ahead we will celebrate Maundy Thursday, Good Friday, and Easter. In the weeks following we will celebrate the Ascension.

These weeks contain acts of loyalty and acts of betray- al. We will read of doubts and confessions. We will read of denials and proclamations. We will read of bewilderment and faith. We will read about miracles. We will read about teachings. We will read about preaching. We will read about missions. We will read of the Great Commandment and the Great Commission. We will read about who Jesus was, is, and is to be. And we have a Christological hymn that allows us to understand that and give it emotional expression.

We have a hymn that shares with us the life and meaning of Jesus.

Bobby McFerrin is best known to us for his iconic 1988 feel-good hit song “Don’t Worry, Be Happy.” Since then he has received ten Grammy Awards. McFerrin’s love of music came from his childhood. Whenever he was sick his mother would give him two things, medicine for his illness and, in McFerrin’s words, “she’d give me music for my spirit.” He went on to say, “Music does have incredible power to rear- range your insides, rearrange your thoughts, and heal your body.”

McFerrin is back in the news with the release of his album titled “Spirityouall.” This reads as “spirit you all,” which is Mcferrin’s personal testament of faith. The album includes his adaptations of traditional African-American spirituals and devotional songs that he composed. McFerrin believes that music has a transcendent spiritual power saying, “It elicits so many emotions. Music has a way of communicating… that language does not. It can go past language.”

Music has that wonderful quality that it does go beyond words. Feelings, which cannot be enunciated in rhetoric, are garnered in verse. Emotions, which escape expression in dialect, are captured in lyrics. Belief, that has an aura of unreality and mystery about it, becomes comprehensible and intelligible in a line of metrical writing.

Since music “can go past language,” Paul elected to insert Christological hymns in his letters.

In the first-century church, singing a hymn celebrated involvement in the Christ event. This is why they are Christological hymns for we participate in the five phases of Jesus existence. Paul uses the hymn to move beyond just the comprehension of the Christ event, but to allow worship to become a call to action. We are to act in accordance with our sons of praise.

So then, how are we to apply the Philippian Christological hymn to our lives as we leave this sanctuary this morning? Beyond the waving of palms what are we to do?

The Philippian hymn for Palm Sunday was selected by the editors for placement in the Revised Common Lectionary as a testimony to the meaning of Holy Week. During this coming sacred week we are to enter into the five phases of the life of Christ. The hymn tells us we are to live an incarnate life, one that is filled with the indwelling of the Holy Spirit. Finding ourselves in the garden, challenged as to our loyalty, we do not deny the Lord. Sitting at the table of the Lord on Maundy Thursday we take on the commission to be Jesus’ body and blood in our communities. On Good Friday, as we stand beneath the cross, we don’t mock but we confess Jesus’ deity.

It means on Easter day, when we learn that the tomb is empty, beyond it seeming to be preposterous, we still believe. Standing on the sea shore, we confess three times that we love Jesus. Standing on the sea shore next to the morning fire, we commit ourselves to feeding Jesus’ sheep.

The singing of hymns for the edification of Jesus and  to affirm our call to discipleship has always been a part of our Protestant heritage. Martin Luther, who is the founding father of Protestantism in the sixteenth century, translated hymns from Hebrew and Greek into Latin, a language in which his congregants were familiar. Luther expected parishioners to learn to sing. Luther required all worshipers to attend singing practices during the week, so they would be prepared to sing with eloquence and exuberance during the sabbath worship.

Hymns are an expression of our faith. Hymns are a means of instruction. Hymns create a unity among believers. Dolores Hart was as beautiful as she was talented, which attests to why she was such a prominent actress and singer in the 1950s and 60s. Ah! She gave Elvis Presley his first on-screen movie kiss. Both as an endearing movie star and Broadway theatrical sensation, she was known and beloved by all. Her name placed upon the marquee was a guaranteed ticket seller. Then bewilderment befell her fans. Even perhaps, for some, it was anger. Certainly, most of all, there was disbelief. Ms. Hart gave up a lucrative and promising show business career to become a Roman Catholic Benedictine nun. She no longer lived a life on the theatrical stage, but lived on a different stage before the church’s altar. She no longer walked the streets of Hollywood, as she now resided at the Regina Laudis abbey in rural Connecticut. Hart, at the age of 74, wrote her memoir titled The Ear of the Heart, a memoir written fifty years after she surrendered sequined gowns for a nun’s habit. In that memoir she answered the question everyone has been asking: surrendering wealth for poverty, forsaking pleasure for celibacy, leaving the lime- light for candlelight. Her answer was as simple as it was profound, “If you heard what I hear, you would come too.”

CSS Publishing Company, Inc., What, then, would you be?: Cycle A sermons for Lent and Easter based on second lesson texts, by Dr. Ronald Love