In ancient Israel, as an agricultural community, the house was the center of family life. Apart from daily family activities, the basic functions of an Israelite house were for storage and stabling.

A typical house in Iron Age Palestine was basically rectangular in shape, constructed of sun-dried mud-bricks, and completely roofed. It consisted of either three or four rooms, although in some rare occasions it was a two-room house. The size of the house varied, depending on the wealth of the owner. Structurally, the most important and noticeable features were the pillars, generally made of stone. These monolithic pillars separated the rooms from the courtyard and supported the flat roof or ceiling. A three-room house usually consisted of a row of pillars in the center of the structure, while a four-room house consisted of two rows, dividing the two side rooms, with the courtyard in the middle.

Walls provided enclosure for a family unit but could also serve as partitions between adjacent houses. They were constructed of mud-brick (cf. Exod. 5:7) and erected on a stone foundation. The exterior of the walls needed regular whitewashing to prevent erosion caused by winter rain (cf. Ezek. 13:10–18), and the interior walls were decorated with painted line ornaments (Jer. 22:14). Unlike modern windows, Israelite windows were essentially slits in the walls, without glass filling (Josh. 2:15; 2 Cor. 11:33). For security and climate control, they were small, but they were good enough for natural lighting and ventilation (cf. Hos. 13:3). Oil lamps were placed in the wall niches (2 Kings 4:10; Matt. 5:15).

The entrance to the house usually was in the center of the front wall. The door, which opened inward, was mounted with three wooden doorframes on two sides and on top of the wooden door (cf. Exod. 12:7, 22–23). The door was locked from the inside with a tumbler lock and a wooden bolt (Judg. 3:25; Neh. 3:3). From outside, it was accessed through a fist-sized keyhole (Song 5:4) with a large key (Isa. 22:22). A stone threshold (1 Kings 14:17; cf. 1 Sam. 5:4–5) was laid at the base of the door.

The ceiling of the ground floor was less than six feet high. The central room was used for work such as food processing, although cooking was also done outdoors. A hearth was a hole in the ground used to set fire for cooking or for warmth (Jer. 36:22). The side rooms were used for stables (1 Sam. 28:24). At the rear of the house was a broad room (cf. Ps. 128:3; Amos 6:10) used mainly for storage purposes. The floor of the courtyard was laid with beaten earth, while the rooms had dirt floors. The upper level, which served as a place for sleeping, dining, and leisure activities (1 Kings 17:19; 2 Kings 4:10; Mark 14:15; Acts 9:37), was accessed through a wooden ladder from inside the house or through a stone staircase from the outside.

A unique feature of Israelite houses was the roof. The flat, plastered roof served as the place for domestic activities (e.g., Josh. 2:6–8; 1 Sam. 9:25–26; 2 Sam. 11:2) and religious activities (Jer. 19:13; 32:29; Zeph. 1:5; Acts 10:9), especially during hot weather. It was not uncommon for grass to grow on it (Isa. 37:27). Since it was flat, waterproofing was a pressing problem. As such, constant compacting and resurfacing of the roof with a limestone roller was needed (cf. Eccles. 10:18). For safety, parapets were built around the roof (Deut. 22:8). Since the roof was elevated and public, activities there were noticeable by people outside; thus public announcement could be made from the roof (Matt. 10:27; Luke 12:3). Absalom had sexual intercourse with David’s concubines on a rooftop, which might have been an act of public declaration of his kingship (2 Sam. 16:22).

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

The titles, or superscriptions, of fifteen psalms include the designation “a song of ascents,” also called “a song of degrees.” The notion of ascending, or going up, has influenced the understanding of these psalms. The “going up” has been seen as going up to Jerusalem for a holy day, going up to Jerusalem as part of the return from the exile, going up the fifteen steps at the courts of the temple (a Jewish tradition in the Mishnah), or an aspect of their poetic style. These psalms occur together as a group, Pss. 120–134. They include different genres but share an emphasis on Jerusalem, which supports the idea that they were used on pilgrimage for a holy day (see Exod. 24:13; 34:23; Lev. 23:4; and Deut. 16 for religious journeys to Jerusalem). Harvest imagery in some of these psalms and the Mishnah tradition suggest the Feast of Tabernacles, but they need not have been limited to this festival.

Grape-producing plants are widely cultivated in Palestine. The first biblical reference to vine cultivation appears in Gen. 9:20, where the restoration of the earth is implied by Noah’s planting of a vineyard. The appearance of the vine in Pharaoh’s chief cupbearer’s dream implies widespread vine cultivation in Egypt (Gen. 40:9–11). Before the Israelites’ entry, the land of Canaan was also famous for the production of grapes and wine (cf. Num. 13:23; Deut. 6:11; 8:8). Several places around the region are named in the OT for their fruitful vines: Eshkol (Num. 13:23), Sorek (Judg. 16:4), Sibmah, Heshbon, Jazer, Elealeh (Isa. 16:8–10), Helbon (Ezek. 27:18), Lebanon (Hos. 14:7), and En Gedi (Song 1:14).

Vine cultivation. Vine cultivation is detailed in the Bible. A hilly terrain is terraced, stones are cleared, and soil is plowed (Ps. 80:9; Isa. 5:2). The walls are built up with stones, often with a hedge of thorny bushes, to protect the vineyard from thieves and wild animals (Isa. 5:2). Then young vines are planted where water is supplied (Ezek. 19:10). As their branches develop, they are raised up on supports (Ezek. 17:6). In the spring the vines are pruned so that they will bear good grapes (Lev. 25:3; John 15:2). Winepresses are hewn out of wood or rocky ground (Isa. 5:2). A watchtower is erected to overlook the vineyard, especially as the harvest season draws near (Job 27:18; Isa. 1:8; 27:3). When the grapes are ripe, they are gathered in baskets and taken to winepresses (Hos. 9:2), while some are dried into raisins. When the harvest is done, the poor in the village are allowed to enter the vineyard to gather the gleanings (Lev. 19:10; Deut. 24:21; cf. Isa. 24:13; Jer. 49:9; Mic. 7:1).

Since the production of grapes was of major importance to the Israelites, the continuing cycle of vine cultivation meant national peace and security (cf. “under their own vine and under their own fig tree” in 1 Kings 4:25; Mic. 4:4; Zech. 3:10; joy of the harvest in Isa. 16:10; Jer. 48:33). Thus, the characteristic expression of planting vineyards and consuming their fruits signals God’s blessing (2 Kings 19:29; Ps. 107:37; Isa. 65:21–22; Jer. 31:5; 40:12; Ezek. 28:26; Amos 9:14), whereas not enjoying the fruit signifies misfortune (Deut. 20:6) or God’s judgment (Deut. 28:30; Ps. 78:47; Jer. 8:13; Amos 5:11; Hab. 3:17; Zeph. 1:13). Likewise, a feast with wine signifies God’s blessing (Isa. 25:6; 55:1; Jer. 31:12; Joel 2:19; cf. Jesus turning water into wine [John 2:1–11]), while the lack of wine means God’s judgment (Isa. 24:9, 11; 62:8; Hos. 2:9; 9:2; Joel 1:10).

Old Testament. The vine and the vineyard are important metaphors in the OT. The fruitfulness of the vine often symbolizes the fruitfulness or blessedness of a person (e.g., Joseph in Gen. 49:22; a fruitful wife in Ps. 128:3). In Song of Songs the vineyard is not only the main place of love (2:13, 15; 6:11; 7:12) but also a metaphor for the woman’s body (8:11); also, the “beloved” is compared to “henna blossoms from the vineyards of En Gedi” (1:14), and her breasts to the “clusters of grapes on the vine” (7:8).

The metaphors of the vine and the vineyard are also used of God’s people. In Ps. 80:8–13 Israel’s history is presented in terms of the vine-cultivation cycle (cf. Jer. 2:21; Hos. 10:1). A similar story is heard in Isa. 5:1–7, which compares the Israelites’ lack of justice and righteousness to the bearing of wild grapes (cf. “vine of Sodom” in Deut. 32:32; “a corrupt, wild vine” in Jer. 2:21). Ezekiel also uses the vine metaphor in rebuking the Israelites’ iniquity (Ezek. 15:2–4; 17:3–10; 19:10–14). If the aforementioned passages describe Israel’s history from its birth to judgment, Isa. 27:2–6 presents God’s promise of restoration through the story of the restored vineyard.

New Testament. In five parables Jesus refers to vines and cultivation (Matt. 9:17 pars.; 20:1–16; 21:28–32; 21:33–46 pars.; Luke 13:6–9). Notable is the fact that God often is portrayed as the owner of the vineyard (Matt. 20:1; 21:28, 33; Luke 13:6). In Rev. 14:18–20 God’s judgment upon his enemies is described by means of the imagery of the vine harvest, in which the enemies are trampled like harvested grapes in the “great winepress of God’s wrath” (cf. Isa. 63:1–6; Joel 3:13). In the vine metaphor in John 15:1–8, Jesus identifies God as the farmer, himself as the “true vine,” and the believers as its branches. No longer are God’s people identified as the vine, which is expected to bear good fruits; rather, Jesus is the vine, and the believers are his branches. So the fruitfulness of the branches depends on their adherence to the vine. Jesus’ use of the “fruit of the vine” at the Last Supper as the symbol of his atoning blood can be compared to his metaphorical self-identification as the vine (Matt. 26:29; Mark 14:25; Luke 22:18). See also Plants.

In the OT, the law commanded respect for those in advanced years (Lev. 19:32). The fifth commandment (Exod. 20:12) was primarily aimed at the honoring (and supporting) of elderly parents (as implied by Mark 7:9–13). The reward for caring for parents is stated in the motivation clause attached to the commandment: “so that you may live long in the land the Lord your God is giving you” (being an example of the reward matching the good deed).

Especially in OT wisdom literature, old age is viewed as a privilege (Prov. 20:29) and a token of divine favor upon the righteous (Prov. 16:31; cf. Gen. 15:15). It was recognized that a person may be “old but foolish” (Eccles. 4:13), but more often age and wisdom were linked. Since wisdom and insight come with experience (Job 12:20; 15:9–10; 32:7), leaders and advisers were drawn from the ranks of the elderly. Hence, in both Testaments community and spiritual leaders are called “elders” (Ruth 4:2; Lam. 5:14; Acts 14:23; 20:17). Rehoboam’s downfall was due in part to his ignoring the advice of “the elders” who had served his father, Solomon (1 Kings 12:6, 8).

A sign of oppressive conditions in the wake of the fall of Jerusalem was a lack of respect for the old, who, like the very young and women, were vulnerable (Lam. 5:12). On the other hand, the future blessing promised by the prophets included Israel having many elderly people (Isa. 65:20; Zech. 8:4).

The reward of the godly person is to live long enough to see several generations of descendants (Ps. 128:6), examples being Jacob (Gen. 50:23) and Job (Job 42:16). The vindication of the Lord’s servant is phrased in traditional symbols of divine favor: “he will see his offspring and prolong his days” (Isa. 53:10). The frailty of age is recognized (e.g., Ps. 71:9, 18; Eccles. 12:2–7), but the experience shared in Ps. 37:25–26 is that God is faithful in providing and supporting.

The blessings and curses of Scripture are grounded in a worldview that understands the sovereign God to be the ultimate dispenser of each. Blessings and curses are not the outcomes of magicians who attempt to manipulate the gods for personal gain or retribution. Rather, God is the giver of blessing and ultimately the final judge who determines withdrawal or ban. He is the source of every good gift (James 1:17) and the one who gives power and strength to prosper (Deut. 8:17).

Some view the nature of blessing and curse as simply a gift from God, while others see it as an act in which one party transmits power for life to another party. Perhaps the common thread between views is the idea of relationship.

Terminology. In the OT, the key Hebrew terms for blessing are the verb barak and the noun berakah. When the context of their use identifies a person or a living creature as the object of blessing, the basic idea is to provide someone with special power that will ultimately enhance his or her life. The blessing theme is also illuminated by means of words such as “grace,” “favor,” “loyalty,” and “happiness.”

In the NT, the Greek term eulogeō and its cognates are best understood in terms of the impartation of favor, power, and benefits. The makarios word group describes a state or status of being fortunate, happy, or privileged.

The OT curse vocabulary includes the ideas of disgracing, making contemptible, and imprecation. The NT curse terminology comprises the ideas of curse, slander, or consecrated to destruction.

Old Testament. The sovereign God sometimes employs agents of blessing in his creation. The blessing extends to the nations through Abraham (Gen. 12:3), to Jacob through Isaac (Gen. 26–27), and to the people through the priests (Num. 6:24–26).

The theme of blessing/curse is used to structure Deut. 27–28 and Lev. 26 (cf. Josh. 8:34) in the overall covenant format of these books. Scholars have observed that the object of this format is not symmetry or logical unity but fullness. From this perspective, the blessing/curse structure functions to enforce obedience for the purpose of ensuring a relationship. The blessing of Deuteronomy also includes the benefits of prosperity, power, and fertility. The curse, on the other hand, is the lack or withdrawal of benefits associated with the relationship.

The creation narratives are marked with the theme and terminology of blessing (Gen. 1:22, 28; 2:3; cf. 5:2; 9:1). The objects of blessing in Gen. 1:22, 28 (cf. 5:2; 9:1) are the living creatures and human beings created in the image of God. As the revelation progresses, the blessing of God is particularized in the lives of Noah (Gen. 6–8), Abraham (Gen. 12–25) and his descendants, and the nation of Israel and its leadership (Gen. 26–50). In these contexts, the blessing is intended to engender offspring and to prosper recipients in material and physical ways (compare a similar NT emphasis in Acts 17:25; cf. Matt. 5:45; 6:25–33; Acts 14:17).

The blessing of God is also extended to inanimate objects that enhance and prosper one’s quality of life. The seventh day of creation is the object of blessing (Gen. 2:7; Exod. 20:11), perhaps giving it a sense of well-being and health. Objects and activities of life such as baskets and kneading troughs (Deut. 28:5), barns (Deut. 28:8), and work (Job 1:10; Ps. 90:17) are blessed.

God promises to bless those who fear him (Ps. 128:1). Blessing is designed for those who, out of a deep sense of awe of God’s character, love and trust him. The God-fearer confidently embraces God’s promises, obediently serves, and takes seriously God’s warnings. The blessings itemized in Ps. 128 are comparable to those detailed in Deut. 28 relating to productivity and fruitfulness (cf. Ps. 128:2 with Deut. 28:12; Ps. 128:3 with Deut. 28:4, 11). The Deuteronomic concept of blessing and curse is questioned when God-fearers undergo a period of suffering or experience God’s apparent absence (e.g., Joseph, Job; cf. Jesus).

New Testament. In the NT, blessings are not exclusively spiritual. God gives both food and joy (Acts 14:17) and provides the necessities of life (Matt. 6:25–33). The NT does connect blessing with Christ, and it focuses attention on the spiritual quality of the gift that originates from Christ himself and its intended benefit for spiritual individuals.

Regarding curse, the NT explains that Christ bore the curse of the law to free us from its deadening effect (Gal. 3:10–13). Revelation 22:3 anticipates a time when the curse associated with sin will be completely removed and the blessing associated with creation will prevail.

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

Temples have always been the domain and house of the gods throughout the ancient Near East. As the abode of the God of Israel, the Jerusalem temple served the same purpose. The temple played an important role in the social, religious, and political life of ancient Israel. No archaeological remains of the actual temple building exist today; nevertheless, the temple has dominated biblical scholarship. The Jerusalem temple was originally built by Solomon in 953 BC and was destroyed by the Babylonian king Nebuchadnezzar in 586 BC. After the exile, the temple was rebuilt and then rededicated by Zerubbabel in 515 BC (Ezra). Herod the Great significantly expanded and changed the temple, but it was eventually destroyed by the Romans under the direction of Titus in AD 70.

The biblical text refers to the temple in several ways: temple, house of God/Yahweh, and sanctuary/shrine. These terms all refer to the dwelling or house of God and an area of sacredness. The sources for information on the temple are biblical texts, Josephus, and the Mishnah (tractate Middot). The most detailed accounts of the construction of the Solomonic temple are found in 1 Kings 6–8; 2 Chron. 2–4. In addition to these major sections, there are several references to building activities and repairs to the temple throughout the OT. Another major text is Ezek. 40, but it is debated whether this represents the actual temple or an ideal temple. There are several references in the NT that directly or indirectly refer to functions and specific components of the Temple Mount complex.

Archaeological Investigation

The location of the Temple Mount in Jerusalem has been undisputed. Current scholarly opinion locates the temple on the spot of the current Muslim shrine, the Dome of the Rock. Today the larger enclosed area is referred to as the harem esh-sharif (the noble sanctuary). Explorers in the nineteenth century did not attempt archaeological research of the temple itself, although various explorations focused on recording visible features and conducting soundings along the sides of the Temple Mount. Even after the unification of Jerusalem in 1967, with three major excavations in the city, no archaeological investigation of the temple was conducted. Due to the political and religious variables associated with the Muslim holy sites, there are no foreseeable archaeological investigations. A recent renovation of the Mosque of Omar, located on the southern end of the Temple Mount, removed truckloads of earth. Unfortunately, there was no archaeological supervision of the project and no archaeological excavations of the site were conducted.

In spite of the limited archaeological excavations, several popular accounts of alternate locations of the temple have been proposed. Most of these place the temple somewhere other than the Dome of the Rock, but none of these proposals has garnered scholarly support to rival the current location.

First Temple: Temple of Solomon

Throughout the ancient Near East, temples served as monumental edifices that provided divine legitimacy for the king or dynasty. While temples should be considered part of the religious sphere of society, their construction, maintenance, and associated activities are interlinked with the political sphere. The construction of the temple in Jerusalem is also linked to state formation by the Israelites. The Solomonic temple ushered in a new period of religious activity among the ancient Israelites. Previously, Israel had worshiped at various shrines and sanctuaries, and its central religious practice was associated with the tabernacle. With the establishment of the monarchy, dynastic kingship and centralized authority were created. Although the biblical text credits Solomon as the Israelite king who built the temple, the project was initiated under David. David united the Israelite tribes, captured Jerusalem and made it the capital of the kingdom, and built a royal palace. He made Jerusalem the political capital but also the religious center when he brought the holy ark, the visible symbol of Yahweh’s presence, to Jerusalem (2 Sam. 5–6). David intended to build Yahweh a permanent dwelling (2 Sam. 7:2).

Location. The biblical text preserves multiple traditions and accounts of the location and acquisition of land for the temple. In the ancient world the city temple was commonly located on the acropolis (highest point) of the city. The temple is located on the highest point of a ridge where the OT city of Jerusalem is located (Jebusite city, later the City of David). There are two accounts of the purchase of the land: the threshing floors of Araunah (2 Sam. 24:18–25) and of Ornan (1 Chron. 21:15–30; 2 Chron. 3:1 [here the NIV supplies “Araunah,” but see, e.g., the NET, NASB, ESV]). It is possible that Araunah and Ornan were kin, but most likely they are the same person, with Samuel and Chronicles using variant names. However, the two accounts disagree further on the amount paid for the land: fifty silver shekels (2 Sam. 24:24) and six hundred shekels of gold (1 Chron. 21:25). One theory explains this discrepancy as arising from two separate transactions. First, David purchased the threshing floor to build an altar to Yahweh, and he later purchased the whole mountain to build a temple. Later tradition associates the hill where David built an altar with the location where earlier Abraham built an altar to sacrifice Isaac (Mount Moriah).

Construction and dimensions. Solomon started to build during the fourth year of his reign (2 Chron. 3:1), and construction lasted for seven years. The plan of the temple was revealed to Solomon during a night in the sanctuary at Gibeon (2 Chron. 1:7–13). The king obtained building materials, specifically cedar from Lebanon (2 Chron. 2:3–10), and construction and design expertise from Phoenician artisans (1 Kings 7:13–14, 45). The Solomonic temple consisted of a tripartite plan similar to other temples in Syro-Palestine during this period. There are two accounts for the construction and dedication of the first temple (1 Kings 6–8; 2 Chron. 3–7). Both accounts offer similar descriptions but there are some differences in measurements. Most scholars account for these differences by viewing the dimensions in the book of Chronicles as reflecting the temple measurements after Hezekiah’s repair and rebuilding projects.

The basic plan was a rectangle, 70 cubits long (120 ft. 7 in.) and 20 cubits wide (34 ft. 5 in.) on a straight axis facing east; the height was 30 cubits (51 ft. 7 in.). These measurements refer to the inside dimensions (1 cubit = 20.67 in.). The three distinct architectural units formed three distinct rooms where various functions were performed and also reflected levels of holiness. The three units were the ’ulam (“porch” or “vestibule”), the hekal (“cella” or “nave”), and the debir (the innermost sanctuary, the most holy place). In the biblical accounts the whole building is called the “house [bayit] of the Lord,” and the word “temple” is used for the hekal. There was a three-story structure built around the sides and back of the temple (see below).

The porch was 10 cubits (17 ft. 2 in.) by 20 cubits (34 ft. 5 in.). The account in Kings does not provide its height; the account in Chronicles gives the height as 120 cubits. In its description and measurements in the biblical text, the porch is considered separate from the temple (bayit, house). The porch contained two pillars of bronze: yakin (“he will establish”) on the right side and bo’az (“in strength”) on the left (see Boaz; Jakin). The pillars were bronze, 18 cubits (35 cubits in Chronicles) in height, with elaborate double capitals. The bottom capital was 5 cubits, round in shape, and surrounded by nets with pomegranates. Above this was another capital, 4 cubits high, shaped like a lily.

The hekal was 40 cubits long and 20 cubits wide and was the only part with windows (1 Kings 6:4). The debir was a cube, 20 cubits per side. The debir is also called the “holy of holies.” The difference in height (10 cubits shorter than the hekal  ) is due to the rise in the bedrock. This measurement is confirmed today in the interior of the Dome of the Rock.

The walls of the house (hekal and debir) were built of whole stones dressed in the quarry, as “no hammer, chisel or any other iron tool was heard at the temple site while it was being built” (1 Kings 6:7). The roof was made of cedar wood (1 Kings 6:10), with crossbeams and intersecting boards. The stone walls were covered from ground to ceiling with boards of cedar wood, and the floor was made of cypress wood, covered with gold (1 Kings 6:30). The wood had carved engravings of cherubim, palm trees, and open flowers. The hekal and the debir were separated by a partition made of olive wood.

The three-story structure surrounding the temple was constructed of cedar wood. Each story was 5 cubits. The width of the first floor was 5 cubits, the middle 6 cubits, and the top 7 cubits. This structure was entered from the right side of the temple, and the floors were connected by openings with ladders. This structure formed chambers and storage for the activities of the priests.

In front of the temple was a courtyard surrounded by a wall. Inside the courtyard was a great bronze basin (known as “the Sea”). This basin rested on the backs of twelve bronze oxen. Ten smaller basins in groups of five were set on elaborate wheeled stands. A large altar also was located in this courtyard.

In the holy of holies stood two large cherubim of olive wood covered with gold. They were 10 cubits in height, with a wingspan of 10 cubits. These cherubim stood over the ark of the covenant. In the hekal were the golden altar, the golden table, and ten lampstands.

History. From Solomon to Zedekiah, the temple was used for political and religious power shifts. Kings of Israel raided the temple treasury to pay off invaders, closed the temple, or placed idols in the temple in periods of apostasy. During periods of reform they repaired and rebuilt the temple and its furnishings.

Under Rehoboam’s reign, Shishak king of Egypt ransacked the temple and removed all its treasures (1 Kings 14:25–28; 2 Chron. 12:9). Asa and his father, Abijah, added to the treasure of the temple with silver, gold, and other vessels (2 Chron. 15:18) but used these to pay Ben-Hadad of Syria to help him fight Baasha king of Israel (16:2–3). Asa’s son Jehoshaphat (2 Chron. 17) ruled during a time of prosperity and reform. It was under his rule that the court in front of the temple probably was enlarged (20:5). The sons of Athaliah broke into the temple and worshiped Baal. During the reign of Amaziah the temple was plundered by Jehoash king of Israel (2 Chron. 25). Uzziah ruled for a long period of prosperity (787–736 BC) but attempted to burn incense on the altar in the hekal, a ritual kept solely for the priests. A later king, Jotham, built the Upper Gate of the house of Yahweh (2 Kings 15:35; 2 Chron. 27:3). Jotham’s son Ahaz took the silver and gold from the temple and sent it as a present to the king of Assyria. He moved and changed various vessels of the temple and shut its doors (2 Chron. 28:24).

Hezekiah son of Ahaz ruled during a time of prosperity and revival. He reopened the temple doors (2 Chron. 29), cleaned out the temple, and created a 500-cubit-square mount around the temple. Hezekiah conducted many building projects in Jerusalem and reforms throughout the land. He also “stripped off the gold with which he had covered the doors and doorposts of the temple of the Lord” to pay a ransom to Sennacherib king of Assyria (2 Kings 18:16). Due to his building activities, most scholars attribute major changes to the temple to Hezekiah’s reign. The differences in the temple descriptions in Kings and Chronicles probably reflect two different periods of history concerning the temple (e.g., Kings represents the temple during the period of Solomon, while Chronicles represents the changes to the temple by Hezekiah). Manasseh, Hezekiah’s son, undid the work of his father by building altars in the temple.

The last resurgence of the temple in the life of the people of Israel was under Josiah. He instigated a reform throughout the land and a cleansing of the temple. Hilkiah the high priest found a copy of the “Book of the Law” (2 Kings 22:8). After a reading of the law in the public square, a collection was taken from the people to be given to workers for temple repair. The Babylonians took some of the temple treasure (2 Chron. 36:7) under the rule of Jehoiakim. The last two kings of Judah, Jehoiachin and Zedekiah, also lost temple treasure to Babylon, and eventually the temple was destroyed during the destruction of Jerusalem in 586 BC (2 Chron. 36).

Second Temple: Zerubbabel and the Temple of Herod the Great

Zerubbabel’s temple. Solomon’s temple was rebuilt by the Jews who returned from exile under the decree of the Persian king Darius (Ezra 6:1–5). The temple was built under the direction of the governor Zerubbabel with the support of the prophets Haggai and Zechariah (Ezra 6:13–18) and was dedicated in 515 BC. This would have been a poorer temple due to the poverty of the inhabitants of Judah. During the Hasmonean period (152–37 BC) a platform and a fortress were constructed. Not much is known about the temple during this period. It would be greatly eclipsed by the work of Herod the Great.

Temple of Herod the Great. Herod invested heavily in building projects throughout his kingdom. He was keen on bringing Hellenistic culture to the Jews but also on upholding traditional Jewish religious practices, especially when it came to the temple. Just as the first temple mimicked the religious architecture of the ancient Near East, the second temple reflected the massive sacred architecture of the classical world. John 2:20 indicates that thus far it had taken forty-six years (beyond Herod’s life) to build. Herod could not alter the dimensions of the temple, but he was able to make additions to the outside, alter its outer furnishings, and expand the compound and platform to match the grandeur of Greco-Roman temples. Today scholars refer to all these buildings and the temple as the Temple Mount complex.

Herod expanded the space of the Temple Mount by building a “box” around the mountain. This was a massive wall with varying height due to the topography. This wall is still visible today, especially the current religious site of the Western Wall. This construction allowed for a level platform with various buildings and plazas on the top. The leveling was done by filling in the gaps and building subterranean arches in low areas. One of these areas is located on the southeast corner (the underground arched supports are erroneously called “Solomon’s Stables” today). The whole area was surrounded by a colonnaded portico (Solomon’s Colonnade [John 10:23; Acts 3:11; 5:12]). On the northwest corner was the Antonia Fortress (Acts 21:35), and the southern end of the complex contained the Royal Stoa, a basilica-style building (four rows of forty columns) that housed the Sanhedrin and had other religious and political functions (Luke 22:66).

This complex became the religious and political center of the city of Jerusalem, and Herod built many auxiliary components. Several entrances and bridges from the Upper City were built. The public entered the complex from the south. A southern complex consisting of monumental stairs (210 feet wide) and entrance and exit gates (Double and Triple Gates) took pedestrians from the outside up through underground tunnels to the top of the temple compound. These stairs became an area for public forums. In addition, several shops (Mark 11:15–17) were built around the complex, as well as a large bathhouse for ritual cleansing. In order to facilitate the many sacrifices, Herod built a complex hydrologic system that brought water into the city. This was accomplished by various aqueducts and storage pools. The Temple Mount had many cisterns and a new pool on the northeast end of the Temple Mount complex, the Pool of Israel. Although Herod could not alter the dimensions of the temple itself, he was able to enlarge the facade, added storage chambers and auxiliary buildings, build a second story above the temple, and construct several courtyards and various buildings associated with them. In keeping with the earlier tripartite level of holiness, these additional temple buildings and courtyards retained the same linear degree of holiness and exclusion.

Josephus called Herod’s temple “a structure more noteworthy than any under the sun” (Ant. 15.412). Herod built a new monumental facade in front of the existing temple and added a second story. Herod’s temple measured 100 cubits (172 ft.) in all three dimensions. It stood on top of a foundation that gave it added height. It had two stories, each one 45 cubits (77.5 ft.) in height. On the roof was a parapet, 3 cubits in height, which contained golden spikes, 1 cubit in height, to prevent birds from perching on the roof’s edge. The temple was decorated with gold overlay. The opening between the ’ulam (“porch”) and the sanctuary was 20 cubits high and 10 cubits wide (34 ft. by 17 ft.). There were two sets of double folding doors. The sanctuary contained the golden menorah, the table of the bread of the Presence, and the altar of incense. Between the sanctuary and the holy of holies was a large tapestry (veil) (Matt. 27:51; Mark 15:38; Luke 23:45). The holy of holies had gold plating on its walls. Around the temple were thirty-eight cells built in three stories (m. Mid. 4:3–4). All of the cells were interconnected by openings between adjoining cells and by one in the ceiling to reach the cell above. To the north, between the outer wall of the temple and the cells, was an inner stairway with access to the top of the temple and the upper chamber (second story of the temple). The upper chamber allowed priests to service the holy of holies. They would be suspended in baskets, covered on three sides, through openings in the floor to clean the gold overlay in the holy of holies.

The temple courtyard was surrounded by various gates and buildings. These were specific entrances and buildings that the priests used for the various functions of the sacrifices and offerings (Mark 13:1–2). These included the Kindling Gate, Wood Chamber, Gate of the Firstlings, Golah Chamber, Water Gate, Chamber of the Hearth, Gate of Jeconiah, Rinsing Chamber, Gate of the Offering-Women, Salt-Parva Chamber, and Gate of the Flame-Singers. In front of the temple were two narrow courts: the court of the priests to the west and the court of the Israelites (men) to the east. Inside the temple court was the altar of burnt offering. During the Second Temple period it was a stationary, square-shaped altar constructed of unhewn stones. According to the Mishnah (m. Mid. 3:1), this altar was 32 cubits square at the base and about 10 cubits in height. A ramp 32 cubits long, also built of unhewn stones, led the priests up to the altar from the south. A laver, the great bronze basin known as “the Sea,” stood west of the altar between the altar and the temple porch (’ulam) for the washing of hands and feet. North of the altar was the place of slaughtering.

The court of the women, 135 cubits square, was in front of the temple to the east. This court had four smaller courts, one at each corner. Women could enter the temple only as far as this court. It was surrounded by a colonnade. Inside these porches (porticoes) were thirteen collection boxes for money. This is where Jesus saw the poor widow donating two copper coins (Luke 21:1–3). The court had four large lampstands nearly half the height of the temple. The Mishnah states that each of the corner chambers was 40 cubits square and roofless. The central area was exposed to the sky, with a portico around each courtyard—typical of Mediterranean buildings. The chamber to the immediate right of the court’s entrance (northeast) was the chamber of the woodshed, where priests examined logs for impurities (e.g., parasites). To the left (southeast) was the chamber of the Nazirites. To the northwest was the chamber of the lepers. A leper who had been healed brought an offering and then bathed in this chamber before coming to the priests for the performance of rituals. In the southwest corner was the chamber of the house of oil. Between the court of the women and the temple court was the Nicanor Gate. Fifteen semicircular steps led up to this gate. It was on these steps that the Levites sang the fifteen Psalms of Ascent (Pss. 120–134).

Surrounding the temple and the court of the women was a balustrade or railing that served as a boundary beyond which no Gentile could enter. Outside this boundary was the court of the Gentiles (see John 12:20–22; Acts 21:27–29). Archaeologists have found an inscription that forbids Gentiles, upon pain of death, to enter any farther. Herod’s temple was destroyed in AD 70. The Temple Mount continued to be used and considered sacred, as Roman temples, Crusader churches, and Muslim shrines marked the sacredness of the location.

Role of the Temple

The temple was the dwelling place of Yahweh. It was the domain of the religious leaders, priests, and Levites. It also represented the relationship/covenant between God and the nation of Israel. Various kings used the temple for their political maneuvering and attempts to shift the religious worship of the nation. The temple was the visible presence of God and embodied the political and religious aspirations of the people. The temple sat on top of a sacred mountain.

During turbulent political times the temple was central to God’s protection and judgment. From the Babylonian and Roman periods, two texts spoke of a future temple. Ezekiel’s vision saw a futuristic temple measuring 500 cubits square surrounded by a massive court measuring 3,000 cubits square (Ezek. 40:1–47:12). Among the DSS, the Temple Scroll also talks about a rebuilt temple. Today many Christians and Jews look to a future rebuilding of the temple.

The titles, or superscriptions, of fifteen psalms include the designation “a song of ascents,” also called “a song of degrees.” The notion of ascending, or going up, has influenced the understanding of these psalms. The “going up” has been seen as going up to Jerusalem for a holy day, going up to Jerusalem as part of the return from the exile, going up the fifteen steps at the courts of the temple (a Jewish tradition in the Mishnah), or an aspect of their poetic style. These psalms occur together as a group, Pss. 120–134. They include different genres but share an emphasis on Jerusalem, which supports the idea that they were used on pilgrimage for a holy day (see Exod. 24:13; 34:23; Lev. 23:4; and Deut. 16 for religious journeys to Jerusalem). Harvest imagery in some of these psalms and the Mishnah tradition suggest the Feast of Tabernacles, but they need not have been limited to this festival.

Temples have always been the domain and house of the gods throughout the ancient Near East. As the abode of the God of Israel, the Jerusalem temple served the same purpose. The temple played an important role in the social, religious, and political life of ancient Israel. No archaeological remains of the actual temple building exist today; nevertheless, the temple has dominated biblical scholarship. The Jerusalem temple was originally built by Solomon in 953 BC and was destroyed by the Babylonian king Nebuchadnezzar in 586 BC. After the exile, the temple was rebuilt and then rededicated by Zerubbabel in 515 BC (Ezra). Herod the Great significantly expanded and changed the temple, but it was eventually destroyed by the Romans under the direction of Titus in AD 70.

The biblical text refers to the temple in several ways: temple, house of God/Yahweh, and sanctuary/shrine. These terms all refer to the dwelling or house of God and an area of sacredness. The sources for information on the temple are biblical texts, Josephus, and the Mishnah (tractate Middot). The most detailed accounts of the construction of the Solomonic temple are found in 1 Kings 6–8; 2 Chron. 2–4. In addition to these major sections, there are several references to building activities and repairs to the temple throughout the OT. Another major text is Ezek. 40, but it is debated whether this represents the actual temple or an ideal temple. There are several references in the NT that directly or indirectly refer to functions and specific components of the Temple Mount complex.

Archaeological Investigation

The location of the Temple Mount in Jerusalem has been undisputed. Current scholarly opinion locates the temple on the spot of the current Muslim shrine, the Dome of the Rock. Today the larger enclosed area is referred to as the harem esh-sharif (the noble sanctuary). Explorers in the nineteenth century did not attempt archaeological research of the temple itself, although various explorations focused on recording visible features and conducting soundings along the sides of the Temple Mount. Even after the unification of Jerusalem in 1967, with three major excavations in the city, no archaeological investigation of the temple was conducted. Due to the political and religious variables associated with the Muslim holy sites, there are no foreseeable archaeological investigations. A recent renovation of the Mosque of Omar, located on the southern end of the Temple Mount, removed truckloads of earth. Unfortunately, there was no archaeological supervision of the project and no archaeological excavations of the site were conducted.

In spite of the limited archaeological excavations, several popular accounts of alternate locations of the temple have been proposed. Most of these place the temple somewhere other than the Dome of the Rock, but none of these proposals has garnered scholarly support to rival the current location.

First Temple: Temple of Solomon

Throughout the ancient Near East, temples served as monumental edifices that provided divine legitimacy for the king or dynasty. While temples should be considered part of the religious sphere of society, their construction, maintenance, and associated activities are interlinked with the political sphere. The construction of the temple in Jerusalem is also linked to state formation by the Israelites. The Solomonic temple ushered in a new period of religious activity among the ancient Israelites. Previously, Israel had worshiped at various shrines and sanctuaries, and its central religious practice was associated with the tabernacle. With the establishment of the monarchy, dynastic kingship and centralized authority were created. Although the biblical text credits Solomon as the Israelite king who built the temple, the project was initiated under David. David united the Israelite tribes, captured Jerusalem and made it the capital of the kingdom, and built a royal palace. He made Jerusalem the political capital but also the religious center when he brought the holy ark, the visible symbol of Yahweh’s presence, to Jerusalem (2 Sam. 5–6). David intended to build Yahweh a permanent dwelling (2 Sam. 7:2).

Location. The biblical text preserves multiple traditions and accounts of the location and acquisition of land for the temple. In the ancient world the city temple was commonly located on the acropolis (highest point) of the city. The temple is located on the highest point of a ridge where the OT city of Jerusalem is located (Jebusite city, later the City of David). There are two accounts of the purchase of the land: the threshing floors of Araunah (2 Sam. 24:18–25) and of Ornan (1 Chron. 21:15–30; 2 Chron. 3:1 [here the NIV supplies “Araunah,” but see, e.g., the NET, NASB, ESV]). It is possible that Araunah and Ornan were kin, but most likely they are the same person, with Samuel and Chronicles using variant names. However, the two accounts disagree further on the amount paid for the land: fifty silver shekels (2 Sam. 24:24) and six hundred shekels of gold (1 Chron. 21:25). One theory explains this discrepancy as arising from two separate transactions. First, David purchased the threshing floor to build an altar to Yahweh, and he later purchased the whole mountain to build a temple. Later tradition associates the hill where David built an altar with the location where earlier Abraham built an altar to sacrifice Isaac (Mount Moriah).

Construction and dimensions. Solomon started to build during the fourth year of his reign (2 Chron. 3:1), and construction lasted for seven years. The plan of the temple was revealed to Solomon during a night in the sanctuary at Gibeon (2 Chron. 1:7–13). The king obtained building materials, specifically cedar from Lebanon (2 Chron. 2:3–10), and construction and design expertise from Phoenician artisans (1 Kings 7:13–14, 45). The Solomonic temple consisted of a tripartite plan similar to other temples in Syro-Palestine during this period. There are two accounts for the construction and dedication of the first temple (1 Kings 6–8; 2 Chron. 3–7). Both accounts offer similar descriptions but there are some differences in measurements. Most scholars account for these differences by viewing the dimensions in the book of Chronicles as reflecting the temple measurements after Hezekiah’s repair and rebuilding projects.

The basic plan was a rectangle, 70 cubits long (120 ft. 7 in.) and 20 cubits wide (34 ft. 5 in.) on a straight axis facing east; the height was 30 cubits (51 ft. 7 in.). These measurements refer to the inside dimensions (1 cubit = 20.67 in.). The three distinct architectural units formed three distinct rooms where various functions were performed and also reflected levels of holiness. The three units were the ’ulam (“porch” or “vestibule”), the hekal (“cella” or “nave”), and the debir (the innermost sanctuary, the most holy place). In the biblical accounts the whole building is called the “house [bayit] of the Lord,” and the word “temple” is used for the hekal. There was a three-story structure built around the sides and back of the temple (see below).

The porch was 10 cubits (17 ft. 2 in.) by 20 cubits (34 ft. 5 in.). The account in Kings does not provide its height; the account in Chronicles gives the height as 120 cubits. In its description and measurements in the biblical text, the porch is considered separate from the temple (bayit, house). The porch contained two pillars of bronze: yakin (“he will establish”) on the right side and bo’az (“in strength”) on the left (see Boaz; Jakin). The pillars were bronze, 18 cubits (35 cubits in Chronicles) in height, with elaborate double capitals. The bottom capital was 5 cubits, round in shape, and surrounded by nets with pomegranates. Above this was another capital, 4 cubits high, shaped like a lily.

The hekal was 40 cubits long and 20 cubits wide and was the only part with windows (1 Kings 6:4). The debir was a cube, 20 cubits per side. The debir is also called the “holy of holies.” The difference in height (10 cubits shorter than the hekal  ) is due to the rise in the bedrock. This measurement is confirmed today in the interior of the Dome of the Rock.

The walls of the house (hekal and debir) were built of whole stones dressed in the quarry, as “no hammer, chisel or any other iron tool was heard at the temple site while it was being built” (1 Kings 6:7). The roof was made of cedar wood (1 Kings 6:10), with crossbeams and intersecting boards. The stone walls were covered from ground to ceiling with boards of cedar wood, and the floor was made of cypress wood, covered with gold (1 Kings 6:30). The wood had carved engravings of cherubim, palm trees, and open flowers. The hekal and the debir were separated by a partition made of olive wood.

The three-story structure surrounding the temple was constructed of cedar wood. Each story was 5 cubits. The width of the first floor was 5 cubits, the middle 6 cubits, and the top 7 cubits. This structure was entered from the right side of the temple, and the floors were connected by openings with ladders. This structure formed chambers and storage for the activities of the priests.

In front of the temple was a courtyard surrounded by a wall. Inside the courtyard was a great bronze basin (known as “the Sea”). This basin rested on the backs of twelve bronze oxen. Ten smaller basins in groups of five were set on elaborate wheeled stands. A large altar also was located in this courtyard.

In the holy of holies stood two large cherubim of olive wood covered with gold. They were 10 cubits in height, with a wingspan of 10 cubits. These cherubim stood over the ark of the covenant. In the hekal were the golden altar, the golden table, and ten lampstands.

History. From Solomon to Zedekiah, the temple was used for political and religious power shifts. Kings of Israel raided the temple treasury to pay off invaders, closed the temple, or placed idols in the temple in periods of apostasy. During periods of reform they repaired and rebuilt the temple and its furnishings.

Under Rehoboam’s reign, Shishak king of Egypt ransacked the temple and removed all its treasures (1 Kings 14:25–28; 2 Chron. 12:9). Asa and his father, Abijah, added to the treasure of the temple with silver, gold, and other vessels (2 Chron. 15:18) but used these to pay Ben-Hadad of Syria to help him fight Baasha king of Israel (16:2–3). Asa’s son Jehoshaphat (2 Chron. 17) ruled during a time of prosperity and reform. It was under his rule that the court in front of the temple probably was enlarged (20:5). The sons of Athaliah broke into the temple and worshiped Baal. During the reign of Amaziah the temple was plundered by Jehoash king of Israel (2 Chron. 25). Uzziah ruled for a long period of prosperity (787–736 BC) but attempted to burn incense on the altar in the hekal, a ritual kept solely for the priests. A later king, Jotham, built the Upper Gate of the house of Yahweh (2 Kings 15:35; 2 Chron. 27:3). Jotham’s son Ahaz took the silver and gold from the temple and sent it as a present to the king of Assyria. He moved and changed various vessels of the temple and shut its doors (2 Chron. 28:24).

Hezekiah son of Ahaz ruled during a time of prosperity and revival. He reopened the temple doors (2 Chron. 29), cleaned out the temple, and created a 500-cubit-square mount around the temple. Hezekiah conducted many building projects in Jerusalem and reforms throughout the land. He also “stripped off the gold with which he had covered the doors and doorposts of the temple of the Lord” to pay a ransom to Sennacherib king of Assyria (2 Kings 18:16). Due to his building activities, most scholars attribute major changes to the temple to Hezekiah’s reign. The differences in the temple descriptions in Kings and Chronicles probably reflect two different periods of history concerning the temple (e.g., Kings represents the temple during the period of Solomon, while Chronicles represents the changes to the temple by Hezekiah). Manasseh, Hezekiah’s son, undid the work of his father by building altars in the temple.

The last resurgence of the temple in the life of the people of Israel was under Josiah. He instigated a reform throughout the land and a cleansing of the temple. Hilkiah the high priest found a copy of the “Book of the Law” (2 Kings 22:8). After a reading of the law in the public square, a collection was taken from the people to be given to workers for temple repair. The Babylonians took some of the temple treasure (2 Chron. 36:7) under the rule of Jehoiakim. The last two kings of Judah, Jehoiachin and Zedekiah, also lost temple treasure to Babylon, and eventually the temple was destroyed during the destruction of Jerusalem in 586 BC (2 Chron. 36).

Second Temple: Zerubbabel and the Temple of Herod the Great

Zerubbabel’s temple. Solomon’s temple was rebuilt by the Jews who returned from exile under the decree of the Persian king Darius (Ezra 6:1–5). The temple was built under the direction of the governor Zerubbabel with the support of the prophets Haggai and Zechariah (Ezra 6:13–18) and was dedicated in 515 BC. This would have been a poorer temple due to the poverty of the inhabitants of Judah. During the Hasmonean period (152–37 BC) a platform and a fortress were constructed. Not much is known about the temple during this period. It would be greatly eclipsed by the work of Herod the Great.

Temple of Herod the Great. Herod invested heavily in building projects throughout his kingdom. He was keen on bringing Hellenistic culture to the Jews but also on upholding traditional Jewish religious practices, especially when it came to the temple. Just as the first temple mimicked the religious architecture of the ancient Near East, the second temple reflected the massive sacred architecture of the classical world. John 2:20 indicates that thus far it had taken forty-six years (beyond Herod’s life) to build. Herod could not alter the dimensions of the temple, but he was able to make additions to the outside, alter its outer furnishings, and expand the compound and platform to match the grandeur of Greco-Roman temples. Today scholars refer to all these buildings and the temple as the Temple Mount complex.

Herod expanded the space of the Temple Mount by building a “box” around the mountain. This was a massive wall with varying height due to the topography. This wall is still visible today, especially the current religious site of the Western Wall. This construction allowed for a level platform with various buildings and plazas on the top. The leveling was done by filling in the gaps and building subterranean arches in low areas. One of these areas is located on the southeast corner (the underground arched supports are erroneously called “Solomon’s Stables” today). The whole area was surrounded by a colonnaded portico (Solomon’s Colonnade [John 10:23; Acts 3:11; 5:12]). On the northwest corner was the Antonia Fortress (Acts 21:35), and the southern end of the complex contained the Royal Stoa, a basilica-style building (four rows of forty columns) that housed the Sanhedrin and had other religious and political functions (Luke 22:66).

This complex became the religious and political center of the city of Jerusalem, and Herod built many auxiliary components. Several entrances and bridges from the Upper City were built. The public entered the complex from the south. A southern complex consisting of monumental stairs (210 feet wide) and entrance and exit gates (Double and Triple Gates) took pedestrians from the outside up through underground tunnels to the top of the temple compound. These stairs became an area for public forums. In addition, several shops (Mark 11:15–17) were built around the complex, as well as a large bathhouse for ritual cleansing. In order to facilitate the many sacrifices, Herod built a complex hydrologic system that brought water into the city. This was accomplished by various aqueducts and storage pools. The Temple Mount had many cisterns and a new pool on the northeast end of the Temple Mount complex, the Pool of Israel. Although Herod could not alter the dimensions of the temple itself, he was able to enlarge the facade, added storage chambers and auxiliary buildings, build a second story above the temple, and construct several courtyards and various buildings associated with them. In keeping with the earlier tripartite level of holiness, these additional temple buildings and courtyards retained the same linear degree of holiness and exclusion.

Josephus called Herod’s temple “a structure more noteworthy than any under the sun” (Ant. 15.412). Herod built a new monumental facade in front of the existing temple and added a second story. Herod’s temple measured 100 cubits (172 ft.) in all three dimensions. It stood on top of a foundation that gave it added height. It had two stories, each one 45 cubits (77.5 ft.) in height. On the roof was a parapet, 3 cubits in height, which contained golden spikes, 1 cubit in height, to prevent birds from perching on the roof’s edge. The temple was decorated with gold overlay. The opening between the ’ulam (“porch”) and the sanctuary was 20 cubits high and 10 cubits wide (34 ft. by 17 ft.). There were two sets of double folding doors. The sanctuary contained the golden menorah, the table of the bread of the Presence, and the altar of incense. Between the sanctuary and the holy of holies was a large tapestry (veil) (Matt. 27:51; Mark 15:38; Luke 23:45). The holy of holies had gold plating on its walls. Around the temple were thirty-eight cells built in three stories (m. Mid. 4:3–4). All of the cells were interconnected by openings between adjoining cells and by one in the ceiling to reach the cell above. To the north, between the outer wall of the temple and the cells, was an inner stairway with access to the top of the temple and the upper chamber (second story of the temple). The upper chamber allowed priests to service the holy of holies. They would be suspended in baskets, covered on three sides, through openings in the floor to clean the gold overlay in the holy of holies.

The temple courtyard was surrounded by various gates and buildings. These were specific entrances and buildings that the priests used for the various functions of the sacrifices and offerings (Mark 13:1–2). These included the Kindling Gate, Wood Chamber, Gate of the Firstlings, Golah Chamber, Water Gate, Chamber of the Hearth, Gate of Jeconiah, Rinsing Chamber, Gate of the Offering-Women, Salt-Parva Chamber, and Gate of the Flame-Singers. In front of the temple were two narrow courts: the court of the priests to the west and the court of the Israelites (men) to the east. Inside the temple court was the altar of burnt offering. During the Second Temple period it was a stationary, square-shaped altar constructed of unhewn stones. According to the Mishnah (m. Mid. 3:1), this altar was 32 cubits square at the base and about 10 cubits in height. A ramp 32 cubits long, also built of unhewn stones, led the priests up to the altar from the south. A laver, the great bronze basin known as “the Sea,” stood west of the altar between the altar and the temple porch (’ulam) for the washing of hands and feet. North of the altar was the place of slaughtering.

The court of the women, 135 cubits square, was in front of the temple to the east. This court had four smaller courts, one at each corner. Women could enter the temple only as far as this court. It was surrounded by a colonnade. Inside these porches (porticoes) were thirteen collection boxes for money. This is where Jesus saw the poor widow donating two copper coins (Luke 21:1–3). The court had four large lampstands nearly half the height of the temple. The Mishnah states that each of the corner chambers was 40 cubits square and roofless. The central area was exposed to the sky, with a portico around each courtyard—typical of Mediterranean buildings. The chamber to the immediate right of the court’s entrance (northeast) was the chamber of the woodshed, where priests examined logs for impurities (e.g., parasites). To the left (southeast) was the chamber of the Nazirites. To the northwest was the chamber of the lepers. A leper who had been healed brought an offering and then bathed in this chamber before coming to the priests for the performance of rituals. In the southwest corner was the chamber of the house of oil. Between the court of the women and the temple court was the Nicanor Gate. Fifteen semicircular steps led up to this gate. It was on these steps that the Levites sang the fifteen Psalms of Ascent (Pss. 120–134).

Surrounding the temple and the court of the women was a balustrade or railing that served as a boundary beyond which no Gentile could enter. Outside this boundary was the court of the Gentiles (see John 12:20–22; Acts 21:27–29). Archaeologists have found an inscription that forbids Gentiles, upon pain of death, to enter any farther. Herod’s temple was destroyed in AD 70. The Temple Mount continued to be used and considered sacred, as Roman temples, Crusader churches, and Muslim shrines marked the sacredness of the location.

Role of the Temple

The temple was the dwelling place of Yahweh. It was the domain of the religious leaders, priests, and Levites. It also represented the relationship/covenant between God and the nation of Israel. Various kings used the temple for their political maneuvering and attempts to shift the religious worship of the nation. The temple was the visible presence of God and embodied the political and religious aspirations of the people. The temple sat on top of a sacred mountain.

During turbulent political times the temple was central to God’s protection and judgment. From the Babylonian and Roman periods, two texts spoke of a future temple. Ezekiel’s vision saw a futuristic temple measuring 500 cubits square surrounded by a massive court measuring 3,000 cubits square (Ezek. 40:1–47:12). Among the DSS, the Temple Scroll also talks about a rebuilt temple. Today many Christians and Jews look to a future rebuilding of the temple.

Grape-producing plants are widely cultivated in Palestine. The first biblical reference to vine cultivation appears in Gen. 9:20, where the restoration of the earth is implied by Noah’s planting of a vineyard. The appearance of the vine in Pharaoh’s chief cupbearer’s dream implies widespread vine cultivation in Egypt (Gen. 40:9–11). Before the Israelites’ entry, the land of Canaan was also famous for the production of grapes and wine (cf. Num. 13:23; Deut. 6:11; 8:8). Several places around the region are named in the OT for their fruitful vines: Eshkol (Num. 13:23), Sorek (Judg. 16:4), Sibmah, Heshbon, Jazer, Elealeh (Isa. 16:8–10), Helbon (Ezek. 27:18), Lebanon (Hos. 14:7), and En Gedi (Song 1:14).

Vine cultivation. Vine cultivation is detailed in the Bible. A hilly terrain is terraced, stones are cleared, and soil is plowed (Ps. 80:9; Isa. 5:2). The walls are built up with stones, often with a hedge of thorny bushes, to protect the vineyard from thieves and wild animals (Isa. 5:2). Then young vines are planted where water is supplied (Ezek. 19:10). As their branches develop, they are raised up on supports (Ezek. 17:6). In the spring the vines are pruned so that they will bear good grapes (Lev. 25:3; John 15:2). Winepresses are hewn out of wood or rocky ground (Isa. 5:2). A watchtower is erected to overlook the vineyard, especially as the harvest season draws near (Job 27:18; Isa. 1:8; 27:3). When the grapes are ripe, they are gathered in baskets and taken to winepresses (Hos. 9:2), while some are dried into raisins. When the harvest is done, the poor in the village are allowed to enter the vineyard to gather the gleanings (Lev. 19:10; Deut. 24:21; cf. Isa. 24:13; Jer. 49:9; Mic. 7:1).

Since the production of grapes was of major importance to the Israelites, the continuing cycle of vine cultivation meant national peace and security (cf. “under their own vine and under their own fig tree” in 1 Kings 4:25; Mic. 4:4; Zech. 3:10; joy of the harvest in Isa. 16:10; Jer. 48:33). Thus, the characteristic expression of planting vineyards and consuming their fruits signals God’s blessing (2 Kings 19:29; Ps. 107:37; Isa. 65:21–22; Jer. 31:5; 40:12; Ezek. 28:26; Amos 9:14), whereas not enjoying the fruit signifies misfortune (Deut. 20:6) or God’s judgment (Deut. 28:30; Ps. 78:47; Jer. 8:13; Amos 5:11; Hab. 3:17; Zeph. 1:13). Likewise, a feast with wine signifies God’s blessing (Isa. 25:6; 55:1; Jer. 31:12; Joel 2:19; cf. Jesus turning water into wine [John 2:1–11]), while the lack of wine means God’s judgment (Isa. 24:9, 11; 62:8; Hos. 2:9; 9:2; Joel 1:10).

Old Testament. The vine and the vineyard are important metaphors in the OT. The fruitfulness of the vine often symbolizes the fruitfulness or blessedness of a person (e.g., Joseph in Gen. 49:22; a fruitful wife in Ps. 128:3). In Song of Songs the vineyard is not only the main place of love (2:13, 15; 6:11; 7:12) but also a metaphor for the woman’s body (8:11); also, the “beloved” is compared to “henna blossoms from the vineyards of En Gedi” (1:14), and her breasts to the “clusters of grapes on the vine” (7:8).

The metaphors of the vine and the vineyard are also used of God’s people. In Ps. 80:8–13 Israel’s history is presented in terms of the vine-cultivation cycle (cf. Jer. 2:21; Hos. 10:1). A similar story is heard in Isa. 5:1–7, which compares the Israelites’ lack of justice and righteousness to the bearing of wild grapes (cf. “vine of Sodom” in Deut. 32:32; “a corrupt, wild vine” in Jer. 2:21). Ezekiel also uses the vine metaphor in rebuking the Israelites’ iniquity (Ezek. 15:2–4; 17:3–10; 19:10–14). If the aforementioned passages describe Israel’s history from its birth to judgment, Isa. 27:2–6 presents God’s promise of restoration through the story of the restored vineyard.

New Testament. In five parables Jesus refers to vines and cultivation (Matt. 9:17 pars.; 20:1–16; 21:28–32; 21:33–46 pars.; Luke 13:6–9). Notable is the fact that God often is portrayed as the owner of the vineyard (Matt. 20:1; 21:28, 33; Luke 13:6). In Rev. 14:18–20 God’s judgment upon his enemies is described by means of the imagery of the vine harvest, in which the enemies are trampled like harvested grapes in the “great winepress of God’s wrath” (cf. Isa. 63:1–6; Joel 3:13). In the vine metaphor in John 15:1–8, Jesus identifies God as the farmer, himself as the “true vine,” and the believers as its branches. No longer are God’s people identified as the vine, which is expected to bear good fruits; rather, Jesus is the vine, and the believers are his branches. So the fruitfulness of the branches depends on their adherence to the vine. Jesus’ use of the “fruit of the vine” at the Last Supper as the symbol of his atoning blood can be compared to his metaphorical self-identification as the vine (Matt. 26:29; Mark 14:25; Luke 22:18). See also Plants.

Ancient Near East

The ancient Near East was a male-dominated culture in which, therefore, women were marginalized and treated more or less as property. Note, for example, Boaz’s question “Who does that young woman belong to?” (Ruth 2:5). Women, of course, produce children, and this power was prized. Women were also fit to engage in various mundane tasks, but they were not trained for war or educated for service in the royal court. Their role in society was subordinate and secondary.

In the Epic of Gilgamesh, the wild and powerful Enkidu met a “wise woman” who seduced him. Thereafter, Enkidu was tamed and weakened. She made a civilized man of him. In the Ugaritic legend of Danil, Danil was unhappy because he had no sons. With the blessing of the gods, he married Hurriya, and had sons and daughters. Thus, sons fulfilled Danil as much as they fulfilled the woman.

But the power to reproduce, which resides in the woman’s womb, also was mysterious and seemed to belong in the same category as other forces of nature, such as the rebirth of life in the spring following sterile winter. Thus, the ancient world was filled with goddesses of great power. These goddesses at times also took on masculine characteristics, such as displaying great prowess in war; this is especially true of Anat of Canaanite mythology.

Throughout Israel’s sojourn in the Promised Land, there was an undercurrent of Canaanite-style goddess worship. In the period of the judges, the Israelites worshiped the goddess Asherah (Judg. 6:25). Led astray by his wives, Solomon also worshiped the goddess (1 Kings 11:1–8). The “fertility cult” included ritual sex in places of worship. This eventually took place in the temple of Yahweh. Much of this seems to have been homosexual sex (2 Kings 23:7).

Creation of Woman

In the Bible, woman is first encountered along with man in Gen. 1:26–28. God created “man” in the plural, male and female, and commanded them to reproduce and to fill the earth and subdue it. Being created male and female is set in parallel to being created in the image of God. In the ancient Near East, perhaps the king would be thought of as the image of God. But in Genesis, not only is the first man the image of God, but the first woman participates in the image as well. This is all but unthinkable in the ancient world, and it suggests an unparalleled dignity and worth in womankind.

Genesis records that the human race fell through the instrumentality of a man, a woman, and the serpent. The serpent approached the woman, not the man. The woman was convinced by the serpent and ate the forbidden fruit. She gave some to her husband, who also ate it without saying a word. Thus, the woman can be blamed in part for the fall of the race. Adam was condemned because he “listened to [his] wife” (Gen. 3:17). Her judgment, for heeding the serpent, was pain in childbirth and a desire for her husband, who would rule over her (Gen. 3:16). The exact parameters of this judgment are unclear, but it appears that her desire will be for his position of leadership and will be perpetually frustrated.

Throughout the remainder of Genesis, this judgment does not seem to unfold as expected. Instead, men are shown to desire women. Jacob was willing to work seven years to get the beautiful Rachel as his wife, and when he was fooled into marrying her sister, Leah, he was willing to work another seven years for her (Gen. 29:16–30). And women exploit men and their desire in order to get what they want, in effect mastering them. Lot’s daughters contrived to get what they wanted from him (19:30–38), and Tamar manipulated Judah’s desire (38:13–26).

Reproduction

Often in the Bible, women are motivated by their desire to have children. Rachel demanded of Jacob, “Give me children, or I’ll die!” (Gen. 30:1). She saw herself in competition with her sister, Leah, in this respect (30:8). The “fruit of the womb” is a reward, and like arrows, the blessed man’s quiver is full of them (Ps. 127:1–5). Note also the beatitude of Ps. 128:3: “Your wife will be like a fruitful vine within your house; your children will be like olive shoots around your table.”

In Genesis, the reproductive capability of slave girls is at the disposal of their owners. Thus, Rachel and Leah’s maidservants became surrogate mothers for a number of their sons (Gen. 30:3–10). Sarah also became frustrated at her inability to conceive, so she gave Hagar to Abraham. The result was great familial turmoil, finally resulting in the banishment of both Hagar and Ishmael, whom she bore to Abraham.

In the beginning, God joined one man and one woman together as husband and wife. But soon this idea was corrupted, and Lamech, a man from Cain’s lineage, is credited with the first polygamous marriage (Gen. 4:19). Although the patriarchs (such as Jacob) did have more than one wife, the household discontent and strife are what is highlighted in those stories, such as with Hagar. In the NT, an elder is to be, literally, a “one-woman man” (1 Tim. 3:2; ESV, KJV: “the husband of one wife”), meaning monogamous.

In the Bible, women are described as having a number of different sexual relationships with men. There were wives, who enjoyed the closest relationship and had the greatest privileges. There were concubines, who were not wives but were bound to a single man. The greatest deviation from the norm of creation was the institution of the harem, whereby a king took to himself any number of consorts. The law of Moses restricted this practice (Deut. 17:17).

Legislation

The Torah contains significant legislation regarding women. The daughters of Zelophehad argued that their father died without sons, so in Canaan they were disinherited. God agreed and decreed that in Israel daughters would inherit land in the absence of sons. Only if there were no children at all would the land pass to other kin (Num. 27:1–11).

When a man made a vow, he must fulfill it, but a young woman’s vow was subject to her father. If he remained silent, the vow stood, but if he expressed disapproval, then she was freed from it. If she was married, her husband governed her vows, but if she was divorced, then there was no responsible male over her, and her vow was treated as a man’s (Num. 30:1–16).

Sexual intercourse was also regulated in the law of Moses, insofar as the act rendered both parties ritually impure (Lev. 15:18). Both must bathe and were unclean until evening. A woman’s menstrual discharge also made her unclean for a week. Everything she sat or lay upon was unclean, as was anyone who touched these things. She must wash and offer sacrifice to become clean again (15:18–31).

If a man discovered on his wedding night that his bride was not a virgin, he could accuse her publicly. If her parents provided evidence that she had in fact been a virgin, then the man was severely punished for lying and not allowed to divorce her (otherwise, it was simply a matter of writing a letter to divorce her [Deut. 24:1]). If her virginity could not be proved, she was to be put to death by stoning (Deut. 22:13–21).

In the case of a rape of a betrothed virgin, if it occurred in the city, both the rapist and the victim were stoned, since apparently she had failed to cry out for help and thus, the law assumed, consented to sexual intercourse. If she was raped in the countryside, only the man was killed. But if he raped a woman who was not spoken for, his punishment was that he must marry her without possibility of divorce (Deut. 22:23–29).

Numbers 5:11–31 treats cases where a husband was suspicious that his wife had been unfaithful—that is, a matter of covenantal jealousy. The unprovable was left to God to punish.

The Status of Women

In the Bible, women sometimes are afforded dignity beyond what is expected in an ancient Near Eastern provenance. Hagar is the only woman in all ancient Near Eastern literature who gave a name to a deity (Gen. 16:13). In Judg. 4:4, Deborah “judged” Israel (despite the NIV’s “leading,” the underlying Hebrew verb indicates “judging,” as in the NRSV). Even as judge, however, she did not lead the army against the enemy general Sisera; Barak did so. But Barak was unwilling to undertake this mission unless Deborah went with him (4:8). Thus, God ensured that the prestige of killing Sisera went to a woman, Jael (4:9, 21). Another prominent woman was Huldah, to whom the priests turned for guidance when the law was rediscovered (2 Kings 22:14).

Many biblical stories feature heroines. Mighty Pharaoh was undermined by two midwives in his attempt to destroy Israel (Exod. 1:15–21). Ruth the Moabite woman gave her name to the book that recounts her trek from Moab to Israel, including her famous oath of loyalty (Ruth 1:16–17). Esther too was a courageous woman whose book bears her name. Heroines are especially prominent in the Gospels, and the women there have the distinction of being the first to witness the risen Lord. Luke’s birth narrative is largely organized around Mary. Priscilla (with her husband) taught and helped to shape the early church (Acts 18:26). Paul lists many women in Rom. 16, calling them “deaconess,” “fellow worker,” and possibly even “apostle.”

Scripture also at times portrays various women as being temptations to men. Eve handed the fruit to Adam (Gen. 3:6). In the wilderness Israel worshiped Moabite gods in conjunction with sexual activity (Num. 25:1–9). Later, Israelites intermarried with Canaanite women, directly leading to worship of their idols (Judg. 3:6). Bathsheba was a temptation to David, and this began a series of events that marred his career as a man after God’s own heart. Solomon loved many foreign women, who turned him to worship their gods. After the exile, the Israelites were admonished by Nehemiah to put away their foreign wives lest history repeat itself (Neh. 13:26).

Song of Songs

Song of Songs, while acknowledging the great power of sexuality to move people to act against their own best interests, nevertheless portrays love in a very positive light. The love between a man and a woman is shown in Song of Songs to be not primarily about generating children. Offspring are not at issue in the Bible’s great love song. Rather, relations between man and wife rest on a deeper foundation, that of sexual enjoyment and desire. In the words of Hannah’s husband, Elkanah, “Don’t I mean more to you than ten sons?” (1 Sam. 1:8).

In Gen. 3:16, God pronounces judgment on the woman that her “desire” will be for her husband, but that he will master her. The Hebrew word for “desire” occurs only once outside Genesis, in Song 7:10, where the woman says that her lover’s “desire” is for her. This seems to be a direct reference to Gen. 3:16. Thus, in Song of Songs the judgment on the woman is rolled back and reversed in love. In Song of Songs it is the king who is enthralled in love and thus subdued (7:5). He would not have it any other way!

Thus, sexuality is celebrated in Song of Songs. What proves to be such a grave temptation to men elsewhere is shown to be an essential part of God’s good creation, albeit a potent and dangerous facet of life. Women do not exist simply to produce children; they partner and revel with their lovers, together enjoying that particular part of God’s creation that requires two sexes to explore.

Imagery

Women and marriage are used in the Bible as images for spiritual things. Paul writes that marital love mirrors the church’s relationship with Christ (Eph. 5:32–33). A man should love his wife as Christ loved the church. Revelation portrays the climax to human history in the figure of two women: the bride of Christ, adorned with righteous deeds for her husband (19:7–8), and the whore Babylon, drunk on the blood of the saints (17:5–6). The consummation of the age is when one is judged and the other enters her eternal marital bliss.

The book of Proverbs also separates humankind into two groups, symbolized by two women. Along the path of life, the youth hears the voices of Woman Folly (9:13–18) and of Woman Wisdom (1:20–33) calling out to him. Folly is incarnated in the flesh-and-blood temptation of the immoral woman (7:6–27), whereas Woman Wisdom has her counterpart at the end of the book in the detailed description of the woman of virtue (31:10–31). There, the woman who fears God is set as a prize far above earthly wealth—the highest blessing of the wise.

Paul uses two women from sacred history to help explain his gospel of law versus grace. Hagar the slave woman represents the Mosaic covenant given at Sinai, and the earthly Jerusalem—that is, a mind-set of slavery that futilely attempts to earn God’s favor by works of the law. Sarah was the free woman, and her son was the promised son, who represents the heavenly Jerusalem, the new covenant, and freedom from the requirements of the law (Gal. 4:21–31). Again, two women symbolize two paths and two peoples—one being slaves, the other being God’s free people.

Church Government

Throughout most of Christian history, women’s roles in the church have been comparable to their role in the general culture. Women participated little in the institutional life of society, and the church was no different. A number of Bible texts can be used in support of women’s marginalization as leaders. For example, in the OT, the cult was managed by the priestly caste, and no woman was ever a priest of Yahweh. In the NT, the local churches were overseen by a company of elders. Elders are described by Paul as men, the husband of one wife, who were apt to teach and who managed their own families well (1 Tim. 3:1–7). Immediately before this description, Paul notes that women were not to teach or have authority over men (1 Tim. 2:9–15). Women were the “weaker partner” (1 Pet. 3:7). Thus, women’s subordinate role throughout most of church history has some biblical justification.

However, as women participate more and more in the institutional life of society, the normative value of the aforementioned texts has been questioned, and other texts have been put forward to provide an alternative biblical conception of women’s roles in the church. Perhaps 1 Tim. 2:12 is only against teaching a specific heresy, and the Greek verb translated “to assume authority over” (authenteō) may refer to a specific kind of authoritarian or domineering behavior. As noted above, in Rom. 16 Paul considers women to be leaders in the church. Since it is true that in Christ there is no male or female (Gal. 3:28), how far does this extend? Today’s challenge for churches is to decide these matters in light of the whole of Scripture rather than a few proof texts.