The harvest was a major event on the yearly calendar of Israel’s agrarian society (Lev. 25:11; Judg. 15:1; Ruth 1:22; 2 Sam. 21:9–10). Life was dependent on the harvest. As a result, God set certain rules with respect to the harvest to help the Israelites keep proper priorities. Every seven years and every fiftieth year, the people were to give the land a rest (Exod. 23:10; Lev. 25:20–22). The people were to rest on the Sabbath, even during the harvesttime (Exod. 34:21). Some portions of crops were to be left in the field so that the poor might have food (Lev. 19:9; 23:22; Deut. 24:21). The people were to acknowledge God as the source of the harvest by offering the first of the produce (Lev. 23:10). Celebrating the harvest was commanded (Exod. 23:16; Deut. 16:15; Isa. 9:3). Planning for the harvest was a mark of wisdom (Prov. 6:8; 10:5; 20:4). Even as a good harvest was the blessing of God (Ps. 67:6; Isa. 62:9), so a bad harvest was a curse from God and the plight of a fool (1 Sam. 12:17; Job 5:5; Prov. 26:1; Isa. 18:4–5; Jer. 8:13, 20; Joel 3:12; Mic. 6:15). Failure to acknowledge God for the harvest was a sin (Jer. 5:24).

The harvest is often used in Scripture as an analogy. The prophets talk about the negative harvest of idolatry (Isa. 17:11). Israel is called the firstfruits of God’s harvest (Jer. 2:3). Hosea uses the idea of harvest to indicate that God’s people have a future (Hos. 6:11). In the Gospels, the harvest is used as an analogy for those needing to hear the good news (Matt. 9:37–38), for the end times (Matt. 13:24–30; Rev. 14:15), and for a lesson about unfaithful leadership (Matt. 21:33–46; 25:24). In the remainder of the NT, the harvest analogy usually refers to Christian growth and salvation (Rom. 1:13; 1 Cor. 9:10–11; 2 Cor. 9:10; Gal. 6:9; Heb. 12:11; James 3:18).

In the OT, increase at times refers to a harvest’s yield (Ps. 67:7) but more commonly to numerical growth. In Gen. 1 God’s creation blessing is expressed in the imperative “be fruitful and increase in number” (1:22, 28). Even after the fall in Genesis, God reiterated his intention to bless and increase Noah (9:1, 7), Abraham (17:2), Ishmael (17:20), Isaac (26:24), and Jacob (35:11). This blessing was fulfilled initially when Israel increased greatly in Egypt (47:27).

Moses stressed God’s intention to further increase his people if they would obey God (Deut. 6:3; 8:1), and he warned that disobedience would bring about ruin and destruction (28:63). According to Hosea, when Israel prospered, it increased in sin and idolatry (Hos. 4:7; 10:1). Yet God restated his intention to increase the remnant of his people following exile (Jer. 23:3; Ezek. 37:26).

The NT records prayer for increased faith (Luke 17:5) and love (1 Thess. 3:12) and stresses the increase of God’s grace (Rom. 5:20) and the advancement of the word of God (Acts 6:7; 12:24).

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

The incorporation or integration of multiple and diverse groups into one. God promised that all peoples would be blessed in Abraham and his descendants (Gen. 12:3; 22:18; cf. Gal. 3:8). Israel, as the recipient of God’s blessing, was to be a light to the nations (Isa. 49:6), a kingdom of priests mediating God’s presence to the surrounding peoples (Exod. 19:6; Ps. 67:1–2). The prophets anticipated a glorious day when the nations would flow into God’s house and his word would go out from Jerusalem to the nations (Isa. 2:1–5). In Christ, Gentiles have been included in the “Israel of God” (Gal. 6:16), and Paul longed for the fullness (ESV: “full inclusion”) of the Jewish people through faith (Rom. 11:12–17). Ultimately, people from every tribe, language, people, and nation will together worship Christ forever (Rev. 5:9).

Jesus embodied the inclusive nature of the kingdom of God in his practice of table fellowship with the socially marginalized or despised (Luke 15:2). His ministry included women, Samaritans, and Gentiles (Luke 8:2–3; John 4:40; 12:20). Christ commissioned his Jewish followers to make disciples of all nations (Matt. 28:19), in fulfillment of OT expectation (Luke 24:47). In the church, differences in ethnicity, gender, and socioeconomic status continue, but believers are called to a profound unity amid diversity because of the work of Christ (Gal. 3:26–28) and the gift of the Spirit (1 Cor. 12:11).

Gender inclusiveness is an important consideration for modern Bible translations. It concerns the question of whether to use language that is not gender specific instead of masculine language when the context calls for it (e.g., “people” rather than “men,” and “brothers and sisters” rather than “brothers”). Some versions (e.g., TNIV, NRSV, NET, NLT, REB) prefer gender-inclusive language, while others (e.g., NASB, ESV, NKJV) do not.

The incorporation or integration of multiple and diverse groups into one. God promised that all peoples would be blessed in Abraham and his descendants (Gen. 12:3; 22:18; cf. Gal. 3:8). Israel, as the recipient of God’s blessing, was to be a light to the nations (Isa. 49:6), a kingdom of priests mediating God’s presence to the surrounding peoples (Exod. 19:6; Ps. 67:1–2). The prophets anticipated a glorious day when the nations would flow into God’s house and his word would go out from Jerusalem to the nations (Isa. 2:1–5). In Christ, Gentiles have been included in the “Israel of God” (Gal. 6:16), and Paul longed for the fullness (ESV: “full inclusion”) of the Jewish people through faith (Rom. 11:12–17). Ultimately, people from every tribe, language, people, and nation will together worship Christ forever (Rev. 5:9).

Jesus embodied the inclusive nature of the kingdom of God in his practice of table fellowship with the socially marginalized or despised (Luke 15:2). His ministry included women, Samaritans, and Gentiles (Luke 8:2–3; John 4:40; 12:20). Christ commissioned his Jewish followers to make disciples of all nations (Matt. 28:19), in fulfillment of OT expectation (Luke 24:47). In the church, differences in ethnicity, gender, and socioeconomic status continue, but believers are called to a profound unity amid diversity because of the work of Christ (Gal. 3:26–28) and the gift of the Spirit (1 Cor. 12:11).

Gender inclusiveness is an important consideration for modern Bible translations. It concerns the question of whether to use language that is not gender specific instead of masculine language when the context calls for it (e.g., “people” rather than “men,” and “brothers and sisters” rather than “brothers”). Some versions (e.g., TNIV, NRSV, NET, NLT, REB) prefer gender-inclusive language, while others (e.g., NASB, ESV, NKJV) do not.

The incorporation or integration of multiple and diverse groups into one. God promised that all peoples would be blessed in Abraham and his descendants (Gen. 12:3; 22:18; cf. Gal. 3:8). Israel, as the recipient of God’s blessing, was to be a light to the nations (Isa. 49:6), a kingdom of priests mediating God’s presence to the surrounding peoples (Exod. 19:6; Ps. 67:1–2). The prophets anticipated a glorious day when the nations would flow into God’s house and his word would go out from Jerusalem to the nations (Isa. 2:1–5). In Christ, Gentiles have been included in the “Israel of God” (Gal. 6:16), and Paul longed for the fullness (ESV: “full inclusion”) of the Jewish people through faith (Rom. 11:12–17). Ultimately, people from every tribe, language, people, and nation will together worship Christ forever (Rev. 5:9).

Jesus embodied the inclusive nature of the kingdom of God in his practice of table fellowship with the socially marginalized or despised (Luke 15:2). His ministry included women, Samaritans, and Gentiles (Luke 8:2–3; John 4:40; 12:20). Christ commissioned his Jewish followers to make disciples of all nations (Matt. 28:19), in fulfillment of OT expectation (Luke 24:47). In the church, differences in ethnicity, gender, and socioeconomic status continue, but believers are called to a profound unity amid diversity because of the work of Christ (Gal. 3:26–28) and the gift of the Spirit (1 Cor. 12:11).

Gender inclusiveness is an important consideration for modern Bible translations. It concerns the question of whether to use language that is not gender specific instead of masculine language when the context calls for it (e.g., “people” rather than “men,” and “brothers and sisters” rather than “brothers”). Some versions (e.g., TNIV, NRSV, NET, NLT, REB) prefer gender-inclusive language, while others (e.g., NASB, ESV, NKJV) do not.

A transliteration of a Hebrew word (sg. and pl.) that appears in the superscription of a number of psalms (Pss. 4; 6; 54–55; 61; 67; 76). While the KJV transliterates the term in these psalm superscriptions as “Neginah, Neginoth” (but cf. Hab. 3:19 KJV), most modern versions, like the NIV, understand it to mean “stringed instruments.” In several other passages the Hebrew term refers to a mocking song or taunt (Job 30:9; Ps. 69:12; Lam. 3:14).

A transliteration of a Hebrew word (sg. and pl.) that appears in the superscription of a number of psalms (Pss. 4; 6; 54–55; 61; 67; 76). While the KJV transliterates the term in these psalm superscriptions as “Neginah, Neginoth” (but cf. Hab. 3:19 KJV), most modern versions, like the NIV, understand it to mean “stringed instruments.” In several other passages the Hebrew term refers to a mocking song or taunt (Job 30:9; Ps. 69:12; Lam. 3:14).

The word “providence” comes from the Latin word providentia, which means “foresight.” However, the modern theological use of the term refers not to foresight or foreknowl-edge per se but rather to how God continues to sustain and guide his creation. There is no single term in either the OT or the NT that translates as “providence.” The one time the word occurs in the NIV (Job 10:12), the Hebrew word (peqqudah) is one that the NIV in other places usually translates with words such as “care,” “charge,” or “oversight.” The concept of divine providence comes not from any one word but rather from numerous statements in the Bible that speak of God’s continuing supervision of his world. The biblical data can perhaps best be organized under four headings: created order, world history, salvation history, and individual history. These headings are, however, not discrete; they continually intersect.

Created Order

Scripture testifies in numerous places to God’s ongoing supervision of his creation. The psalms play a special role here. As one commentator has remarked, there are no nature lyrics in the psalms, only admiration and awe at how God runs his world. God actively cares for the land and waters it, causes grass to grow, plants trees, and makes sure that they are well watered (Pss. 65:9; 104:14, 16). God brings darkness on the land and tells the sun when to set and when to rise (Ps. 104:19–20). God is the zookeeper who makes sure all the animals are fed (Ps. 104:27). Every birth of every living creature is regarded as a new creative work of God, and he constantly renews the face of the earth (Ps. 104:30).

God blankets the earth with snow and lays down a sheet of frost (Ps. 147:16). When the snow and frost melt, it is because God commanded it by his word and sent breezes to make the melting waters flow (Ps. 147:18). Hail, snow, clouds, and stormy winds do their Master’s bidding (Ps. 148:8). God commands the morning to dawn and keeps the snow and hail in storehouses, ready to be deployed on the day of battle (Job 38:12, 22–23). The sea waves roar because God stirs them up (Jer. 31:35). God even speaks of being in a covenant relationship with his creation (Jer. 33:20, 25).

In the NT, we find that Jesus Christ himself sustains “all things by his powerful word” (Heb. 1:3). In him “all things hold together” (Col. 1:17).

World History

What happens on the world scene is under God’s sovereign control. If the nations are scattered over the world and speak different languages, it is because God made it so (Gen. 11:1–9). God determines whether the nations are blessed or cursed (Gen. 12:3). God is the one who has apportioned each nation’s inher-i-tance and has established their boundaries (Deut. 32:8). Yahweh is the God of Israel, which is his special possession, but he has also appointed deities for the other nations to worship (Deut. 4:19 [evidently false gods, but still under Yahweh’s sovereignty]). He judges the world and carries out justice for the peoples, foils the plans of the nations, forms the hearts of all people, reigns over the nations and guides them (Pss. 9:8; 33:10, 15; 47:8; 67:4).

It is by God’s sanction that kings reign, and a king’s heart is like a watercourse, which God can redirect at will (Prov. 8:15; 21:1). God “does as he pleases with the powers of heaven and the peoples of the earth” (Dan. 4:35). All thrones, powers, rulers, and authorities “were created through him and for him” (Col. 1:16). God is actively working to bring the whole universe and all peoples and nations under one head, his Son, Christ Jesus (Eph. 1:10).

Salvation History

Within world history, God has also worked through one particular people, the Israelites, to accomplish his redemptive purposes. When Joseph told his brothers that what they had intended to do to him for evil, God had intended for good, for “the saving of many lives” (Gen. 50:20), he may not have fully realized how much his words were in accord with, and could even be said to summarize, redemptive history. God took the harm that Joseph’s brothers intended and used it to fulfill the promises that he had made years earlier to Abraham with regard to what would happen to his descendants (Gen. 12:1–3). In the early chapters of Exodus, God’s sovereignty over the “forces of nature” intersects with his deliverance of the Israelites in the plagues that he brings on the Egyptians. Of course, God had raised up Pharaoh for the very purpose of displaying his own glory in victory over Pharaoh and “all the gods of Egypt” (Exod. 9:16; 12:12; cf. Rom. 9:17).

Throughout the ensuing Israelite history, God demonstrates his providential care for the Israelites. The Jews return from their Babylonian captivity because God raised up Cyrus, even though Cyrus did not acknowledge him (Isa. 44:28–45:13), for the very purpose of issuing the decree that allowed them to return. Even in narratives in which God’s name is not mentioned, such as the book of Esther, we are to understand that God is directing the action, and certainly the narrator wants us to connect the account of the origin of the festival of Purim (“lots”) with the idea that “the lot is cast into the lap, but its every decision is from the Lord” (Prov. 16:33).

In the NT the act that secures our redemption, the crucifixion of Jesus, is not an unforeseen occurrence that God makes the best of; rather, the death of Jesus is that which he himself would “accomplish” (Luke 9:31 NRSV [NIV: “bring to fulfillment”]). No one takes Jesus’ life from him; he lays it down of his own accord (John 10:18). Jesus even gives Judas Iscariot directions on the night of his betrayal (John 13:27). What happens in the crucifixion is in accord with “God’s deliberate plan and foreknowledge” (Acts 2:23) and with what his “power and will had decided beforehand should happen” (4:28).

Individual History

Jesus promises that for those who seek the kingdom of God, “all these things will be given to you as well” (Matt. 6:33). If God feeds the birds of the air and clothes the grass of the field, much more will he take care to feed and clothe us (Matt. 6:26, 30). Indeed, “in all things God works for the good of those who love him, who have been called according to his purpose” (Rom. 8:28).