Big Idea: God has many voices, sometimes proclaiming his majesty and power through nature, while his people acclaim the message in worship.
Understanding the Text
In this beautiful psalm of praise, the “voice of the Lord,” the central thrust of Psalm 29, heard in the frightful storm, announces in nature’s accent the lordship of Yahweh, ending in the peaceful lull of the storm. In Psalm 96 (v. 10a) the announcement of the Lord’s reign sends the heavens and the earth and all creation into passionate jubilation.[1] See the sidebar “Psalms of Praise” in the introduction.
In both a literary and theological sense, Psalm 29 is beautifully balanced. The call to worship of 29:1–2 is balanced by 29:10–11, the final announcement of God’s enthronement as “King forever,” and from that truth issues forth the blessing of strength and peace for God’s people. The middle part of the psalm (29:3–9) develops the reasons why the Lord should be praised and why he as “King forever” can, by virtue of his enthronement, give strength to his people and bless them with peace. In this central section “the voice of the Lord” occurs seven times, in much the same sense that the covenant name “Lord” appears seven times in the second half of Psalm 19 (19:7–14) to mark his perfection and his perfect manifestation in the law. The repetition in the poem, far from being tedious, builds with the intensity of an incredible storm, which starts in the sea (29:3), sweeps in waves of awesome power from Lebanon in the north to Kadesh in the south, centering its calm and peaceful eye on the temple, where everything and everybody in unison utter the climactic praise of God as they shout, “Glory!” (29:9).[2] Perowne observes that the meteorological cues are the structural girders of the psalm. Each strophe “begins with a burst, and closes with a lull in the tempest.”[3]
Commentators have rightly called attention to the psalm’s similarity to Psalm 96:7–13 (verbal differences are italicized):[4]
Comparison of Psalm 29 and Psalm 96
“Ascribe to the Lord, you heavenly beings, ascribe to the Lord glory and strength” (29:1)
“Ascribe to the Lord, all you families of nations, ascribe to the Lord glory and strength” (96:7)
“Ascribe to the Lord the glory due his name” (29:2a)
“Ascribe to the Lord the glory due his name; bring an offering and come into his courts”(96:8)
“Worship the Lord in the splendor of his holiness” (29:2b)
“Worship the Lord in the splendor of his holiness” (96:9a)
Outline/Structure
1. The ascription (29:1–2)
2. The voice of the Lord (29:3–9a)
a. Description of the voice of the Lord over the waters (29:3–4)
b. Effect of the voice of the Lord on the cedars of Lebanon (29:5–7)
c. Effect of the voice of the Lord on the Desert of Kadesh (29:8–9a)
3. Response of the people to their King (29:9b–11)
Historical and Cultural Background
The Septuagint augments the title of Psalm 29, “A psalm of David,” with “For the following day of Sukkot” (exodiou sk?n?s; cf. Num. 29:35). It is recited on the first day after Sukkot.[5]
Judging from the geographical terms, the storm described in 29:3–9a apparently begins in the Mediterranean Sea (“over the waters”), sweeps inland over the majestic forests of Lebanon in the north, and leaves a wide trail of devastation from Mount Hermon (Sirion) to Kadesh in the south.[6] While there is no hint of Baal, the god of the storm, a counterstatement to that myth may be implied, since he figures so prominently in the religious psyche of Israel, both as a henotheistic option and as a rival of Yahweh, who overpowers and outmatches this god of nature. That was the object of Elijah’s ministry, and interestingly, when the writer of 1 Kings wants to draw the contrast between Yahweh and Baal, he traces the line through a powerful storm, a shattering earthquake, and a subsequent fire, to the “still small voice” of Yahweh, distinguishing the real Deity from the mythical one (1 Kings 19:11–12; see RSV). David, compared to 1 Kings 19, uses only the imagery of the storm to demonstrate God’s power, and his description decrescendos into God’s gift of “peace,” perhaps comparable to the “still small voice” (KJV) of Elijah’s experience. If Psalm 29 is Davidic and thus prior to the Kings story, the comparison is more parabolic than imitative, which means there is no textual dependency.
Interpretive Insights
29:1 Ascribe to the Lord, you heavenly beings, ascribe to the Lord. Note this same kind of repetition in other poetry: Genesis 49:22; Judges 5:12. The exhortation appears elsewhere in the Psalter only in 96:7–8 (1 Chron. 16:28–29 quotes this text), and its object there as here is “honor and strength” (see comparison above).
The Hebrew equivalent of “heavenly beings” is literally “sons of ’elim,”[7] the latter term being the plural of ’el (“God”). The phrase likely means “heavenly beings” or “angels.” Calvin, however, understands ’elim to mean “mighty” (cf. Job 41:25 NIV) and translates it “mighty rulers,” thus identifying the scene as the earthly court rather than the heavenly. The majority opinion, however, favors the “heavenly” (but not divine) meaning of the term and the heavenly court[8] (see Job 1:6; 2:1).
29:2 worship the Lord in the splendor of his holiness. The primary meaning of the verb for “worship” is to bow down (thus, to worship). The phrase “splendor of his holiness,” found also in 96:9 (also the parallel in 1 Chron. 16:29; 2 Chron. 20:21), alludes to the “splendid attire” of the priests (KJV “beauty of holiness”).
29:3 The voice of the Lord is over the waters; the God of glory thunders. Here begins the main section of the psalm (29:3–9), which is a description of the Lord’s “glory and strength” alluded to in 29:1.[9] Psalm 104:7 describes the Lord’s voice in creation (Gen. 1:9–10) as “the voice of Your thunder” (NKJV).
Perowne insists that each of the three “voice” strophes “begins with a burst, and closes with a lull in the tempest.”[10] The first strophe begins with thunder (29:3) and ends in the quieter tone of divine majesty (29:4). The second strophe renews the fury of the storm (29:5) and falls to a lower key in the flashing lightning of verse 7. The third strophe begins with one long peal of thunder after another (29:8) and then is lost in “the music and songs of the heavenly host” (29:9b),[11] concluding with the Lord’s blessing of peace (29:11b).
The “waters” may be the Mediterranean Sea, or the waters “above the firmament,”[12] or the waters of the storm clouds.[13] In view of the other geographical locations in the psalm, the Mediterranean Sea fits well.
29:4 majestic. The term suggests kingly power and adornment (see 29:10).
29:5 The voice of the Lord breaks . . . the cedars of Lebanon. The cedars of Lebanon had a reputation for their stately beauty and size, like the sequoias of California. Yet at the thunderous voice of God in the storm, they splinter into toothpicks. The word “breaks” is a Qal participle, while the second line (“breaks in pieces”) has the Piel imperfect of the same verb plus the waw consecutive, implying a repeated breaking. Ancient Middle Eastern kings, including David and Solomon (2 Sam. 5:11; 1 Kings 5:6–9),[14] boasted that they had secured lumber for their buildings from Lebanon.
29:6 He makes Lebanon leap like a calf, Sirion like a young wild ox. The beautiful imagery of the mountains leaping like a calf and an ox (Ps. 114:4) implies a happy frolic as a response to the Lord’s voice. Located in northern Israel, Sirion is the poetic name for Mount Hermon, whose height is 9,232 feet.
29:7 flashes of lightning. The phrase is literally “flames of fire,” usually translated “lightning.”
29:8 shakes the desert . . . the Desert of Kadesh. The NIV renders the Hebrew word midbar (“wilderness”) as “desert,” but there is no desert as such in Israel. The exodus may be in view here. This is the only occurrence of “Desert of Kadesh” in the Old Testament, and here it refers to the Wilderness of Zin (Num. 20:1; 33:36; Deut. 1:19, 46) in the region of Kadesh Barnea. The scope of the storm, then, is from the sea, inland to the Lebanese mountains, and southward to the Wilderness of Zin. Similar imagery of shaking occurs in Psalms 68:8–9 and 114:7.
29:9 twists the oaks . . . in his temple all cry, “Glory!” The meaning of the phrase yeholel ’ayyalot (NIV: “twists the oaks”), with the Polel form of the verb, is to “make the deer go into labor.” However, the NIV translates the noun “deer” (’ayyalot) as “oaks” (probably because of the parallelism with the following half line, “and strips the forests bare”), even though the trauma of the storm could certainly cause the deer to go into labor (thus KJV and NJPS, which is preferable; see the NIV footnote). These “all” who cry “Glory!” are those worshiping in the temple, perhaps even joined by the heavenly worshipers. The temple is where the climax of God’s glory occurs. The word “glory” forms an inclusio with 29:1 and 2, especially completing the idea of “the glory due his name.” Now it is finally offered by the worshipers in the temple.
29:10 enthroned over the flood. This word for “flood” occurs only in Genesis, in relation to the flood narrative (Gen. 6–11), suggesting by its exclusivity that God’s manifestation in nature, both in Noah’s time and in David’s, was the “supreme example of natural forces,”[15] and that he in both times exercised his dominion over the natural world. This psalm declares in its own lovely way what the psalms of the heavenly King proclaim in their distinctive declaration: “The Lord reigns!”[16] Thus the poem ends where it began, in the heavenly court with Yahweh seated on his throne. See the sidebar in the unit on Psalm 93.
29:11 The Lord blesses his people with peace. God’s sovereign peace follows the horrible storm that has now passed. Delitzsch writes: “Gloria in excelsis [“Glory (to God) in the highest”] is its beginning, and pax in terris [“peace on earth”] its conclusion.”[17]
Theological Insights
As we have seen in Psalm 19, God speaks in both nature and the law. Psalm 19 attests the divine word in the routine of nature and in the words of the law in a complementary way. Psalm 29 offers a similar comparison, first the divine word in the tumultuous storm of 29:3–9a, and then the brief but climactic shout of “Glory!” by all in the temple in 29:9b. The two expressions of God’s word are complementary, as they are also in Psalm 19. But in effect, the content of God’s voice in the powerful storm is divulged in the descriptive language of the psalm. God is powerful—he breaks cedars, makes Lebanon leap like a calf, and strikes with flashes of lightning (29:5, 6, 7). God has many voices, but they speak to us differently. This, in fact, is what the psalmist wants us to recognize, and he issues a call to the angels (NIV: “heavenly beings”; see the comments on 29:1) to recognize the Lord’s “glory and strength” and to worship him in the sacred regalia of the heavenly temple (“the splendor of his holiness,” 29:2). It may very well be that the call is not only for recognition but to yield all “glory and strength” to God, who is their rightful Possessor.[18] Of the three voices in the psalm, we do not hear the voice of God, except in the powerful work of nature (29:3–9a). Even the voice of the heavenly beings, unlike Isaiah’s seraphim (Isa. 6), is only implied. Yet they may join the cry of “Glory” (29:9b), giving us a combination of the “heavenly beings” in the heavenly temple and the celebrants in the earthly sanctuary.
This manifestation of power attests to God’s kingship over the primordial flood (see the comments on 29:10) and thus his rule over the work of nature. As he spoke to the world through Noah’s flood, and thereby established his lordship (or kingship) over the world, so he has again spoken in waters and winds of nature’s force to tell the world once more that he is “King forever” (29:10b). Out of his strength the Lord “gives strength to his people” and “blesses his people with peace,” a welcome peace after the storm (29:11).
Teaching the Text
In a literary sense, Psalm 29 is one of the most beautiful psalms in the entire Psalter. Here is an excellent opportunity to build a lesson or sermon on the voice of God, structuring the sermon on the three voices we hear in the psalm: the psalmist’s voice (29:1–2, 10–11), the Lord’s voice in nature (29:3–9a), and the congregation’s voice (29:9b).
First, we can draw attention to the fact that the psalmist’s voice begins and concludes the psalm (29:1–2 and 10–11), thus giving a balance to the structure of the psalm. It starts out with praise and ends with praise, first addressing the angels, and then concluding the middle section (29:3–9a) by letting us listen in on the acclamation of God’s people in the temple as they join the chorus (29:9b). It would be appropriate to stress worship as inclusive praise of God. That is, worship is in part confession and petition, but all within the frame of and to the end of the praise of God. The range of praise in this psalm begins in heaven, proceeds in the works of God in nature, and concludes with the earthly chorus rising from the temple, much like we have in Revelation 5.
Second, we will listen to the featured voice of the psalm, the Lord’s voice (29:3–9a), not in spoken words but in actions of nature, similar to Psalm 19:1–6, except the tone of his voice is different from that of Psalm 19 (see “Theological Insights”). Quite significantly the phrase “voice of the Lord” occurs seven times in verses 3–9, the number seven authenticating the voice as the Lord’s voice. In this setting God speaks in a tumultuous storm, revealing himself as the majestic (29:4b) and omnipotent God (“strength,” 29:1b; “powerful,” 29:4a). Then the psalm centers God in the Jerusalem temple, where we hear the congregation’s response as they join the heavenly chorus: “And in his temple all cry, ‘Glory!’” (29:9b), a response to the command of verse 2a: “Ascribe to the Lord the glory due his name.” In Psalm 29 we hear one of God’s many voices as he says to Israel through his work in nature: “I am powerful, majestic, sovereign.”
While Psalm 29 does not itself communicate this message, some teachers and preachers will feel that concluding on the note of God’s power may leave us with an unfinished gospel. That is, we need to stress that God is “love.” And the Psalms, as we have observed, are filled with that message, a message we want and need to hear, even though the psalmist evidently thought the message of the hour was God’s power and sovereignty. But not to detract from that word, we may augment the message of this psalm with the fuller message of love that the psalms teach so clearly and the New Testament relates so graphically in the cross. In this regard we might say that if God is not powerful (“omnipotent” is our theological term), then how can we trust his love? God’s power is conditioned by his love.
Third, we may return to the voice of the congregation (29:9b) and make the point that the final two and a half verses of the psalm leave us emboldened to live in this difficult and evil world as they emphasize the fact that the sovereign God gives strength to his people and blesses them with peace (29:11). The word “peace” (shalom) is a product of God’s “love” (hesed), even though the latter term does not occur in this psalm. And he is King forever!
Illustrating the Text
God is majestic and powerful.
Film: Twister. Much of Psalm 29 focuses on the power and majesty of God expressed through nature. Imagery from Psalm 29:3–9 might be visualized by thinking about the devastation wrought by tornadoes, such as is seen in the 1996 movie Twister. This movie is a fictionalized account of storm chasers who are seeking to understand tornadoes. The destruction of the wind is incredible as it levels buildings, uproots trees, and destroys everything in its path. At one point in the film, the characters discuss the Fujita scale for measuring tornadoes. The most powerful type of tornado, the F5, is in hushed tones referred to as “the finger of God.” The movie shows the power of nature and, when connected with Psalm 29, provides a great visual of the power and sovereignty of God.
God is the sovereign King.
Cultural Institution: Americans will have a much harder time understanding and appreciating the institution of kingship than will the British or people of other nations that have a monarchy. The attribution of kingship to God is common in the Bible, and the Greek notion of democracy never influenced the Scriptures. But God’s kingdom implies his kingship. A King who does “not judge by what he sees with his eyes, or decide by what he hears with his ears,” but judges the world in righteousness (Isa. 11:3–5) is the perfect King. Moreover, a King who is love and who can dispense his love because he is all-powerful is King of kings. The kingdom of God is thus a theocracy, and we have nothing to fear as subjects in that realm. So the psalmist declares: “The Lord is enthroned as King forever” (29:10b). On the other hand, a human-centered government brings with it the sinful inclinations of its citizens. Calvin’s experiment in Geneva sought to move this human community in the direction of a theocracy, although Calvin himself was well aware that such an earthly city could never rise to the level of the new Jerusalem. But it could be a station on the way. Calvin’s motto was “improve the world, begin with Geneva.”[19] We would do well to post this motto across the lintel of our church doors and on the foreheads of our own personal lives—with only the names changed.