Holiness is an attribute of God and of all that is fit for association with him. God alone is intrinsically holy (Rev. 15:4). God the Father is holy (John 17:11), as is the Son (Acts 3:14), while “Holy” is the characteristic designation of God’s Spirit (Ps. 51:11; Matt. 1:18). God’s name is holy (Luke 1:49), as are his arm (Ps. 98:1), ways (Ps. 77:13), and words (Ps. 105:42).

With reference to God himself, holiness may indicate something like his uniqueness, and it is associated with attributes such as his glory (Isa. 6:3), righteousness (Isa. 5:16), and jealousy—that is, his proper concern for his reputation (Josh. 24:19).

God’s dwelling place is in heaven (Ps. 20:6), and “holy” functions in some contexts as a virtual equivalent for heavenly (11:4). God’s throne is holy (47:8), and the angels who surround it are “holy ones” (89:5; cf. Mark 8:38).

A corollary of God’s holiness is that he must be treated as holy (Lev. 22:32)—that is, honored (Lev. 10:3), worshiped (Ps. 96:9), and feared (Isa. 8:13).

While “holy” is sometimes said to mean “set apart,” this does not appear to be its core meaning, though it is an associated notion (Lev. 20:26; Heb. 7:26). Holiness, as applied to people and things, is a relational concept. They are (explicitly or implicitly) holy “to the Lord” (Exod. 28:36), never “from” something.

The symbolic representation of God’s heavenly palace, the tabernacle (Exod. 40:9), and later the temple (1 Chron. 29:3), and everything associated with them, are holy and the means whereby God’s people in the OT may symbolically be brought near to God. For God to share his presence with anything or anyone else, these too must be holy (Lev. 11:44–45; Heb. 12:14).

The OT system of worship involved the distinction between unclean and clean, and between common and holy, and the means of effecting a transition to a state of cleanness or holiness (Lev. 10:10). People, places, and items may be made holy by a process of consecration or sanctification, whether simply by God’s purifying presence (Exod. 3:5) or by ritual acts (Exod. 19:10; 29:36).

Holiness may be an attribute of places marked by God’s presence (Exod. 3:5; Ps. 43:3). Likewise, particular times, especially the Sabbath day (Exod. 20:8), are declared holy.

God’s faithful people are described as holy (Exod. 19:6; 1 Pet. 2:9). In the OT, this is true of the whole people of God at one level, and of particular individuals at another. Thus, kings (Ps. 16:10), prophets (2 Kings 4:9), and in particular priests (Lev. 21:7) are declared to be holy. While the OT witnesses to some tension between the collective holiness of Israel and the particular holiness of its designated leaders (Num. 16:3), the latter were intended to act as models and facilitators of Israel’s holiness.

The prophet Zechariah envisions a time when the distinctions between holy and common will be meaningless (Zech. 14:20–21). While vestiges of the symbolic language of holiness remain in the NT (e.g., the “holy city” in Matt. 27:53), after the death and resurrection of Christ the NT no longer operates with the symbolic holiness of the OT. Rather, this language is appropriated to explain what true holiness entails in the lives of God’s people (Rom. 12:1; Eph. 2:21). All Christians are holy (“saints” [Gk. hagioi] means “holy ones” [e.g., Rom. 1:7]), including in some sense the members of a believer’s family (1 Cor. 7:14). The holiness of God’s people is both definitive, by virtue of the saving work of Christ (Heb. 13:12), and progressive, by eliciting, and empowering through his Holy Spirit, holy and righteous living (Rom. 6:19; 1 Thess. 4:7–8). Both divine initiative and human activity with regard to holiness may be seen in texts such as Lev. 20:8; Heb. 10:14. The objective of Christian discipline is that we might share God’s holiness (Heb. 12:10).

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

In classical Greek, “world” (kosmos) communicated the idea that the external universe is a well-ordered system. In early Greek usage, the term was used with reference to specific types of social orderings, such as the seating order of rowers (Homer, Od. 13.77), the order of soldiers (Homer, Il. 12.225), and well-ordered political states such as Sparta (Herodotus, Hist. 1.65).

Created World

In the OT, the notion of the created “world” departed from the Greek understanding specifically in that creation is never seen as an independent entity controlled by an impersonal, all-embracing order. Rather, the universe, usually described with the phrase “the heavens and the earth” (Gen. 1:1; 2:1, 4; Ps. 113:6; Jer. 10:11) or at times the “all” or “all things” (Ps. 103:19; Jer. 10:16), is always understood in its relationship to its creator: “He who created the heavens, he is God; he who fashioned and made the earth, he founded it; he did not create it to be empty, but formed it to be inhabited—he says: ‘I am the Lord, and there is no other’ ” (Isa. 45:18). Here, the “world” (“earth”) refers to the material elements that make up the planet (see also Jer. 32:17; Zech. 12:1) and the sum total of the entire universe (cf. Acts 17:24). Even in the account of creation in Gen. 1:1–2:4, where many of the elements of the physical world are mentioned (waters, firmament, stars, etc.), the primary intent of the account is to convey that God is Lord over everything because he is the Creator. Often these created elements that make up the world are praised not for their own inherent beauty, but as a testimony to the majesty, supremacy, and omnipotence of the Creator (Pss. 8; 19:1–6; 33:6–9). In Ps. 148:3–6 the elements within the natural order (kosmos) are instructed to praise God: “Praise him, sun and moon; praise him, all you shining stars. Praise him, you highest heavens and you waters above the skies. Let them praise the name of the Lord, for at his command they were created, and he established them for ever and ever—he issued a decree that will never pass away.”

Though not providing a comprehensive description, the OT does at times refer to how the world is constructed as a whole. The “vault” (Gen. 1:6–20 [RSV: “firmament”]) of heaven separates the waters above from the waters below (which are restrained by God’s sovereign care [Gen. 1:7; 7:11; 49:25]), and this area or chamber rests on “pillars” (Job 26:11). At times the earth is described as a disc with the sanctuary as its center point (Judg. 9:37; Ezek. 38:12), which rests on pillars (Job 9:6). There is an underworld, from which there is no return (Job 10:21); however, the OT does not engage in the kind of speculation regarding the underworld as is evident in the Greco-Roman tradition.

Earth and Its Inhabitants

The term “world” conveys other nuances in the Bible. It often refers to the inhabitants of the earth or the place of human life: “He rules the world in righteousness and judges the peoples with equity” (Ps. 9:8 [cf. Pss. 96:13; 98:9]); or, “Come near, you nations, and listen; pay attention, you peoples! Let the earth hear, and all that is in it, the world, and all that comes out of it!” (Isa. 34:1). Also, in the Gospels “world” is used in this way: “What good is it for someone to gain the whole world, yet forfeit their soul?” (Mark 8:36). Matthew 4:8 refers to all the kingdoms of the world. Also the expressions “coming into the world” (John 1:9; 3:19), “in the world” (John 1:10; 2 Cor. 1:12), and “leave this world” (1 Cor. 5:10) can be understood as referring to the sphere of human life.

Ungodly Culture and Worldview

“World” can also refer to something more than the material world or humanity in general; it can refer to the entire cultural value system or world order that is hostile toward God. The “world” is a common biblical way of referring to the ungodly worldview and lifestyle that characterize human life in its rebellion against the Creator. The course of the world is profoundly affected by fallen humans, through whom death came into the world and rules over it (Rom. 5:12). Therefore, Paul can claim that “the whole world” has become guilty before God (Rom. 3:19), and even the created world is affected by such rebellion (8:20–22). Paul especially links “this world” with “this age” (1 Cor. 3:19; 5:10; Eph. 2:2 NET), which God has judged (Rom. 3:6). John declares that Satan is the “prince of this world” (John 12:31; 14:30; 16:11). Paul refers to Satan as the “god of this world” (2 Cor. 4:4 ESV, NRSV, NASB), who is able to blind individuals to the truth and who animates human rebellion (Eph. 2:2). In this sense, God and the world are strictly separate: “Don’t you know that friendship with the world means enmity against God? Therefore, anyone who chooses to be a friend of the world becomes an enemy of God” (James 4:4). Because of this call to an exclusive relationship with God, believers are mandated to resist and even confront the world. Followers of Christ must not be taken captive by philosophy or the “elemental spiritual forces of this world” (Col. 2:8, 20), since, as Paul says, “the world has been crucified to me, and I to the world” (Gal. 6:14).

But it is the world that designates the location and object of God’s saving activity. Indeed, God sent his Son into this world in order to reconcile it to himself (2 Cor. 5:19). Jesus, the sacrificial Lamb of God, “takes away the sins of the world” (John 1:29). Out of love for this world, God sent his Son (John 3:1), not to judge it but to save it: “God did not send his Son into the world to condemn the world, but to save the world through him” (John 3:17).

Although believers live in the world (1 Cor. 5:10; Phil. 2:15) and must have dealings with the world, ultimately they are not of the world (John 17:14). Remaining in Christ, believers are able to demonstrate in the world the belief and practice of the new commandment to love (John 13:34; 15:9). Therefore, Christians must maintain a critical distance from the world’s system: “Do not love the world or anything in the world. If anyone loves the world, love for the Father is not in them. For everything in the world—the lust of the flesh, the lust of the eyes, and the pride of life—comes not from the Father but from the world” (1 John 2:15–16 [cf. James 1:27; 4:4]). Believers are to avoid the seductive power of the world and not abandon themselves to it; they are to follow their Lord in proclaiming God’s project of reconciling the world to himself through the death and resurrection of Jesus Christ (2 Cor. 5:18).

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

Also known as kherem warfare or Yahweh war. The term “holy war,” though never used in the Bible, characterizes well the wars that Israel fought at God’s command, particularly those within the Promised Land. God is present with Israel in war, and thus the battlefield becomes holy ground. God gives Israel instructions concerning the waging of war in Deut. 7, 20. From these passages, plus the historical accounts of Israel’s wars, we can describe holy war as follows.

Before the Battle

God tells Israel when to go to war. Israel’s leaders cannot engage in battle without first hearing from God. God reveals himself to Joshua, for instance, before the battle of Jericho to give him instructions (Josh. 5:13–15). David inquires of God through the priest Abiathar, who presumably uses oracular devices to discover God’s will (1 Sam. 23:1–6). Joshua makes a serious error in not seeking God’s will in the matter of the Gibeonites (Josh. 9:14).

Once the Israelites learn that God wants them to go to battle, they must spiritually prepare themselves. Since God makes his presence known on the battlefield, the troops must be in a state of ritual purity comparable to those who visit the sanctuary. Before the conquest, for instance, it is necessary for the fighting men to undergo circumcision and to observe the Passover (Josh. 5:2–12). Prebattle sacrifices are also required (1 Sam. 13).

During the Battle

The Ark of the Covenant plays a central role in holy war, carried by priests and accompanying the army. The ark is a powerful symbol of God’s presence and indicates to the army that God fights for them. The march into battle takes the form of a religious procession. The priests carrying the ark go first, while singers praise God (2 Chron. 20:20–21). The long march in the wilderness has the character of such a march into battle, since Moses begins the day’s journey by shouting, “Rise up, Lord! May your enemies be scattered; may your foes flee before you” (Num. 10:35). Then the ark carried by priests leads the way.

Since God is present with the army, the number of troops and the quality of their weapons are unimportant. Indeed, on occasion when Israel has an ample supply of troops, God commands that the war leader reduce their number, as in the famous story of Gideon paring down his troops from thirty-two thousand to three hundred. The purpose of this reduction is to demonstrate to the people with certainty that they win the battle only because of God’s strength. The inexperienced David, armed with a slingshot, expresses this sentiment to the mercenary giant Goliath before he kills him: “You come against me with sword and spear and javelin, but I come against you in the name of the Lord Almighty, the God of the armies of Israel, whom you have defied. . . . All those gathered here will know that it is not by sword or spear that the Lord saves; for the battle is the Lord’s, and he will give all of you into our hands” (1 Sam. 17:45, 47). Although the Israelites must engage the enemy, they know for certain that it is God who provides the victory.

After the Battle

Since God wins the battle for Israel, the proper response is praise. The OT contains many songs that celebrate victory in warfare (Exod. 15; Judg. 5; Pss. 24; 98; 149).

The treatment of the plunder and prisoners of war depends on whether the battle takes place in the promised land. If the battle takes place outside the land, then, while the men are killed, the women and children are spared. If the battle takes place in the land, then kherem goes into effect. The Hebrew word kherem is difficult to translate (possibilities include “complete destruction,” “things under the ban,” “things devoted to the Lord”), but it is clear that it means that all the plunder goes to God (the sanctuary treasury) and that all the people (men, women, and children), and sometimes all the animals, are killed. The purpose of this is to keep the inhabitants of the land from influencing Israel to worship other gods. Also, God uses Israel as an instrument of his judgment against these sinful nations.

Warfare against Israel

While most divinely ordained warfare was directed toward Israel’s enemies, God also used foreign nations to judge his sinful people. The initial defeat at Ai (Josh. 7), the capture of the ark by the Philistines at the time of Eli (1 Sam. 4), and the destruction of Jerusalem and the temple by the Babylonians (Lam. 2) are examples.

New Testament Holy War

The prophets who ministered during the exilic and postexilic periods announced that God would appear again in the future. The people of Israel were living under the oppressive hand of Babylon and then Persia, but they were comforted by the idea that God would come and save them from their enemies (Dan. 7; Zech. 14; Mal. 4).

When the NT opens, John the Baptist proclaims that the time of judgment announced by these prophets has come (Matt. 3:7–12). After he baptizes Jesus, he is put in prison and hears reports of Jesus’ ministry that disturb him. He wonders why Jesus is not bringing violent judgment against the enemies of God (Matt. 11:1–15). But Jesus has heightened and intensified the warfare so that it is directed against the “powers and principalities,” and this battle is won with spiritual weapons (2 Cor. 10:3–6; Eph. 6:10–20). Indeed, the ultimate victory is achieved not by killing but by dying. Paul describes the crucifixion and ascension using warfare language in Eph. 4:7–10; Col. 2:13–15.

John, however, was not wrong. The book of Revelation is the fullest statement of Christ’s return, which will signal the final war. In this war, all evil, both spiritual and human, will be brought to an end (Rev. 19:11–21).

This prayer, found but not named as such in Matt. 6:9–13; Luke 11:2–5 (see also Did. 8.2, which follows the Matthean version), is a version of the Jewish Qaddish prayer revised around the theme of the kingdom of God and is a paradigmatic model of prayer given by Jesus to his followers.

Jesus and Prayer

Prayer was a key element of Jewish piety and devotion to God. It was a large part of meetings in synagogues, annual festivals, worship in the temple, and daily recitals of the words of the law. Jesus is remembered as withdrawing into lonely and desolate places for times of prayer (Mark 1:35; 6:46), most poignantly in the garden of Geth-semane (Mark 14:32–42 pars.). Jesus’ time in the wilderness probably was a time of prayer and fasting as well (Mark 1:12–13 pars.). Besides the Lord’s Prayer, another prayer of Jesus celebrates God’s revelation to the disciples after their short itinerant mission (Matt. 11:25–26 // Luke 10:21).

The evangelist Luke emphasizes Jesus at prayer more than any other Gospel writer. Luke’s Gospel portrays Jesus as praying at his baptism (3:21), prior to his selection of the Twelve (6:12–13), prior to Peter’s confession of him as Messiah (9:18), at his transfiguration (9:28–29), prior to his teaching on the Lord’s Prayer (11:1), for Peter (22:32), and twice while on the cross (23:34, 46). Jesus also taught much about prayer, concerning how his disciples are or are not to pray and how to show genuine devotion in the kingdom community without hypocrisy (Mark 11:24–25; Matt. 5:44 // Luke 6:28; Matt. 6:5–8; Luke 11:5–13; 18:1–14; 21:36).

In the Fourth Gospel, Jesus’ prayers underscore the unique nature of the relationship between the Father and the Son (John 11:41–42; 12:27–28). Jesus’ high priestly prayer for the disciples concerns their preservation and the role of the Holy Spirit in their lives (17:1–26). A distinctive characteristic of Jesus’ prayers is that God is addressed by the Aramaic word abba (“father”), and this became common in early Christian worship (Rom. 8:15; Gal. 4:6).

The Lord’s Prayer: Matthew and Luke

The Lord’s Prayer takes distinct forms in Matthew and in Luke (see table 2). The differences in the two prayers might be attributable to Jesus teaching two different versions. More likely, Matthew and Luke both knew the prayer from a common source (written or oral), and Matthew’s version is a more liturgical elaboration of Luke’s shorter and more “original” version. Matters are complicated somewhat by the fact that later Christian scribes had a propensity for harmonizing the two prayers and sometimes amended them in their respective manuscripts. Both prayers agree that (1) God is the Holy Father, (2) the kingdom is yet to come in its fullness, (3) followers of Jesus depend on God for their daily provisions, (4) followers of Jesus depend on God for forgiveness, (5) which is reciprocated in the forgiveness of others, and include (6) the supplication that God not let them fall into the final tribulation.

Table 2. The Lord’s Prayer in Matthew and Luke

Matthew 6:9-13….Luke 11:2-4

Our Father in heaven,….Father,

hallowed be your name,….hallowed be your name,

your kingdom come,….your kingdom come.

your will be done, on earth as it is in heaven….

Give us today our daily bread….Give us each day our daily bread.

And forgive us our debts,….Forgive us our sins,

as we also have forgiven our debtors….for we also forgive everyone who sins against us.

And lead us not into temptation,….And lead us not into temptation.

But deliver us from the evil one….

For your is the kingdom and the power and the glory forever. Amen. [added in some later manuscripts; see NIV mg.]….

The Lord’s Prayer: The Petitions

The prayer can be broken up into a number of petitions. First is the petition addressed to God as Father and self-sanctifier. God is invoked as Father, and his name represents both his character as a loving father and his authority as the master over all creation. The prayer is theocentric, and it reads literally “let your name be sanctified,” which is a plea that God’s holiness will become more and more evident. The Lord’s Prayer is not some kind of “I want” list, but rather a burst of praise expressing the hope that God’s sheer goodness and Godness will be acknowledged by all.

The second petition is for God to finally establish his kingdom. The “kingdom of God” is more akin to God’s reign, rule, or government. It is referred to rarely in the OT (e.g., Dan. 2:44; Obad. 21); much more prominent is the theme of God as “king.” In many of the psalms God already is king of Israel and the nations (e.g., Pss. 93–99), and yet the prophets could look forward to the day when Yahweh would again show himself to be king precisely through his deliverance of Israel, which would be the ultimate expression of the kingly power (e.g., Isa. 52:7; Zech. 14:9). The prayer for the coming of the kingdom of God is a prayer for God to establish his reign or rule in its final and full manifestation on earth. Although the kingdom was partially present during Jesus’ ministry by virtue of his exorcisms and healings (e.g., Mark 1:15; Luke 11:20), it still awaits its final consummation. Matthew’s version has “on earth as it is in heaven” and may indicate a millennial view of the kingdom as supplanting earthly kingdoms, resulting in the transformation of the present age. The petition does not promote escapism from the world but rather points toward its eventual redemption and transformation by the glorious power of heaven becoming a reality upon the earth.

Third is the petition for daily provision of physical needs. The “daily bread” petition looks to God as the provider and caregiver of his people. Elsewhere in the Sermon on the Mount/Plain, Jesus preaches dependence on God as a means of escaping the worry and lure of wealth and money (Matt. 6:25–33 // Luke 12:22–34). Bread was a powerful symbol for sustenance and life (e.g., Prov. 22:9; Lam. 2:12; John 6:35, 48; Sir. 29:21; 34:25). The petition assumes that God is interested in the most mundane aspects of human existence, and that he gives what is needed, not always what is wanted. God sustains his people in their hour of need as proof of his fatherly care and compassion.

Fourth is the petition for divine forgiveness in coordination with mutual forgiveness among the community of Jesus’ followers. The prayer does not ask God to forgive persons who then in turn forgive others; rather, in reverse, the prayer implies that God forgives in the same way that humans forgive each other (Matthew) or on the basis of humans forgiving each other (Luke). The role of mutual forgiveness within the new covenant community is spelled out clearly by Paul in Colossians: “Bear with each other and forgive one another if any of you has a grievance against someone. Forgive as the Lord forgave you” (Col. 3:13).

Fifth is the petition to be spared eschatological tribulation and the malevolence of Satan. The word peirasmos can mean “testing,” “trial,” “temptation,” or even “tribulation” or “ordeal.” The prayer could constitute a plea for help in the face of personal trials and struggles in the believer’s life and in the journey of discipleship (e.g., 1 Cor. 10:13; James 1:2), or it could denote a request to be kept from the eschatological ordeal that will precede the final and full establishment of the kingdom of God (e.g., Mark 14:36, 38; Rev. 3:10). Importantly, what is feared in this prayer is not experiencing the peirasmos but rather succumbing to it—the fear of failure. In addition, the prayer asks to be delivered from ho ponēros, “evil,” or (more likely) “the evil one” (cf. Matt. 5:39)—that is, the devil or Satan. God tests his people to strengthen them and prove their faithfulness, while Satan tempts people to subdue and destroy them. This prayer acknowledges the fragility and helplessness of the human state in the face of human, spiritual, and cosmic evil. The prayer seeks liberation from evil in the coming reign of God’s eschatological kingdom.

The Lord’s Prayer: The Theology

The theological framework, ethical exhortation, and social dynamics created or presupposed by the prayer are as follows.

First, God is the Father of the followers of Jesus. This is axiomatic in the Gospels and is repeated by the Christian prayer that addresses God the Father as “Abba” (Rom. 8:15; Gal. 4:6).

Second, an overarching importance is attached to the kingdom of God as the context in which all prayer is prayed. The tension of the prayer—the very fact of needs and the threat of continuing perils—exists only because God’s plan to restore Israel and renew creation has not yet been put into full effect. God’s kingdom has broken into the world through the work of the Son of God and the giving of the Holy Spirit, and yet it still awaits a final consummation, when God is “all in all” (1 Cor. 15:28) and finally repossesses the world for himself. The prayer presupposes the “now” and the “not yet” of God’s saving action and balances prayers of triumph and lament in light of current temptations and the coming victory of God.

Third, in this prayer salvation not only is spiritual (understood as going to heaven when one dies) but also involves the physical well-being of a person and healthy relationships within the believing community. Just as God is concerned with physical human needs, so should humans be with their fellow humans. If human beings forgive, then God also forgives them. Human relations are to mirror the values of heaven and the vision of the kingdom.

Fourth, the world order currently exists in partial subjugation to evil powers opposed to God’s rule, which is simply part of the dire situation of “this age.” The prayer presupposes an apocalyptic worldview characterized by dualism (God/Satan, good/evil, present/future, etc.), the necessity of encountering and persevering against evil, and divine intervention to put the world order right and replace it with the kingdom of God.

Fifth, discipleship involves a variety of traits and characteristics. This prayer depicts the disciple as trusting and as exhibiting faith in God’s purpose and plan. The prayer presumes that disciples cling to God in dependence upon him in their day-to-day need. The prayer assumes that disciples try to imitate God in reflecting goodness, love, holiness, and peace in their respective communities. The prayer also admonishes endurance in the face of trials and persistence (not repetitiveness) in the discipline of prayer.

Sixth, although the prayer does not have an explicit Christology, one can be found implicitly. It seems implied that Jesus is a mediator between the Father and the disciples, and that he possesses an important role in the final manifestation of the kingdom. It is, after all, the disciples of Jesus who are promised a special place in the kingdom and a special relationship with the God of Israel.

Summary

The Lord’s Prayer has remained a common thread in the devotional life of followers of Jesus for two millennia because it is simple, memorable, poignant, and yet profound. It is not the prayer of an elite few; it belongs to all who cry out to God as Father and see the way to God in Jesus Christ, the exalted Lord and Messiah of Israel. As teachings of Jesus hold immeasurable significance for the life, faith, praxis, and service of his followers, this prayer encapsulates a motif of Jesus’ own mission: God as king and the love of God for his own people.

About a third of the OT is poetic. Poetry is a more elevated way of speaking and writing than prose. It is a departure from normal patterns of speech and exhibits a high degree of attention to literary artifice. In poetry, how something is said is as important as what is said. Poetry employs various poetic devices and conventions that are less frequent in or completely absent from ordinary speech. Among these are acrostic, inclusion, chiasm, succinctness, parallelism, and the heightened use of imagery (see also Acrostic).

Hebrew poetry also employs the full range of figures of speech, including metaphor, simile, synecdoche (substituting part for whole or vice versa, such as “set sail” or “lying in wait for blood”), anthimeria (substituting one part of speech for another, such as “let the dry appear”), merism (the whole expressed with two opposites, such as “day and night”), anthropomorphism, personification (“let the rivers clap their hands” [Ps. 98:8]), and so on.

Inclusion and Chiasm

Inclusion (or inclusio) is a structuring device whereby a unit of text begins and ends with the same or a very similar word or phrase. Thus the included material is bounded and defined as a unit of text. For example, Song 2:8–17 begins, “Listen! My beloved! Look! Here he comes, leaping across the mountains, bounding over the hills. My beloved is like a gazelle or a young stag,” and it ends, “Until the day breaks and the shadows flee, turn, my beloved, and be like a gazelle or like a young stag on the rugged hills.” This opening and closing with the same metaphor bounds the enclosed material as a unit of text. Another example is the way Prov. 1:2–7 (NRSV) begins and ends with the words “wisdom,” “instruction,” and “understanding/knowledge,” which delineates these verses as a block of text.

Chiasm (or chiasmus) is a way of organizing material whereby the second half of a text is a mirror image of the first half. “The Sabbath was made for man, not man for the Sabbath” (Mark 2:27 pars.) can be diagrammed as A/B/Bʹ/Aʹ. More and more elaborate chiasms have been proposed for various parts of Scripture, with many elements on each side. The flood narrative, the Abraham cycle, the book of Ruth, and so on may be written to a chiastic structure.

Succinctness and Imagery

One of the characteristics of Hebrew poetry is its succinctness; it says a lot with a few words. One way this is accomplished is through the use of imagery. “The Lord is my rock” (Ps. 18:2) compresses volumes of theology into a single image, thus requiring far less verbosity than if the concept had been stated without imagery. However, the trade-off is that more is required of the reader. The reader must ask, “How is the Lord like a rock?” and fill in the blank. This is true also of other ways that poetry is succinct—for example, its tendency to leave out particles and connectives. For example, “The Lord is my shepherd, / I lack nothing” (Ps. 23:1) leaves out a needed conjunction between the two phrases, which the reader must supply. Is it “The Lord is my shepherd, sooner or later I shall need nothing”? “The Lord is my shepherd, even so I shall need nothing”? Or “The Lord is my shepherd, therefore I shall need nothing.” The reader must decide the correct association between the two lines because the conjunction is purposely left out of the verse. Thus poetry engages the reader and must be read slowly and carefully.

Parallelism

The most recognizable feature of biblical poetry is the phenomenon of parallelism. This is the counterweight to succinctness. While poetry is designed to say much with few words, these words occur in line pairs, the second of which takes the thought further. For example, “Why do the nations conspire / and the peoples plot in vain?” (Ps. 2:1). Obviously, “nations” is parallel with “peoples,” and “conspire” with “plot in vain.” Line A and line B state in essence the same thought with different words, and they state it in the same way. This is called synonymous parallelism. “Lazy hands make for poverty, / but diligent hands bring wealth” (Prov. 10:4). In this verse, the parallel elements are opposites: lazy and diligent, poverty and wealth. This is called antithetical parallelism.

Sometimes, the second line completes the thought of the first line, forming complementary parallelism: “Israel, put your hope in the Lord / both now and forevermore” (Ps. 131:3). When a symbol is set in parallel with the thing symbolized, this is emblematic parallelism: “As the deer pants for streams of water, / so my soul pants for you, my God” (Ps. 42:1). Sometimes line B follows line A in time, forming sequential parallelism: “I call out to the Lord, / and he answers me from his holy mountain” (Ps. 3:4). When line B follows logically from line A, this is consequential parallelism: “In peace I will lie down and sleep, / for you alone, Lord, make me dwell in safety” (Ps. 4:8). Traditionally, when the relation between the lines does not fit into any defined category, the parallelism is called synthetic.

About a third of the OT is poetic. Poetry is a more elevated way of speaking and writing than prose. It is a departure from normal patterns of speech and exhibits a high degree of attention to literary artifice. In poetry, how something is said is as important as what is said. Poetry employs various poetic devices and conventions that are less frequent in or completely absent from ordinary speech. Among these are acrostic, inclusion, chiasm, succinctness, parallelism, and the heightened use of imagery (see also Acrostic).

Hebrew poetry also employs the full range of figures of speech, including metaphor, simile, synecdoche (substituting part for whole or vice versa, such as “set sail” or “lying in wait for blood”), anthimeria (substituting one part of speech for another, such as “let the dry appear”), merism (the whole expressed with two opposites, such as “day and night”), anthropomorphism, personification (“let the rivers clap their hands” [Ps. 98:8]), and so on.

Inclusion and Chiasm

Inclusion (or inclusio) is a structuring device whereby a unit of text begins and ends with the same or a very similar word or phrase. Thus the included material is bounded and defined as a unit of text. For example, Song 2:8–17 begins, “Listen! My beloved! Look! Here he comes, leaping across the mountains, bounding over the hills. My beloved is like a gazelle or a young stag,” and it ends, “Until the day breaks and the shadows flee, turn, my beloved, and be like a gazelle or like a young stag on the rugged hills.” This opening and closing with the same metaphor bounds the enclosed material as a unit of text. Another example is the way Prov. 1:2–7 (NRSV) begins and ends with the words “wisdom,” “instruction,” and “understanding/knowledge,” which delineates these verses as a block of text.

Chiasm (or chiasmus) is a way of organizing material whereby the second half of a text is a mirror image of the first half. “The Sabbath was made for man, not man for the Sabbath” (Mark 2:27 pars.) can be diagrammed as A/B/Bʹ/Aʹ. More and more elaborate chiasms have been proposed for various parts of Scripture, with many elements on each side. The flood narrative, the Abraham cycle, the book of Ruth, and so on may be written to a chiastic structure.

Succinctness and Imagery

One of the characteristics of Hebrew poetry is its succinctness; it says a lot with a few words. One way this is accomplished is through the use of imagery. “The Lord is my rock” (Ps. 18:2) compresses volumes of theology into a single image, thus requiring far less verbosity than if the concept had been stated without imagery. However, the trade-off is that more is required of the reader. The reader must ask, “How is the Lord like a rock?” and fill in the blank. This is true also of other ways that poetry is succinct—for example, its tendency to leave out particles and connectives. For example, “The Lord is my shepherd, / I lack nothing” (Ps. 23:1) leaves out a needed conjunction between the two phrases, which the reader must supply. Is it “The Lord is my shepherd, sooner or later I shall need nothing”? “The Lord is my shepherd, even so I shall need nothing”? Or “The Lord is my shepherd, therefore I shall need nothing.” The reader must decide the correct association between the two lines because the conjunction is purposely left out of the verse. Thus poetry engages the reader and must be read slowly and carefully.

Parallelism

The most recognizable feature of biblical poetry is the phenomenon of parallelism. This is the counterweight to succinctness. While poetry is designed to say much with few words, these words occur in line pairs, the second of which takes the thought further. For example, “Why do the nations conspire / and the peoples plot in vain?” (Ps. 2:1). Obviously, “nations” is parallel with “peoples,” and “conspire” with “plot in vain.” Line A and line B state in essence the same thought with different words, and they state it in the same way. This is called synonymous parallelism. “Lazy hands make for poverty, / but diligent hands bring wealth” (Prov. 10:4). In this verse, the parallel elements are opposites: lazy and diligent, poverty and wealth. This is called antithetical parallelism.

Sometimes, the second line completes the thought of the first line, forming complementary parallelism: “Israel, put your hope in the Lord / both now and forevermore” (Ps. 131:3). When a symbol is set in parallel with the thing symbolized, this is emblematic parallelism: “As the deer pants for streams of water, / so my soul pants for you, my God” (Ps. 42:1). Sometimes line B follows line A in time, forming sequential parallelism: “I call out to the Lord, / and he answers me from his holy mountain” (Ps. 3:4). When line B follows logically from line A, this is consequential parallelism: “In peace I will lie down and sleep, / for you alone, Lord, make me dwell in safety” (Ps. 4:8). Traditionally, when the relation between the lines does not fit into any defined category, the parallelism is called synthetic.

Also known as kherem warfare or Yahweh war. The term “holy war,” though never used in the Bible, characterizes well the wars that Israel fought at God’s command, particularly those within the Promised Land. God is present with Israel in war, and thus the battlefield becomes holy ground. God gives Israel instructions concerning the waging of war in Deut. 7, 20. From these passages, plus the historical accounts of Israel’s wars, we can describe holy war as follows.

Before the Battle

God tells Israel when to go to war. Israel’s leaders cannot engage in battle without first hearing from God. God reveals himself to Joshua, for instance, before the battle of Jericho to give him instructions (Josh. 5:13–15). David inquires of God through the priest Abiathar, who presumably uses oracular devices to discover God’s will (1 Sam. 23:1–6). Joshua makes a serious error in not seeking God’s will in the matter of the Gibeonites (Josh. 9:14).

Once the Israelites learn that God wants them to go to battle, they must spiritually prepare themselves. Since God makes his presence known on the battlefield, the troops must be in a state of ritual purity comparable to those who visit the sanctuary. Before the conquest, for instance, it is necessary for the fighting men to undergo circumcision and to observe the Passover (Josh. 5:2–12). Prebattle sacrifices are also required (1 Sam. 13).

During the Battle

The Ark of the Covenant plays a central role in holy war, carried by priests and accompanying the army. The ark is a powerful symbol of God’s presence and indicates to the army that God fights for them. The march into battle takes the form of a religious procession. The priests carrying the ark go first, while singers praise God (2 Chron. 20:20–21). The long march in the wilderness has the character of such a march into battle, since Moses begins the day’s journey by shouting, “Rise up, Lord! May your enemies be scattered; may your foes flee before you” (Num. 10:35). Then the ark carried by priests leads the way.

Since God is present with the army, the number of troops and the quality of their weapons are unimportant. Indeed, on occasion when Israel has an ample supply of troops, God commands that the war leader reduce their number, as in the famous story of Gideon paring down his troops from thirty-two thousand to three hundred. The purpose of this reduction is to demonstrate to the people with certainty that they win the battle only because of God’s strength. The inexperienced David, armed with a slingshot, expresses this sentiment to the mercenary giant Goliath before he kills him: “You come against me with sword and spear and javelin, but I come against you in the name of the Lord Almighty, the God of the armies of Israel, whom you have defied. . . . All those gathered here will know that it is not by sword or spear that the Lord saves; for the battle is the Lord’s, and he will give all of you into our hands” (1 Sam. 17:45, 47). Although the Israelites must engage the enemy, they know for certain that it is God who provides the victory.

After the Battle

Since God wins the battle for Israel, the proper response is praise. The OT contains many songs that celebrate victory in warfare (Exod. 15; Judg. 5; Pss. 24; 98; 149).

The treatment of the plunder and prisoners of war depends on whether the battle takes place in the promised land. If the battle takes place outside the land, then, while the men are killed, the women and children are spared. If the battle takes place in the land, then kherem goes into effect. The Hebrew word kherem is difficult to translate (possibilities include “complete destruction,” “things under the ban,” “things devoted to the Lord”), but it is clear that it means that all the plunder goes to God (the sanctuary treasury) and that all the people (men, women, and children), and sometimes all the animals, are killed. The purpose of this is to keep the inhabitants of the land from influencing Israel to worship other gods. Also, God uses Israel as an instrument of his judgment against these sinful nations.

Warfare against Israel

While most divinely ordained warfare was directed toward Israel’s enemies, God also used foreign nations to judge his sinful people. The initial defeat at Ai (Josh. 7), the capture of the ark by the Philistines at the time of Eli (1 Sam. 4), and the destruction of Jerusalem and the temple by the Babylonians (Lam. 2) are examples.

New Testament Holy War

The prophets who ministered during the exilic and postexilic periods announced that God would appear again in the future. The people of Israel were living under the oppressive hand of Babylon and then Persia, but they were comforted by the idea that God would come and save them from their enemies (Dan. 7; Zech. 14; Mal. 4).

When the NT opens, John the Baptist proclaims that the time of judgment announced by these prophets has come (Matt. 3:7–12). After he baptizes Jesus, he is put in prison and hears reports of Jesus’ ministry that disturb him. He wonders why Jesus is not bringing violent judgment against the enemies of God (Matt. 11:1–15). But Jesus has heightened and intensified the warfare so that it is directed against the “powers and principalities,” and this battle is won with spiritual weapons (2 Cor. 10:3–6; Eph. 6:10–20). Indeed, the ultimate victory is achieved not by killing but by dying. Paul describes the crucifixion and ascension using warfare language in Eph. 4:7–10; Col. 2:13–15.

John, however, was not wrong. The book of Revelation is the fullest statement of Christ’s return, which will signal the final war. In this war, all evil, both spiritual and human, will be brought to an end (Rev. 19:11–21).

Worship of God is a critical dimension of both Testaments. One might argue that it is the very goal for which Israel and the church were formed.

Terminology

Our understanding of worship is informed by the terms, practices, exhortations, and warnings of Scripture. The worship vocabulary in both Testaments provides insight into the personal dispositions and posture associated with worship focused on the person of God. The first set of biblical terms concerns the posture of the worshiper. The Hebrew terminology communicates the idea of bowing down and falling prostrate before the sovereign and worthy God (Ps. 95:6; 1 Chron. 29:20). NT words bear a similar idea of humble acknowledgment of God’s authority with a reverent prostrate position (Matt. 28:9; Rev. 5:14).

The second set of worship terms concerns service. In the OT, the worship of God includes the idea of serving with a view to bringing honor to him (Exod. 3:12; Mal. 3:14, 18). In the NT, worship bears the nuance of serving in the sense of carrying out religious duties (Heb. 12:28). This set of terminology has a priestly connotation to it. The OT priests and the NT believers (1 Pet. 2:5) serve God with their individual lives and their routines of life as acceptable offerings.

The final set of terms describes the attitude or disposition of worship. This word group includes terms such as “fear,” “awe,” and “dread,” which initially seem out of place in the context of worship. However, the terminology serves to inculcate an attitude of genuine respect. Yahweh is the awesome God, who is to be feared (Exod. 3:6; 15:11). Israel is to love and trust who God is and what God says in promise or in warning. The fear that one is to have for God involves a respect for him, a reverence for his divine worth (Col. 3:22; Rev. 11:18).

God as the Object of Worship

The worship terminology sets the focus of worship. The living God is the sole object of worship. He delights in the satisfying joy that his children find in him. The nature of worship is not about servant entertainment or passive observation; it is an active acknowledgment of God’s worth in a variety of humble ways.

A genuine selfless focus on the person and work of God brings about a humble response that affects one’s posture, generates works of service, and stirs up a healthy attitude of fear and respect. Knowledge of God is the foundational element in worship. God is worshiped for who he is and what he does. He is the Eternal One (Ps. 90:1; 1 Tim. 1:17), unique in every way (Isa. 44:8); he is God alone (Deut. 6:4). He is distinguished by his self-existence, the self-reliant quality of his life (Exod. 3:14; Deut. 32:30). The psalmist calls God’s people to shout joyfully to their good, loving, eternal, and faithful Creator (Ps. 100).

God is worshiped as the Creator of all life. This magnificent creative work of God, declared in the opening of Genesis, is a critical focus in worship (Ps. 95:6; Rom. 1:25; Rev. 4:11). Along with this is the companion declaration that God is the redeemer. The redemptive work of God is celebrated in the Song of Moses (Exod. 15:1–18) and in the Song of the Redeemed (Rev. 14:3).

Worship is also associated with the royal aspects of God’s character. It was the desire of the magi to find Jesus the king and worship him (Matt. 2:1–2). The final scenes of history will be characterized by humble submission to and worship of the King of kings (1 Tim. 6:15; Rev. 17:14; 19:16; cf. Rev. 15:3–4). The psalms often draw the reader’s attention to God’s royal character as a basis for worship (Pss. 45:11; 98:6).

Finally, God is worshiped as the Lord of his covenant relationship with the nation of Israel. This covenant theme and metaphor summarize the varied aspects of God’s character and his relationship with Israel. The God who brought Israel into a covenant relationship is to be sincerely and exclusively worshiped (2 Kings 17:35, 38; cf. Deut. 31:20). These confessional statements about the character of God are a glorious weight that moves believers to prostrate themselves, to have an attitude of awe and respect, and to obediently serve.

The Form of Worship

Although the form of worship looks different in each Testament, the essential elements of worship are constant. In the OT, the priests primarily led the worship of God. In addition, the duties of the king (Deut. 17:18–20) and of the prophet (18:14–22) had worship implications and responsibilities. Ideally, these three administrators were to work together to ensure a healthy quality of covenant life for the nation. Worship in both Testaments has both corporate and individual aspects.

OT worship was organized around sacred places such as designated locations (Gen. 3:8; 12:7), the tabernacle (Exod. 29:42), and the temple (1 Kings 8; cf. Rev. 21–22). In addition, there were sacred times in the calendar of Israel for celebration of the appointed feasts (Lev. 23). The three main feasts in Israel’s calendar are Unleavened Bread, Weeks, and Tabernacles (Deut. 16:16; cf. Exod. 34:23). The sacred actions of worship for the nation involved burnt offerings, meal or tribute offerings, peace offerings, sin offerings, and guilt offerings (Lev. 1–5).

The regulation and routine of OT worship never were intended to be merely dutiful. The routine of worship was to manifest a love for God and for the covenant community (Deut. 6:1–5; Mal. 2:10). The prophets often challenged Israel to have a heart for God and at times called upon them to consider the emptiness of their worship routine (Isa. 1:11). The heart of worship was nurtured in psalms of praise and lament and in the call to remember God (Pss. 42; 77:11).

The form of NT worship is not distinguished with the same externals as in the OT. However, similar core beliefs underlie the form and practice of NT worship. The distinguishing feature in this new era is the final and sufficient work of Christ (Heb. 9–10). As with previous revelation, worship is not anthropocentric; it is joyfully Christocentric, based on the gospel (1 Cor. 15:1–5). Christ and his work replace the OT temple. Jesus is the greater temple that has come (Matt. 12:6). Sacrifice is no longer limited to any particular geographic location, but instead involves the offering of oneself (Rom. 12:1–2) along with the presentation of spiritual sacrifices acceptable to God (1 Pet. 2:4–5). NT worship is regulated by the Spirit and truth (John 4:20–24). This type of worship is distinguished by the word of God, the Spirit, preaching, prayer, Spirit-filled service, and mutual edification. NT worship also includes the regular celebration of the ordinances of baptism and the Lord’s Supper (Acts 2:42–47) within the context of the local church.