Although the word “courage” does not occur with great frequency in the Bible, there are numerous examples of those who display its qualities (e.g., Heb. 11). Courage is an important theme in the conquest of the land of Canaan (Deut. 3:28; 31:6–8, 23; Josh. 1:6–9; 10:25). The psalmist is filled with courage because of God’s protection (Ps. 27:1). Paul takes courage in God to share the gospel with the Thessalonians (1 Thess. 2:2). God’s people take courage because of God’s presence (1 Chron. 22:13; 2 Chron. 32:7; Hag. 2:4; 1 Cor. 16:13; 2 Cor. 5:6–8; Heb. 13:6). The source of courage, therefore, comes not from one’s own character but rather from the character of God. Courage is inspired by God, generated by God, expressed in service to God, and manifests itself in endurance and integrity.

Dwelling can refer to a place (“building, residence” [e.g., Exod. 15:17; Acts 7:46]) or an action (“to reside” [e.g., 1 Sam. 2:29]). While dwelling characterizes people’s residence (Gen. 27:39; Num. 24:21; Prov. 24:15; Isa. 32:18; Hab. 1:6; Zeph. 3:6–7), God’s sanctuary, where the ark of the covenant resides (Exod. 25–26; Ps. 132:8), is described as his dwelling among his people (Exod. 15:13, 17; Lev. 15:31; 26:11; 1 Sam. 2:29, 32; 1 Chron. 9:19; Zech. 2:13). Both the tabernacle (2 Sam. 7:6; 15:25; 1 Chron. 16:1) and the temple (2 Chron. 31:2; 36:15; Pss. 84:1; 132:5; Ezek. 3:12; Mic. 1:2–3) are so described. A sanctuary for the needy and oppressed (Pss. 27:5; 31:20; 68:5), it is also a post from which God watches the earth (Pss. 33:14; 132:6–9). God himself can also be described as a “dwelling” in which people seek refuge (Pss. 90:1; 91:9; Ezek. 37:27).

Deuteronomy, perhaps in an effort to eliminate any misconception of God’s omnipresence or in reaction to the destruction of the first temple, describes the sanctuary as the “dwelling for his Name” (Deut. 12:11; 14:23; 16:2, 6, 11; 26:2; cf. 1 Kings 8:29; Isa. 18:2–7; Jer. 7:12), while Kings and Chronicles (1 Kings 8:30, 39, 43, 49; cf. 1 Chron. 17:5; 2 Chron. 6:21, 30, 33, 39; 30:27) maintain that God’s dwelling is in heaven and not on earth. As Solomon confesses, not even the heavens can contain God, let alone a temple (1 Kings 8:27; cf. Ps.74:7; Jer. 25:30). Some prophets and writings refer to Jerusalem, the location of the now destroyed temple, as the “dwelling of God” (e.g., Ezra 7:15; Jer. 31:23; Lam. 2:6), while others prefer the “dwelling place of God’s Name” (e.g., Neh. 1:9; Isa. 18:7).

Job’s friend Bildad identifies the dwelling of an evil person as one characterized by calamities (Job 18:5–21), while Job, who wants to make his claim of innocence to God, laments his inability to locate God’s dwelling (23:3).

Jesus is described in John’s Gospel as the Word (logos) of God that dwelled or “tabernacled” (skēnoō) among humans (John 1:14). Paul describes believers as groaning in waiting to be clothed with their “heavenly dwelling,” by which they attain immortality (2 Cor. 5:2–4), and says that they are being built into a dwelling of God’s Spirit (Eph. 2:22). This latter sentiment is echoed in Revelation, which says that the new city of God will need no physical temple because God and the Lamb themselves are the temple, dwelling among the people (21:3, 22; cf. 1 Cor. 3:16–17).

The word “enemy” primarily translates the Hebrew word ’oyev and the Greek word echthros. The word ’oyev occurs almost three hundred times in the OT, with several uses. Other terms commonly occur in parallel with ’oyev (in the NIV, these are generally translated as “enemy”): “adversary” (tsar [Ps. 27:2; Mic. 5:9]), “foe” (tsorer [Exod. 23:22; Ps. 23:5]), “hating one” (sone’ [Deut. 30:7]), and “one rising up” (qam [Ps. 18:48; NIV: “foes”]). Saul was a personal enemy of David (1 Sam. 18:29; 24:4, 19). Other pairs of enemies include David and Ish-Bosheth (2 Sam. 4:8), and Ahab and Elijah (1 Kings 21:20).

In most occurrences, Israel’s politico-military enemies are in view: Midianites, Assyrians, Babylonians, and often the Philistines. Periods of national peace and rest were the exception rather than commonplace (Lev. 26:6; Josh. 14:15; 2 Sam. 10:19). Neighboring nations routinely harassed and oppressed Israel (Deut. 1:42; Josh. 7:8; 1 Kings 8:33; Mic. 4:10). International fighting against Israel was viewed as divine judgment (Deut. 28:25–26, 31, 48, 68; Judg. 2:14). As the supreme warrior, Yahweh could crush his enemy (Exod. 15:6; cf. Isa. 1:24; Nah. 1:2). More startling are human claims that God was acting as their enemy: the captive Israel made such a claim (Jer. 30:14; Lam. 2:4–5), as did Job (Job 13:24).

The OT commonly refers to a national enemy, as does the NT (e.g., Luke 1:71: “salvation from our enemies and from the hand of all who hate us”). The NT also speaks of enemies in a more personal sense. Jesus acknowledged that believers have personal enemies (Matt. 5:44). Sinners were God’s enemies (Rom. 5:8–10), but Satan remained God’s adversary (Matt. 13:24–30; Luke 10:19).

Biblical references to the face are both literal and metaphorical. The Hebrew word for “face” (paneh) frequently occurs in the plural in the OT (over 2,100 times), and it can express the numerous features of the face, that of God, humans, animals, and inanimate objects. It also can describe a surface, such as “the face of the ground” (Gen. 2:6 KJV) or “the face of the deep” (Gen. 1:2 KJV).

The concept of face must be understood in terms of the diverse emotional expressions and stratified social relationships of the biblical social world. This was a world of honor and shame, loyalty and betrayal. Where the modern person speaks of personal empowerment, the biblical person thought of social restoration. Life was tantamount to social acceptance. In the biblical world of strong corporate solidarity, the face was the most important part of a person’s body. Persons did not merely “contact” each other; rather, faces engaged each other. Face was synonymous with person (e.g., Lev. 19:32, where “the aged/elderly” is literally “the faces of the aged/elderly”). The face essentially describes interpersonal relationships.

Presence and nonpresence are noted in the expressions “hiding the face from” (Ps. 27:9) and “seeing the face of” (Gen. 32:20 KJV). These denote qualities of relationship through acceptance or rejection, especially to superiors. To “see someone’s face” who is a dignitary is to be granted a royal audience (Gen. 44:23). Yet it was not customary to show a sad face in a king’s presence (Neh. 2:2). A person could also try to hide his or her identity, since “face” marks a public expression of one’s character and social standing.

To literally “fall on the face” (Ezek. 1:28; Luke 5:12) shows humility and homage toward a superior. Personal intention or determination is shown in the expressions “set the face against/toward” (Ezek. 35:2) and “turn the face” (2 Kings 20:2). Dishonor and disrespect are expressed with a “fallen face” (Gen. 4:6; NIV: “downcast” face; cf. Gen. 40:7). Striking the face can be an act that humiliates (John 18:22), as with mutilation or having a soiled face (Lev. 21:18; 2 Sam. 19:4–5). By contrast, to speak “face to face” (Exod. 33:11) not only shows respect but also treats another as a social equal. Reflecting rich emotions, a face can be “cheerful” (Prov. 15:13), “aflame” with agony (Isa. 13:8), “red with weeping” (Job 16:16), and covered with “shame” (Ps. 69:7).

“Face” can be used as a metonym (i.e., substitution) for a person’s presence. Significantly, God’s rejection of a person or group can be expressed as them being hidden from his face (Gen. 4:14 KJV) or as God hiding his face from them (Isa. 54:8; Mic. 3:4; cf. Ps. 22:24). Those in distraught prayer ask why God has hidden his face (Job 13:24) or for how long (Ps. 13:1). Similarly, God acts against persons when he sets his face against them (Lev. 17:10; 26:17).

Believers anticipate the day when they will see God “face to face” (1 Cor. 13:12), having received the ultimate gift of God’s acceptance.

For Christians, God is the creator of the cosmos and the redeemer of humanity. He has revealed himself in historical acts—namely, in creation, in the history of Israel, and especially in the person and work of Jesus Christ. There is only one God (Deut. 6:4); “there is no other” (Isa. 45:5). Because “God is spirit” (John 4:24), he must reveal himself through various images and metaphors.

Imagery of God

God’s character and attributes are revealed primarily through the use of imagery, the best and most understandable way to describe the mysterious nature of God. Scripture employs many images to describe God’s being and character. Some examples follow here.

God is compared to the father who shows compassion and love to his children (Ps. 103:13; Rom. 8:15). The father image is also used by the prophets to reveal God’s creatorship (Isa. 64:8). Jesus predominantly uses the language of “Father” in reference to God (Mark 8:38; 13:32; 14:36), revealing his close relationship with the Father. God is also identified as the king of Israel even before the Israelites have a human king (1 Sam. 10:19).

The Psalter exalts Yahweh as the king, acknowledging God’s sovereignty and preeminence (Pss. 5:2; 44:4; 47:6–7; 68:24; 74:12; 84:3; 95:3; 145:1). God is metaphorically identified as the shepherd who takes care of his sheep, his people, to depict his nature of provision and protection (Ps. 23:1–4). The image of the potter is also employed to describe the nature of God, who creates his creatures according to his will (Jer. 18:6; Rom. 9:20–23). In Hos. 2:4–3:5 God is identified as the long-suffering husband of the adulterous wife Israel. In the setting of war, God is depicted as the divine warrior who fights against his enemy (Exod. 15:3).

God is also referred to as advocate (Isa. 1:18), judge (Gen. 18:25), and lawgiver (Deut. 5:1–22). The image of the farmer is also frequently adopted to describe God’s nature of compassionate care, creation, providence, justice, redemption, sanctification, and more (e.g., Isa. 5:1–7; John 15:1–12). God is often referred to as the teacher (Exod. 4:15) who teaches what to do, as does the Holy Spirit in the NT (John 14:26). The Holy Spirit is identified as the counselor, the helper, the witness, and the guide (John 14:16, 26; 15:26). God is often metaphorically compared to various things in nature, such as rock (Ps. 18:2, 31, 46), light (Ps. 27:1), fire (Deut. 4:24; 9:3), lion (Hos. 11:10), and eagle (Deut. 32:11–12). In particular, the Davidic psalms employ many images in nature—rock, fortress, shield, horn, and stronghold (e.g., Ps. 18:2)—to describe God’s perfect protection.

Last, anthropomorphism often is employed to describe God’s activities. Numerous parts of the human body are used to speak of God: face (Num. 6:25–26), eyes (2 Chron. 16:9), mouth (Deut. 8:3), ears (Neh. 1:6), nostrils (Exod. 15:8), hands (Ezra 7:9), arms (Deut. 33:27), fingers (Ps. 8:3), voice (Exod. 15:26), shoulders (Deut. 33:12), feet (Ps. 18:9), and back (Exod. 33:21–22).

Names and Attributes of God

The OT refers to God by many names. One of the general terms used for God, ’el (which probably means “ultimate supremacy”), often appears in a compound form with a qualifying word, as in ’el ’elyon (“God Most High”), ’el shadday (“God Almighty”), and ’el ro’i (“the God who sees me” or “God of my seeing”). These descriptive names reveal important attributes of God and usually were derived from the personal experiences of the people of God in real-life settings; thus, they do not describe an abstract concept of God.

The most prominent personal name of God is yahweh (YHWH), which is translated as “the Lord” in most English Bibles. At the burning bush in the wilderness of Horeb, God first revealed to Moses his personal name in sentence form: “I am who I am” (Exod. 3:13–15). Though debated, the divine name “YHWH” seems to originate from an abbreviated form of this sentence. Yahweh, who was with Moses and his people at the time of exodus, is the God who was with Abraham, Isaac, and Jacob. According to Jesus’ testimony, “the God of Abraham, the God of Isaac, and the God of Jacob” is identified as the God “of the living” (Matt. 22:32). Hence, the name “Yahweh” is closely tied to God’s self-revelation as the God of presence and life. (See also Names of God.)

Many of God’s attributes are summarized in Exod. 34:6–7: “The Lord, the Lord, the compassionate and gracious God, slow to anger, abounding in love and faithfulness, maintaining love to thousands, and forgiving wickedness, rebellion and sin. Yet he does not leave the guilty unpunished; he punishes the children and their children for the sin of the parents to the third and fourth generation.” Below are further explanations of some of the representative attributes of God.

Holiness. The moral excellence of God is the attribute that underlies all other attributes. Thus, all God’s attributes can be modified by the adjective holy: holy love, holy justice, holy mercy, holy righteousness, holy compassion, holy wisdom, and so forth. God is the only supremely holy one (1 Sam. 2:2; Rev. 15:4). God’s name is also holy; those who profane God’s name are condemned as guilty (Exod. 20:7; Lev. 22:32). God is depicted as the one who has concern for his holy name, which the Israelites profaned among the nations; God actively seeks to restore the holiness of his defiled name (Ezek. 36:21–23). God’s holiness is revealed by his righteous action (Isa. 5:16). Not only is God holy, but also he expects his people to be holy (Lev. 11:45; 19:2). All the sacrificial codes of Leviticus represent the moral requirements of holiness for the worshipers. Because of God’s character of holiness, he cannot tolerate sin in the lives of people, and he brings judgment to those who do not repent (Hab. 1:13).

Love and justice. Because “God is love,” no one reaches the true knowledge of God without having love (1 John 4:8). Images of the father and the faithful husband are frequently employed to portray God’s love (Deut. 1:31; Jer. 31:32; Hos. 2:14–20; 11:1–4). God’s love was supremely demonstrated by the giving of his only Son Jesus Christ for his people (John 3:16; Rom. 5:7–8; 1 John 4:9–10). God expects his people to follow the model of Christ’s sacrificial love (1 John 3:16).

God’s justice is the foundation of his moral law and his ways (Deut. 32:4; Job 34:12; Ps. 9:16; Rev. 15:3). It is also seen in his will (Ps. 99:4). God loves justice and acts with justice (Ps. 33:5). God’s justice is demonstrated in judging people according to their deeds—punishing wickedness and rewarding righteousness (Ezek. 18:20; Ps. 58:11; Rev. 20:12–13). God establishes justice by upholding the cause of the oppressed (Ps. 103:6) and by vindicating those afflicted (1 Sam. 25:39). God is completely impartial in implementing justice (Job 34:18–19). As with holiness, God requires his people to reflect his justice (Prov. 21:3).

God keeps a perfect balance between the attributes of love and justice. God’s love never infringes upon his justice, and vice versa. The cross of Jesus Christ perfectly shows these two attributes in one act. Because of his love, God gave his only Son for his people; because of his justice, God punished his Son for the sake of their sins. The good news is that God’s justice was satisfied by the work of Jesus Christ (Rom. 3:25–26).

Righteousness and mercy. God’s righteousness shows his unique moral perfection. God’s nature, actions, and laws display his character of righteousness (Pss. 19:8–9; 119:137; Dan. 9:14). “Righteousness and justice” are the foundation of God’s throne (Ps. 89:14). God’s righteousness was especially demonstrated in the work of Jesus Christ (Rom. 3:21–22). God’s righteousness will ultimately be revealed in his final judgment (Rev. 19:2; 20–22; cf. Ps. 7:11).

The English word “mercy” renders various words in the original languages: in Hebrew, khesed, khanan, rakham; in Greek, charis, eleos, oiktirmos, splanchnon. English Bibles translate these variously as “mercy,” “compassion,” “grace,” “kindness,” or “love.” The word “mercy” is chosen here as a representative concept (cf. Ps. 86:15). God’s mercy is most clearly seen in his act of forgiving sinners. In the Psalter, “Have mercy on me” is the most common form of expression when the psalmist entreats God’s forgiveness (Pss. 41:4, 10; 51:1). God’s mercy is shown abundantly to his chosen people (Eph. 2:4–8). Because of his mercy, their sins are forgiven (Mic. 7:18), their punishments are withheld (Ezra 9:13), and even sinners’ prayers are heard (Ps. 51:1; Luke 18:13–14). God is “the Father of mercies” (2 Cor. 1:3 NRSV).

God keeps a perfect balance between righteousness and mercy. His righteousness and mercy never infringe upon each other, nor does one operate at the expense of the other. God’s abundant mercy is shown to sinners through Jesus Christ, but if they do not repent of their sins, his righteous judgment will be brought upon them.

Faithfulness. God’s faithfulness is revealed in keeping the covenant that he made with his people. God “is the faithful God, keeping his covenant of love to a thousand generations of those who love him and keep his commandments” (Deut. 7:9). God is faithful to his character, his name, and his word (Neh. 9:8; Ps. 106:8; 2 Tim. 2:13; Heb. 6:13–18). God’s faithfulness is clearly seen in fulfilling his promise (Josh. 23:14). God showed his faithfulness by fulfilling all the promises that he made to Abraham (Gen. 12:2–3; Rom. 9:9; Gal. 4:28; Heb. 6:13–15), by having Solomon build the temple that he promised to David (2 Sam. 7:12–13; 1 Kings 8:17–21), and by sending his people into exile in Babylon and returning them to their homeland (Jer. 25:8–11; Dan. 9:2–3). God’s faithfulness was ultimately demonstrated by sending Jesus Christ, as was promised in the OT (Luke 24:44; Acts 13:32–33; 1 Cor. 15:3–8).

Goodness. Jesus said, “No one is good—except God alone” (Mark 10:18). God demonstrates his goodness in his actions (Ps. 119:68), in his work of creation (1 Tim. 4:4), in his love (Ps. 86:5), and in his promises (Josh. 23:14–15).

Patience. God is “slow to anger” (Exod. 34:6; Num. 14:18), which is a favorite expression for his patience (Neh. 9:17; Pss. 86:15; 103:8; Joel 2:13). God is patient with sinful people for a long time (Acts 13:18). Because of his patient character, he delays punishment (Isa. 42:14). For instance, God was patient with his disobedient prophet Jonah and also with the sinful people of Nineveh (Jon. 3:1–10). The purpose of God’s patience is to lead people toward repentance (Rom. 2:4).

God of the Trinity

The Christian God of the Bible is the triune God. God is one but exists in three persons: the Father, the Son, and the Holy Spirit (Matt. 28:19). The Son is one with the Father (John 10:30); the Holy Spirit is one with God (2 Sam. 23:2–3). All three share the same divine nature; they are all-knowing, holy, glorious, and called “Lord” and “God” (Matt. 11:25; John 1:1; 20:28; Acts 3:22; 5:3–4; 10:36; 1 Cor. 8:6; 2 Cor. 3:17–18; 2 Pet. 1:1). All three share in the same work of creation (Gen. 1:1–3), salvation (1 Pet. 1:2), indwelling (John 14:23), and directing the church’s mission (Matt. 28:18–20; Acts 16:6–10; 14:27; 13:2–4).

In both Testaments “head” can refer to the literal head of the physical body or be symbolic of leadership and the source of provision.

The physical head played a significant role in Jewish and Christian customs. Cutting off an opponent’s head was a symbol of victory (1 Sam. 17:46; 1 Chron. 10:9–10). The consecration of priests and kings was done by anointing the head with oil (Exod. 29:7; Lev. 8:12; 1 Sam. 10:1). Contrition and shame were displayed by covering one’s head (2 Sam. 15:30; Jer. 14:3). Grief was expressed by casting dust or ashes on the head (Job 1:20; 2 Sam. 13:19; 15:32; Lam. 2:10; Ezek. 27:30; Rev. 18:19) or shaving one’s own head (Job 1:20; Jer. 16:6). The head was the place for receiving blessing, as when Jacob laid his hands on Manasseh and Ephraim to bless them (Gen. 48:14), or guilt, as when Solomon declared that the guilt over the blood of the two Israelite commanders murdered by Joab would rest “on the head of Joab and his descendants forever” (1 Kings 2:33). Lifting up the head was associated with the giving of life in terms of success (Gen. 40:13; Judg. 8:28; Ps. 27:6).

Because of the prominent physical role of the head as the topmost and preeminent part of the body, it was often used as a symbol for leadership and the source of provision. Ancient medical writers such as Hippocrates and Galen viewed the head as the leading member of the body. Ancient political writers adapted the idea and applied it to military and political leaders, such as Nero, who was called the “head” of Rome. For the political writers in particular, the emphasis often was on the power and authority of the head.

Examples of this use of “head” as leader and source of provision in the Bible include Judg. 10:18, where the leaders of Gilead declare that whoever launches the attack against the Ammonites will be the head of the inhabitants of Gilead. After the elders successfully appeal to Jephthah, the people make him “head and commander” over them (Judg. 11:11). Christ’s ruling function is emphasized in Col. 2:10, where he is called the “head over every power and authority.” In Eph. 4:16 Paul states that Christ as the head is the one “from [whom] the whole body . . . grows and builds itself up in love.”

In the NT, Paul’s use of the metaphor for the relationship between Christ and the church and husbands and wives is particularly significant. When Paul applies the metaphor to Christ and the church, he implies that Christ provides both leadership to the body as well as the nourishment needed for its continued growth. Thus, in Col. 2:19 the head is the one “from whom the whole body . . . grows as God causes it to grow,” and in Eph. 5:23–24 Christ is “the head of the . . . body,” the one to whom the church submits.

Paul uses the head/body metaphor in reference to Christ with some flexibility. Whereas Christ is the head of the church, his body, in Ephesians and Colossians, in 1 Cor. 11:3 his headship is part of a series in which God is the head of Christ, Christ is the head of man, and man is the head of woman. In Eph. 1:22 he is head over the entire universe.

In Eph. 5:21–33 the head/body metaphor is applied to the relationship between husbands and wives, and specifically in comparison with Christ and the church’s relationship as head and body. As Christ is the head of the church, so is the husband the head of the wife. Thus, both provide leadership and growth to their respective bodies. It is important to note that the husband’s role as head is defined in terms of loving his wife and bringing her to holiness. The husband’s headship does not consist of an arbitrary power over his wife, especially one based on his own interests and whims. Rather, it is a sacrificial leadership that reflects Christ’s love for the church. It is a leadership in which he gives his life for his wife as Christ gave his life for the church and nourishes her by providing what is most beneficial for her. See also Head of the Church.

A track worn by footsteps (Gen. 49:17; Num. 22:32; Neh. 9:19; Mark 4:4), often distinguished from a wider, smoother road (Num. 22:24; 2 Sam. 22:37; Matt. 7:13–14). The Bible exhorts the reader toward the “path of life” (Ps. 16:11; Prov. 15:24) in contrast to the way leading to death (Deut. 30:1–20; Prov. 14:12; Jer. 21:8; James 5:20). The good path is characterized by pursuing God’s presence through obedience to his will (Deut. 11:28; Pss. 27:11; 44:18; 119:32). John the Baptist was called to prepare the path of the Messiah (Mark 1:3; cf. Isa. 40:3). Jesus presents himself as a path back to God (John 14:6). Early Christianity was called “the Way” (Acts 9:2; 19:9; 24:22). Paul exhorts Christians to walk in the humility and gentleness of Christ, which is worthy of God’s calling (Eph. 4:1–2).

A large tent or canopy or something that resembles such a covering; also, a separately identified section of a building, possibly partially detached. In English, the word “pavilion” conveys a sense of lavishness or grandeur, and it is used only twice by a significant number of translators: in Job 36:29 as a metaphor for the spread of clouds covering God, and in Jer. 43:10 to refer to a canopy for a royal throne. A few versions use “pavilion” to translate several different Hebrew words with the following meanings: booth (2 Sam. 22:12; 1 Kings 20:12, 16; Ps. 31:20; Isa. 4:6); tent (2 Sam. 6:17; Ps. 27:5; Dan. 11:45); high architectural structure (Ezek. 16:24, 25, 31, 39); cloth covering, sometimes specifically referring to a ceremonial Jewish wedding tent, or chuppah (Ps. 19:5; Isa. 4:5); the women’s section of a tent (Num. 25:8); colonnade or courtyard (1 Chron. 26:18); covered way (2 Kings 16:18).

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

Hostile action carried out against someone or something. While used in Ezek. 22:26 to describe the manner in which Israel’s priests had utilized God’s law, violence most often involves the infliction of physical harm against a person or group. The subject of violence in the Bible, while extensive, is far from simple. Many OT passages refer to participation in violence as something to be avoided, belonging to the life of the wicked rather than to that of the righteous (Ps. 27:12; Prov. 4:17). In the NT, violence is discouraged as well (Rom. 12:19–21). Violence is addictive and ultimately destructive for those who live by it (Prov. 13:2; 21:7). Violence begets violence (Ps. 137; Matt. 26:52). A recurring biblical depiction of violence entails the spilling of blood, due to a close association of blood with life (Jer. 51:35; cf. Lev. 17:14).

Many passages assert or assume that God disapproves of violence (e.g., Job 16:17; Ps. 17:4; Mal. 2:16; 1 Tim. 1:13; Titus 1:7). God is a refuge against violence (2 Sam. 22:3). Widespread violence on the earth is the reason God gives for bringing about the flood (Gen. 6:13). Violence is the sin of Nineveh (Jon. 3:8) as well as that of Israel, a point emphasized by the prophets when declaring that Israel would go into exile (Isa. 53:9; Jer. 22:3; Ezek. 8:17; Hos. 12:1).

Yet there are also passages that tolerate and even advocate violence. Scripture contains numerous stories of God’s people acting violently. While in some cases these individuals may be acting on their own (see Judges), in some passages God explicitly commands violence (e.g., Deut. 7:1–2). In biblical military life, violence seems to be an accepted and even useful tool (e.g., 1 Sam. 17; 1 Chron. 12). God is often described as, among other things, a warrior (Exod. 15:3; Matt. 10:34; Rev. 19:11–16).

The question of the persistence of violence is voiced in Scripture but not answered (Hab. 1:2–3), suggesting that there is no simple answer. Perhaps God’s recognition of the wickedness of the human heart (Gen. 8:21) leads him to be involved even in the violence of this world, as instigator and also as recipient (Jesus). That the Bible acknowledges the prevalence of violence in the world certainly is significant. Yet the Bible also bears witness that this too shall pass as it describes God’s future plans, in which violence will be no more (see Isa. 60:18).

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

Cities in the OT period that were divinely designated places of asylum to which a manslayer might flee for safety (Exod. 21:12–14). Refuge was provided in these cities for the manslayer from family members of the slain person who were seeking to avenge the death of their relative. According to the principle of lex talionis enshrined in OT revelation and subsequent Israelite law (Gen. 9:5–6; Exod. 21:12–14; Lev. 24:17), the death penalty applied to the willful murderer. In ancient Israel the sacred duty of punishing a murderer was placed in the hands of the closest relative of the murdered person (“the avenger of blood”). The manslayer was admitted to the city of refuge only after stating his case before the city’s elders at the city gate (Josh. 20:4–5), for this provision applied only to those implicated in an accidental or unintentional death. This institution gave the accused person an opportunity to stand trial before a legal assembly and possibly be acquitted (Num. 35:12). After the death of the high priest (marking the end of an era), the acquitted manslayer was free to return home (Josh. 20). The manslayer who left the city before that time could be killed by the avenger of blood with impunity. In Deuteronomy, with its “holy land” theology, the safety of a person who accidentally killed another prevented the defilement of the land: “Do this so that innocent blood will not be shed in your land, which the Lord your God is giving you as your inheritance, and so that you will not be guilty of bloodshed” (Deut. 19:10). More widely, the provision reflects the moral character of the God of Israel and the humane spirit of OT legislation that sought to limit vengeance and the blood feuds that easily resulted.

They were six cities of refuge, chosen out of the forty-eight Levitical cities (Num. 34:6–15). Three of these cities were on the east side of the Jordan River, and three on the west. The cities were well spaced and centrally located, so that there was ready access to a city of refuge wherever a person happened to live in Israelite territory. Roads were to be built to the cities to assist the person fleeing (Deut. 19:3). The eastern cities were set apart by Moses (Deut. 4:41–43), and the western ones by Joshua (Josh. 20). The three in Cisjordan (the Promised Land proper) were, from north to south, Kedesh in Naphtali, Shechem in Ephraim, and Kiriath Arba (= Hebron) in Judah. The matching three cities in Transjordan were, from south to north, Bezer in Reubenite territory, Ramoth in the tribal allotment of Gad, and Golan in Bashan.

This institution extended and broadened the primitive custom of a manslayer finding safety in the sanctuary (Exod. 21:14). In the wilderness period, with all Israel encamped around a central sanctuary, this was all that was required. The entrance into the land and the spreading out of the tribes required the establishment of designated cities of refuge. The earlier custom is reflected in 1 Kings 1:50–53; 2:28–35, wherein Adonijah and Joab, who feared for their lives because of the wrath of Solomon, are described as “clinging to the horns of the altar.” This drastic procedure did not, however, prevent the death of Joab at the hands of Benaiah, Solomon’s executioner. A similar custom of sanctuaries as places of asylum is found in other ancient cultures (e.g., Phoenician, Syrian, Greek, and Roman). This social understanding is also reflected in the Psalter, wherein the temple is described as a place of spiritual refuge (e.g., Pss. 27:5; 31:20; 61:4; 91:1–2).

Cities in the OT period that were divinely designated places of asylum to which a manslayer might flee for safety (Exod. 21:12–14). Refuge was provided in these cities for the manslayer from family members of the slain person who were seeking to avenge the death of their relative. According to the principle of lex talionis enshrined in OT revelation and subsequent Israelite law (Gen. 9:5–6; Exod. 21:12–14; Lev. 24:17), the death penalty applied to the willful murderer. In ancient Israel the sacred duty of punishing a murderer was placed in the hands of the closest relative of the murdered person (“the avenger of blood”). The manslayer was admitted to the city of refuge only after stating his case before the city’s elders at the city gate (Josh. 20:4–5), for this provision applied only to those implicated in an accidental or unintentional death. This institution gave the accused person an opportunity to stand trial before a legal assembly and possibly be acquitted (Num. 35:12). After the death of the high priest (marking the end of an era), the acquitted manslayer was free to return home (Josh. 20). The manslayer who left the city before that time could be killed by the avenger of blood with impunity. In Deuteronomy, with its “holy land” theology, the safety of a person who accidentally killed another prevented the defilement of the land: “Do this so that innocent blood will not be shed in your land, which the Lord your God is giving you as your inheritance, and so that you will not be guilty of bloodshed” (Deut. 19:10). More widely, the provision reflects the moral character of the God of Israel and the humane spirit of OT legislation that sought to limit vengeance and the blood feuds that easily resulted.

They were six cities of refuge, chosen out of the forty-eight Levitical cities (Num. 34:6–15). Three of these cities were on the east side of the Jordan River, and three on the west. The cities were well spaced and centrally located, so that there was ready access to a city of refuge wherever a person happened to live in Israelite territory. Roads were to be built to the cities to assist the person fleeing (Deut. 19:3). The eastern cities were set apart by Moses (Deut. 4:41–43), and the western ones by Joshua (Josh. 20). The three in Cisjordan (the Promised Land proper) were, from north to south, Kedesh in Naphtali, Shechem in Ephraim, and Kiriath Arba (= Hebron) in Judah. The matching three cities in Transjordan were, from south to north, Bezer in Reubenite territory, Ramoth in the tribal allotment of Gad, and Golan in Bashan.

This institution extended and broadened the primitive custom of a manslayer finding safety in the sanctuary (Exod. 21:14). In the wilderness period, with all Israel encamped around a central sanctuary, this was all that was required. The entrance into the land and the spreading out of the tribes required the establishment of designated cities of refuge. The earlier custom is reflected in 1 Kings 1:50–53; 2:28–35, wherein Adonijah and Joab, who feared for their lives because of the wrath of Solomon, are described as “clinging to the horns of the altar.” This drastic procedure did not, however, prevent the death of Joab at the hands of Benaiah, Solomon’s executioner. A similar custom of sanctuaries as places of asylum is found in other ancient cultures (e.g., Phoenician, Syrian, Greek, and Roman). This social understanding is also reflected in the Psalter, wherein the temple is described as a place of spiritual refuge (e.g., Pss. 27:5; 31:20; 61:4; 91:1–2).

In the Bible, gestures are made with either parts of the body or items, such as clothing and rings, directly connected to the body. For this reason, it makes sense to classify biblical gestures in relation to the different body parts that are identified with the gestures. It is, however, challenging to know where to draw a line on classifying a gesture. For example, a devious person is described in Prov. 6:13 as one “who winks maliciously with his eye, signals with his feet and motions with his fingers.” It is unclear whether this is a single gesture or multiple ones, and whether all signify different things or the same thing.

Head

Gestures that relate to the head range from simple head motions to semiviolent acts such as hair pulling. Simple head motions include lifting of one’s head in honor (Gen. 40:13), bowing one’s head in mourning (Ps. 35:14), tossing one’s head in mockery and derision (2 Kings 19:21), and shaking one’s head as insult (Ps. 22:7; Mark 15:29).

A common action is the shaving of the head, which can be for purification (Lev. 14:8–9; Num. 6:9; 8:7 [includes all body hair]), mourning (Deut. 21:11–13; Job 1:20; Isa. 15:2; Jer. 16:6; 47:5; 48:37; Ezek. 27:31; Amos 8:10; Mic. 1:16), remorse (Jer. 41:5), or shaming (Jer. 2:16). However, priests are forbidden from shaving their heads even in mourning (Lev. 21:5; Ezek. 44:20), while the high priest is to wear a turban on his head during sacrificial duties (Exod. 29:6).

Anointing of the head is done when a priest or king is installed (Exod. 29:7; Ps. 23:5) or simply as a sign of God’s goodness and blessing on a person (Eccles. 9:8). Blessing may also involve placing a hand on the head of the person being blessed (Gen. 48:14–18; Exod. 29:19), while the same gesture on the head of sacrificial animals is a symbolic means of transferring sin (Lev. 3:2, 8, 13; 4:4, 15, 24, 29, 33; 8:18, 22).

In the OT, a woman’s head can be shaved in mourning (Deut. 21:12–13; cf. Jer. 47:5), but in the NT, a shaved head can be a cause for disgrace (1 Cor. 11:5–6).

Face. Facial gestures range from expressions to actions such as touching or covering the face. A face can be downcast in anger (Gen. 4:5–6) or bowed to the ground in honor (Gen. 48:12), in dejection (Josh. 7:6), in humility (Ruth 2:10), in worship (2 Chron. 20:18; Ps. 138:2), in subjection, supplication, reverence (1 Sam. 20:41; 25:41; 28:14; 2 Sam. 14:4, 22; 18:28; 24:20; 1 Kings 1:23; 1 Chron. 21:20), or in dread (e.g., Moses before Yahweh [Exod. 3:6]).

The face can be covered or veiled as an indication of uncleanness (Lev. 13:45), in grief/mourning (2 Sam. 19:4; Ezek. 24:17), in resignation (1 Kings 19:13), with intent to deceive in adultery (Job 24:15), or in horror of judgment (Esther 7:8; Ezek. 12:6, 12). It can also be buried in the dust in remorse (Lam. 3:29).

God can be described as hiding or turning away his face against wickedness and evil (Deut. 31:18; 32:20; Ps. 34:16; Isa. 8:17; Jer. 33:5; Ezek. 7:22; 15:7; 20:46; 21:2) or in an act of withholding blessings (Job 13:15; Pss. 10:1; 13:1; 27:9; 30:7; 34:16; Isa. 54:8; 59:2; 64:7). God can also turn his face toward a place in judgment (Ezek. 4:3, 7; 6:2). In 1 Sam. 5:3–4 the idol of the Philistine god Dagon falls facedown before the ark of the covenant, apparently overpowered by Yahweh.

Acts of humiliation or dishonor can involve spitting in the face (Num. 12:14; Deut. 25:9; Job 17:6; 30:10; Isa. 50:6), slapping the face (1 Kings 22:24; 2 Chron. 18:23; Job 16:10; Lam. 3:30; Mic. 5:1), pulling a skirt up over someone’s face in shaming judgment (Jer. 13:26; Nah. 3:5), and hooking and dragging someone by the nose (2 Kings 19:28). Although being struck on the cheek is humiliating, Jesus instructs his disciples to “turn the other cheek” as a sign of resistance to violence (Matt. 5:39; Luke 6:29).

One can lift one’s face in worship (2 Kings 20:2; Job 22:26; Isa. 38:2) or in confidence (Job 11:15) and can fail to lift it in shame and disgrace (Ezra 9:6). Although the shaving of beards in mourning is common practice (Ezra 9:3; Isa. 15:2; Jer. 41:5; 48:37), the forced shaving of beards is an act of shaming and insulting (2 Sam. 10:4; 1 Chron. 19:4–5; Isa. 7:20; 50:6).

Eyes. Winking the eye is perceived as an evil, deceptive, or malicious act (Ps. 35:19; Prov. 6:13; 16:30). Eyes can be lifted up in worship and expectation (Pss. 121:1; 123:1).

Mouth. Pursed lips can characterize an evil person (Prov. 16:30), while a hand can be clapped over the mouth in awe and submission (Job 21:5; 40:4). Psalm 72:9 looks to the righteous king before whom the desert tribes will bow and whose “enemies lick the dust” in defeat.

Ears. An Israelite slave for life is to have a hole punched through his or her earlobe, held against a doorpost, with an awl (Exod. 21:6; Deut. 15:17). Blood is sprinkled on the lobe of the right ear for purification (Exod. 29:20; Lev. 8:23–24; 14:17), while supplication can be described as asking for the turning of an ear (2 Kings 19:16; Ps. 31:2). Turning one’s ear signifies paying attention or taking something to heart (Ps. 49:4; Prov. 4:20; 5:13).

Neck. The neck can be adorned (Song 1:10) as a sign of pride and honor (Gen. 41:42; Judg. 5:30; Prov. 1:9; Ezek. 16:11) or outstretched in arrogance (Ps. 75:5 TNIV: “Do not lift your horns against heaven; do not speak with outstretched neck”). Jeremiah put a yoke on his neck as a prophetic sign of the approaching Babylonian conquest (Jer. 27–28). While putting someone’s neck in a yoke is an act of triumphal conquest (Ps. 105:18), stepping on the neck of a subdued enemy is an act of subjugation and humiliation (Josh. 10:24).

Body

Nakedness in public is considered shameful (Gen. 9:22–23; Nah. 3:5; Rev. 3:18), so that it is sometimes pictured as part of divine judgment (Deut. 28:48; Isa. 47:2–3; Lam. 1:8; Mic. 1:11) or as a sign of promiscuity (Isa. 57:8; Ezek. 16:36). An unkempt body can be a sign of mourning, as it is for Mephibosheth (2 Sam. 19:24). A certain kind of body covering is a sign of marriage proposal or protection (Ezek. 16:8; 23:18; Hos. 2:9). Body dismembering, even in war, is an act of humiliation (2 Sam. 4:12).

Chest. In self-mortification, one can pound one’s chest in mourning (Ezek. 21:12) or in remorse (Jer. 31:19; Luke 18:13). The breasts of sacrificial animals are waved before God as a “wave offering” before being eaten (Exod. 29:26; Lev. 7:30; Num. 6:20).

Hand, arm. Hand gestures include motions such as lifting hands in worship, clapping hands in joy, and clapping a hand over one’s mouth in awe. The expression “outstretched arm” (Exod. 6:6; Deut. 4:34; 5:15; 7:19; 9:29; 11:2; 26:8; 1 Kings 8:42; 2 Kings 17:36; 2 Chron. 6:32; Ps. 136:12; Jer. 21:5; 27:5; 32:17, 21; Ezek. 20:33–34) indicates power, might, strength. It is often used of God to indicate his ability to defeat powerful armies and enemies. God is implored by the psalmist to lift his hand and act for the sake of the righteous (Ps. 10:12).

Since the right hand is the hand of power, the act of sitting at the right hand indicates being favored (1 Kings 2:19; Ps. 110:1; Matt. 22:44; Mark 12:36; Luke 20:43; Acts 2:35; Heb. 1:3; 8:1; 10:12; 12:2; 1 Pet. 3:22). When taking an oath, one places a hand under the thigh/crotch (Gen. 24:2; 47:29), most likely the right hand (see Gen. 48:14, 17–18; Lev. 8:23; 14:14).

Clapping the hands can be a sign of awe (Ezek. 6:11), malice, or remorse (25:6), while a bared arm can be a sign of judgment (4:7). Job claps his hand over his mouth in awe of God and in submission and repentance (Job 40:4–5).

Hands can be lifted in worship (1 Kings 8:22; 1 Tim. 2:8), to beseech (Ps. 28:2), to protect and bless (Ps. 10:12), in an oath (Deut. 32:40), or to harm (Exod. 24:11; 1 Sam. 24:6, 10; 2 Sam.1:14; 18:12).

Pilate washes his hands to proclaim his innocence over the death of Jesus (Matt. 27:24), while 1 Pet. 5:6 urges believers to humble themselves “under God’s mighty hand,” so that in due time they will be lifted up.

Buttocks. Exposure of the buttocks can serve as a humiliating insult and provocation, as happens to David’s men (2 Sam. 10:4; 1 Chron. 19:4) and Egyptian and Cushite captives (Isa. 20:4).

Leg. The leg or thigh is often a euphemism for the male reproductive organs, so that putting one’s hand under a thigh in oath (Gen. 24:2; 47:29) may involve actually grabbing the genitalia. Animal thighs are waved to God in offering before being consumed (Lev. 9:21; 10:14; Num. 6:20), while oaths administered to uncover adultery cause a guilty woman’s thighs to waste (Num. 5:2–27).

The most common gesture involving the knee is bowing, in worship or reverence (Deut. 33:3; Isa. 45:23; Rom. 11:4; 14:11; Phil. 2:10), in defeat (2 Sam. 22:40; Ps. 18:38; Isa. 60:14), in distress (Ps. 57:6), or in respect (1 Kings 1:31). In what seems to be a somewhat awkward position, Elijah puts his face between his knees in prayer (1 Kings 18:42).

Feet. Gestures involving the feet are probably the most common gestures in the Bible. Feet can be washed in hospitality (Gen. 18:4; 19:2; 24:32; 43:24; 1 Sam. 25:41), in ablution (Exod. 30:19, 21; 40:31), or in supplication (1 Sam. 25:41). Feet can be bathed in oil as a blessing (Deut. 33:24), uncovered in marriage proposals (Ezek. 16:8; cf. Ruth 3:4, 7), and stamped in remorse (Ezek. 25:6), and sandals can be removed from them in honor (Exod. 3:1–10) or disgrace (Deut. 25:9). The heavenly seraphs cover their feet in supplication before the throne of God (Isa. 6:2), while the feet of humans can signal deception (Prov. 6:13).

Enemies can be placed under one’s feet in subjugation (1 Kings 5:3; Pss. 8:6; 18:39; 45:5; 47:3; 110:1; Mal. 4:3; Rom. 16:20), have their feet shackled or ensnared (Job 13:27; 33:11; Pss. 25:15; 105:18), and be forced to lick the feet of victors in humiliation and defeat (Isa. 49:23). The righteous will bathe their feet in the blood of their enemies in revenge (Pss. 58:10; 68:23).

Those overwhelmed can grovel at the feet of the powerful (2 Kings 4:27, 37; Esther 8:3; Matt. 28:9; Mark 5:33; 7:25; Acts 10:25), while those emboldened can rise to their feet in confidence (Ezek. 2:1–2; 3:24; Dan. 8:18).

In the NT, dust can be shaken off one’s feet as an indication of divine judgment (Matt. 10:14; Mark 6:11; Luke 9:5), even as lying at a person’s feet is a recognition of authority/submission (Matt. 15:30; Mark 5:33; Luke 8:28, 35, 41, 47; 10:39; 17:16; Acts 4:37; 5:2). A woman publicly washes Jesus’ feet with her tears, wipes them with her hair, and kisses and perfumes them in what seems an act of love and repentance; but Jesus indicates that she has prepared his body for burial (Luke 7:38–46; John 11:2; 12:3). Jesus washes his disciples’ feet as instruction on servanthood and discipleship (John 13:5–14).

Fingers, Toes. Different fingers seem to have different roles assigned them. A finger sprinkles blood in cleansing (Lev. 4:6, 17, 25, 30, 34; 8:15; 9:9; 14:16; 16:14, 19; Num. 19:4), while blood on the tip of the right thumb and on the right big toe is for cleansing (Exod. 29:20; Lev. 8:23–24; 14:17, 25, 28).

One wears a signet ring as a sign of power (Esther 3:10) or a gesture of restoration and forgiveness (Luke 15:22). But fingers can also motion in deception (Prov. 6:13) or point in blame (Isa. 58:9). Jesus writes with his finger on the ground, apparently as a gesture of indifference to those pointing accusing fingers (John 8:6).

Clothes and Shoes

Garments. Garments attain significance as they are related to specific emotions. Wearing sackcloth and ashes in mourning is common (Gen. 37:34; Ezek. 7:18; 2 Sam. 3:31), while ripping garments in mourning is also frequently attested (Gen. 37:34; 44:13; Lev. 10:6; 21:10; Josh. 7:6; 2 Sam. 1:11; 3:31; 13:31; 1 Kings 21:27; 2 Kings 2:12; 19:1; Esther 4:1; Isa. 32:11; 37:1; Jer. 41:5).

Ripping someone’s clothing to expose nakedness (Ezek. 16:39; 2 Sam. 10:4) or pulling a person’s skirts up over the face (Jer. 13:26) is an act of shaming or insulting. But tearing one’s clothes off can be a sign of fury (Matt. 26:65). Persons with defiling diseases are expected to warn off others by wearing torn clothes and shouting, “Unclean! Unclean!” (Lev. 13:45).

By laying their clothes at Saul’s feet, the crowd may be acknowledging his authority in the stoning of Stephen (Acts 7:58).

Sandals. A woman can remove a man’s sandal in contempt (Deut. 25:5–10), while a sandal can be removed by a kinsman-redeemer to indicate giving up a right or as a transfer of property (Ruth 4:7–8). A sandal can also be removed in mourning (Ezek. 24:17) or be cast over a piece of land to claim ownership (Pss. 60:8; 108:9).

Prophetic Gestures

Prophetic gestures in the OT are mostly concerned with the call to repentance and approaching judgments upon failure to heed the warning. Jeremiah puts a yoke on his neck (Jer. 27–28; cf. Deut. 28:48), Ezekiel cooks with dung (Ezek. 4:12) and sleeps on his left side for 390 days and then on his right side for 40 days (4:5–6), Isaiah strips off his clothing (Isa. 20:2–3; 32:11), and Hosea marries an unfaithful wife (Hos. 1:1–3).

In the NT, Jesus cleanses the temple as an act of symbolic judgment (Matt. 21:12; Mark 11:15; John 2:15). He also breaks bread and drinks wine (Matt. 26:26; Mark 14:22; Luke 22:19; 24:30, 35; Acts 2:46; 20:11; 27:35; 1 Cor. 11:24–25) and washes his disciples’ feet (John 13:1–13), thereby establishing symbolic Christian practices.