Rhythmic movement of the body, usually to music. In the Bible, dancing usually has some form of religious significance. For God’s people in the OT, dancing was a joyous experience associated with celebration and worship. The various words used to describe dancing are descriptive: leaping, skipping, twisting, and whirling. Throughout Scripture, dancing is used as a symbol of rejoicing and as an antithesis to mourning (Ps. 30:11; Eccles. 3:4; Lam. 5:15). The sacred dances of the Hebrews expressed praise (Pss. 149:3; 150:4) and joy (Exod. 15:20; Judg. 11:34; 1 Sam. 18:6–7; 21:11; 29:5; Ps. 30:11; Eccles. 3:4; Lam. 5:15). In ancient Jewish culture men and women danced in separate groups (Ps. 68:25; Jer. 31:13). Dance performers usually were groups of women, with one leading, on occasions of national celebration, such as after the crossing of the Red Sea (Exod. 15:20), after military victories (1 Sam. 18:6), and at religious festivals (Judg. 21:19–21). This may reveal the peculiarity of David’s conduct in dancing with all his might as the ark of the Lord was brought to Jerusalem (2 Sam. 6:14; 1 Chron. 13:1–14; 15:1–29). Although dancing was reserved for occasions of religious worship and festivity, God speaks of a time of the ultimate restoration of his people from despair, when he promises that all Israel will rejoice in dancing (Jer. 31:4, 13).

Pagan worship also included dancing. The prophets of Baal, in their attempt to implore their god to appear, performed a kind of limping dance around Elijah’s altar on Mount Carmel (1 Kings 18:26). Elsewhere, Aaron and the Israelites danced before the golden calf at the foot of Mount Sinai (Exod. 32:6, 18–19).

Dancing is also associated with pagan celebrations, as when Herodias’s daughter danced before Herod Antipas and his dinner guests at Herod’s birthday celebration. The result was the beheading of John the Baptist. In the manner of Greek entertainment, the dance of this young daughter, who perhaps was only twelve to fourteen years old (Matt. 14:6; Mark 6:22), probably was a sensual art form, a type of dance unheard of in Israel.

Dance is not limited to the pious, and it was found to be an integral part of everyday events of antiquity. Children danced (Job 21:11; Matt. 11:16–17; Luke 7:32), as did the young women at the vineyards, some while playing their hand drums (Judg. 21:21; Jer. 31:4, 13). The Shulammite’s dance (Song 6:13) was as beautiful as two dance troupes. Dancing is associated with family celebrations, as in the story of the prodigal son. When the prodigal son returned home, his exuberant father cried out, “For this son of mine was dead and is alive again; he was lost and is found,” and so “they began to celebrate.” The older brother heard music and dancing, which commemorated the homecoming of the prodigal son (Luke 15:24–25).

Rhythmic movement of the body, usually to music. In the Bible, dancing usually has some form of religious significance. For God’s people in the OT, dancing was a joyous experience associated with celebration and worship. The various words used to describe dancing are descriptive: leaping, skipping, twisting, and whirling. Throughout Scripture, dancing is used as a symbol of rejoicing and as an antithesis to mourning (Ps. 30:11; Eccles. 3:4; Lam. 5:15). The sacred dances of the Hebrews expressed praise (Pss. 149:3; 150:4) and joy (Exod. 15:20; Judg. 11:34; 1 Sam. 18:6–7; 21:11; 29:5; Ps. 30:11; Eccles. 3:4; Lam. 5:15). In ancient Jewish culture men and women danced in separate groups (Ps. 68:25; Jer. 31:13). Dance performers usually were groups of women, with one leading, on occasions of national celebration, such as after the crossing of the Red Sea (Exod. 15:20), after military victories (1 Sam. 18:6), and at religious festivals (Judg. 21:19–21). This may reveal the peculiarity of David’s conduct in dancing with all his might as the ark of the Lord was brought to Jerusalem (2 Sam. 6:14; 1 Chron. 13:1–14; 15:1–29). Although dancing was reserved for occasions of religious worship and festivity, God speaks of a time of the ultimate restoration of his people from despair, when he promises that all Israel will rejoice in dancing (Jer. 31:4, 13).

Pagan worship also included dancing. The prophets of Baal, in their attempt to implore their god to appear, performed a kind of limping dance around Elijah’s altar on Mount Carmel (1 Kings 18:26). Elsewhere, Aaron and the Israelites danced before the golden calf at the foot of Mount Sinai (Exod. 32:6, 18–19).

Dancing is also associated with pagan celebrations, as when Herodias’s daughter danced before Herod Antipas and his dinner guests at Herod’s birthday celebration. The result was the beheading of John the Baptist. In the manner of Greek entertainment, the dance of this young daughter, who perhaps was only twelve to fourteen years old (Matt. 14:6; Mark 6:22), probably was a sensual art form, a type of dance unheard of in Israel.

Dance is not limited to the pious, and it was found to be an integral part of everyday events of antiquity. Children danced (Job 21:11; Matt. 11:16–17; Luke 7:32), as did the young women at the vineyards, some while playing their hand drums (Judg. 21:21; Jer. 31:4, 13). The Shulammite’s dance (Song 6:13) was as beautiful as two dance troupes. Dancing is associated with family celebrations, as in the story of the prodigal son. When the prodigal son returned home, his exuberant father cried out, “For this son of mine was dead and is alive again; he was lost and is found,” and so “they began to celebrate.” The older brother heard music and dancing, which commemorated the homecoming of the prodigal son (Luke 15:24–25).

Rhythmic movement of the body, usually to music. In the Bible, dancing usually has some form of religious significance. For God’s people in the OT, dancing was a joyous experience associated with celebration and worship. The various words used to describe dancing are descriptive: leaping, skipping, twisting, and whirling. Throughout Scripture, dancing is used as a symbol of rejoicing and as an antithesis to mourning (Ps. 30:11; Eccles. 3:4; Lam. 5:15). The sacred dances of the Hebrews expressed praise (Pss. 149:3; 150:4) and joy (Exod. 15:20; Judg. 11:34; 1 Sam. 18:6–7; 21:11; 29:5; Ps. 30:11; Eccles. 3:4; Lam. 5:15). In ancient Jewish culture men and women danced in separate groups (Ps. 68:25; Jer. 31:13). Dance performers usually were groups of women, with one leading, on occasions of national celebration, such as after the crossing of the Red Sea (Exod. 15:20), after military victories (1 Sam. 18:6), and at religious festivals (Judg. 21:19–21). This may reveal the peculiarity of David’s conduct in dancing with all his might as the ark of the Lord was brought to Jerusalem (2 Sam. 6:14; 1 Chron. 13:1–14; 15:1–29). Although dancing was reserved for occasions of religious worship and festivity, God speaks of a time of the ultimate restoration of his people from despair, when he promises that all Israel will rejoice in dancing (Jer. 31:4, 13).

Pagan worship also included dancing. The prophets of Baal, in their attempt to implore their god to appear, performed a kind of limping dance around Elijah’s altar on Mount Carmel (1 Kings 18:26). Elsewhere, Aaron and the Israelites danced before the golden calf at the foot of Mount Sinai (Exod. 32:6, 18–19).

Dancing is also associated with pagan celebrations, as when Herodias’s daughter danced before Herod Antipas and his dinner guests at Herod’s birthday celebration. The result was the beheading of John the Baptist. In the manner of Greek entertainment, the dance of this young daughter, who perhaps was only twelve to fourteen years old (Matt. 14:6; Mark 6:22), probably was a sensual art form, a type of dance unheard of in Israel.

Dance is not limited to the pious, and it was found to be an integral part of everyday events of antiquity. Children danced (Job 21:11; Matt. 11:16–17; Luke 7:32), as did the young women at the vineyards, some while playing their hand drums (Judg. 21:21; Jer. 31:4, 13). The Shulammite’s dance (Song 6:13) was as beautiful as two dance troupes. Dancing is associated with family celebrations, as in the story of the prodigal son. When the prodigal son returned home, his exuberant father cried out, “For this son of mine was dead and is alive again; he was lost and is found,” and so “they began to celebrate.” The older brother heard music and dancing, which commemorated the homecoming of the prodigal son (Luke 15:24–25).

In addition to ocean depths, the biblical text refers to the depths of the earth (Ps. 63:9) and of the grave (86:13). The different terms translated “depths” are employed figuratively to represent God’s incomprehensibility (Job 11:8) and omnipotence, omnipresence, and omniscience (Ps. 95:4), dire and distressing situations (Pss. 30:1; 88:6; 130:1), death and near death (Ps. 71:20; Prov. 9:18), and hidden places, such as the mother’s womb (Ps. 139:15). See also Deep, The.

In Gen. 2:18–25 the lone man is provided with a “helper.” This is not necessarily an unromantic view of the marriage relationship (cf. Gen. 1:27–28a), but the main thought is of companionship and partnership (cf. Eccles. 4:9–11). Also, the word “helper” does not require a subservient or demeaning function but rather can include active intervention, such as God himself renders (e.g., Ps. 33:20: “[The Lord] is our help and our shield”). The man needs help to carry out the mandate of Gen. 1:28b, so a wide-ranging helping role is in view. The helper must be “suitable for him” (Gen. 2:18b), that is, come alongside him, as his opposite and complement, and so no mere lowly assistant will be adequate for the task. (See also Help Meet.)

The psalms portray God as the helper of his needy people (Pss. 10:14; 30:10; 54:4; 70:5; 72:12; 146:5). The exodus deliverance is described by using the motif of God as “my helper” (Exod. 18:4). On the other hand, when God acts to judge wicked nations, no human helper (or ally) can provide protection (Isa. 30:5; Jer. 47:4; Ezek. 30:8). In the crisis of persecution forecast in Dan. 11:34, the “little help” (= helper) may be Judas Maccabeus, though the main point is that the godly will not be totally bereft of divine support. Among the charismatically gifted individuals who are to act for the common good listed by Paul in 1 Cor. 12:28 are those able to help others, though the kind of help in mind (distinguished from healing and administration) is not specified.

Life is a complex, multifaceted concept in the Bible. Various Hebrew and Greek terms convey the idea of life. Life is described in both a natural and a theological sense.

Life in the Natural Sense

In its natural sense, “life” may convey the following: (1) the vital principle of animals and humans, (2) the length of time that one has life, (3) the complete plot and cast of characters of an individual’s lifetime, or (4) the means for maintaining life.

First, life is the vital principle of animals and humans. This use of the term is its popular sense. It refers to the quality of having an animate existence or the state of being animate. Therefore, it is expressed in terms of ability or power; one who has life has the power to act. On the other hand, “death” is its antonym; one who is dead no longer acts. In the Bible, life in this sense applies to both animals and humans; however, the quality of life differs because humans are made in the image of God (Gen. 1:26; 5:1; 9:6). Life is manifested in the breath of life, so that one who no longer has the breath of life no longer has life (Gen. 2:7; 6:17; Job 12:10; 27:3; Rev. 11:11). At the same time, life is seated in the blood. For this reason, blood should not be consumed but should instead be poured out and buried (Gen. 9:3–5; Lev. 17:10–16; Deut. 12:23–25). Although life may cease because of physical causes (whether disease, murder, accident, etc.), God is ultimately the Lord of life. He gives life through his breath of life (Gen. 2:7; Ezek. 37:4–14); he sustains life through his spirit (Ps. 104:29–30; cf. Gen. 6:3; 1 Cor. 15:45); he delivers from death (Gen. 5:24; Ps. 30:3; 1 Cor. 15); he gives life and puts to death (Deut. 32:39; 1 Sam. 2:6). Life, therefore, is first and foremost a gift from God.

In a discussion of life as the vital principle, it is important to address the question of the afterlife. The Bible affirms the significance of both the material and the immaterial components of a human being. The body is not merely a shell in which the true person is housed. Death is not the soul’s escape from the body’s prison, as evidenced by the resurrection of the dead (Ezek. 37:1–14; Dan. 12:2; Luke 14:14; 1 Cor. 15). Human beings are not created to live a disembodied existence ultimately. The fate for those who experience eternal life is the resurrection of the body made from an incorruptible source (1 Cor. 15, esp. vv. 42–50). For others, their fate lies in eternal death (Matt. 25:46; Rev. 20:6–15; 21:8).

Second, in both Testaments, “life” may also refer to the duration of animate existence—one’s lifetime. The duration of one’s life in this sense begins at birth and ends at death (Gen. 23:1; 25:7; 47:9, 28; Luke 16:25; Heb. 2:15). This period of time is brief (Ps. 90:10; James 4:14). The Bible describes two ways that one’s lifetime may be extended: first, God gives additional time to a person’s life (2 Kings 20:6; Ps. 61:6; Isa. 38:5); second, one gains longer life by living wisely and honoring God (Prov. 3:2; 4:10; 9:11; 10:27).

Third, sometimes “life” refers to the complete plot and cast of characters of an individual’s lifetime. In other words, “life” may refer to all a person’s activities and relationships (1 Sam. 18:18 KJV; Job 10:1; Luke 12:15; James 4:14).

Fourth, “life” rarely may refer to the means of livelihood (Deut. 24:6; Prov. 27:27; Matt. 6:25; Luke 12:22–23). These passages highlight two aspects of life in this sense: (1) people are responsible to guard life; (2) God gives this life because of his great concern, which exceeds his care for the birds and flowers.

Life as a Theological Concept

Beyond its natural sense, life is developed as a theological concept throughout the Bible.

Old Testament. The first chapters of Genesis set the stage for a rich theological understanding of life. First, God creates all things and prepares them for his purposes. He is the creator of life, and life is a gift from his hand. The pinnacle of his creative activity is the creation of humankind. God blesses the man (Adam) and the woman (Eve) whom he creates. God prepares a special place, a garden, for them, so that they may be able to live in perfect communion with him, under his blessing. At the center of the garden lies the tree of life. The tree of life demonstrates that the garden is both the sphere of God’s provision and the symbol of life itself. At the same time, God commands the man not to eat of the tree of the knowledge of good and evil, “for when you eat from it you will certainly die” (Gen. 2:17).

At this point, life and death take center stage. What follows in the narrative (Gen. 3) is a presentation of the meaning of life and death as theological concepts. Adam and Eve disobey the divine commandment. As a result, they die. However, their death is not death in the natural sense. Instead, when they disobey God’s commandment, there are three results: (1) a curse is pronounced, (2) they are exiled from the garden away from God, and (3) they are prevented from eating from the tree of life (3:14–24). Death in this case is not ceasing to breathe and move but is curse and exile; in other words, to die is to be removed from the place of God’s presence and blessing and be placed under a curse. Life, then, is the opposite: to live is to be settled in the place of God’s presence and blessing.

It is also important to recognize in this narrative that obedience to God’s commandment leads to life, but disobedience to his commandment leads to death. This principle is picked up throughout the Bible. Its clearest expression is found in Lev. 18:5: “Keep my decrees and laws, for the person who obeys them will live by them.”

This narrative also draws an important connection taken up in other parts of the Bible, especially Proverbs: the connection between life and wisdom. In the garden there are two trees at the center: the tree of life and the tree of the knowledge of good and evil. Although there is some question concerning what is precisely meant by the knowledge of good and evil, it is likely that wisdom is in view. Two pieces of evidence support this conclusion: (1) knowledge and wisdom as well as good and evil are central concerns for the book of Proverbs; (2) the narrative associates the tree with wisdom. When Eve considers eating from the tree, she notices that it is like the other trees in that it has a pleasant appearance and is good for food (Gen. 2:9), but it is also distinct from the other trees because it is desirable for making one wise (3:6). By eating the fruit, she and Adam attempt to gain wisdom contrary to God’s command. As a result, this type of wisdom leads to death. However, true wisdom has the opposite effect. It leads to life, being a tree of life itself (esp. Prov. 3:18; also 3:1–2; 4:10–23; 6:23).

Although these themes—life, blessing, obedience, and wisdom—are found in various places throughout the Bible, they come together most explicitly in Deuteronomy. There devotion and obedience to God are viewed as the means of attaining wisdom and understanding (Deut. 4:5–9). Following God leads to living in the land that God had promised and enjoying his blessings there (28:1–14); however, forsaking God leads to all kinds of curses and ultimately to utter defeat and exile from the land (28:15–68). The choice to follow God and obey him or to forsake God and disobey him results in either life or death, good or bad, blessing or curse (30:15–20).

Life as a theological concept therefore has the following characteristics: being in the presence of God rather than exile, and experiencing his blessings rather than his curses. Such life may be attained through devotion and obedience to God and through the wisdom that comes from God.

New Testament. This concept of life forms the background for that of the NT as well. The NT often speaks of eternal life, especially in the writings of John. Eternal life is being in fellowship with God the Father and Jesus Christ (John 17:3). One may experience eternal life before natural death and beyond it into the eternal future (John 3:36; 5:24; 6:54; 10:28). At the same time, eternal life may refer more narrowly only to the time of perfect fellowship with God that lies beyond natural life (Matt. 25:46; Mark 10:30; Rom. 2:7). Because life consists of being in fellowship with God and living in his blessings, John can state that the one who believes in Jesus “has eternal life and will not be judged but has crossed over from death to life” (John 5:24). In other words, the person who believes in Jesus has been transferred from God’s curse to his blessing, from death to life. Furthermore, Jesus declares that he is life, and that those who believe in him will live and not die; that is, they will never be removed from his presence and blessing (John 11:25–26).

The period of the day beginning at sunrise and often described as a time of great activity, such as embarking on a journey (Gen. 44:3), initiating a battle (Judg. 9:33), offering sacrifices (Amos 4:4), starting to work (Matt. 20:1), and meeting with God (Exod. 34:2–4; Mark 1:35; cf. Ps. 55:17). Morning is a time of joy (Ps. 30:5), though some may express this joy more loudly than others (Prov. 27:14).

God created and named the darkness “night” (Gen. 1:5). OT writers associated night with aberrant behavior, fear, suffering, sorrow, and terror (Pss. 6:6; 30:5; 42:3; 77:2; 91:5), but they also knew that God worked throughout the night to deliver his people (Exod. 12:29–32; Deut. 16:1). Night is also associated with secrecy and danger, as seen in the Israelite exodus (Exod. 12:31) and the holy family’s flight to Egypt (Matt. 2:14). In OT times night was divided into three watches, but four in the NT Roman world. Night often was chosen to highlight divine activity (Matt. 2:12, 22; Acts 5:19; 12:6–7), but it also served to depict Judas’s betrayal of Jesus as a deed of spiritual darkness (John 13:30). Figuratively, night is used to refer to this present age (Rom. 13:12), and people of the world “belong to the night” (1 Thess. 5:5). There will be “no night” in the new heaven and earth (Rev. 21:25; 22:5).

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

Used as a reference for God’s people in the OT and NT, the Hebrew word qadosh (e.g., Ps. 16:3) and the Greek word hagios (e.g., Acts 9:13; 2 Cor. 1:1) emphasize being singled out or consecrated. The Hebrew root was also used to designate cult prostitutes (qadeshah) as “consecrated,” though in Scripture this use is relatively infrequent (e.g., Gen. 38:21; Deut. 23:17). Another Hebrew word sometimes translated “saint” is khasid (e.g., 1 Sam. 2:9; Pss. 30:4; 31:23 KJV), which emphasizes faithfulness and devotion to God. In biblical terms, then, the saints of God are those whom he has designated as belonging to him and who live in faithfulness to him. They are not necessarily noted for exceptional holiness or meritorious acts. Thus, Paul places “his saints” in parallel with “all who have believed” (2 Thess. 1:10 NRSV).

The Bible speaks of saints as sometimes being in need (Rom. 16:2; 2 Cor. 8:4; 9:1, 12) and persecuted (Rev. 13:7), but also as called to endure (Rev. 13:10) and offer help, especially to other saints (Rom. 12:13; Gal. 6:10; 1 Tim. 5:10). The saints are the recipients of the faith (Jude 1:3), of grace (Rev. 22:21), and of special equipping for ministry in the church (Eph. 4:12) and prayer (Rev. 5:8; 8:3–4). As those who belong to the Lord, the saints will be raised to eternal life (John 6:39; 1 Cor. 15:22–23).

“Saint,” however, has come to function as a title given to Christians of exceptional merit, beatified or canonized by the Roman Catholic Church. The need for canonization and beatification arose from the Catholic doctrine of the veneration, invocation, and intercession of the saints (see Augustine, Quaest. Hept. 2.94; Faust. 20.21) and is connected to the Catholic doctrine of the “communion of the saints” (a phrase drawn from the Apostles’ Creed), which includes believers in heaven, on earth, and in purgatory, recognizing them as saints in the general sense by virtue of their being redeemed and set apart for fellowship with God. These doctrines suggest that just as Paul, for example, sought the prayers of the church on earth (Rom. 15:30; 2 Cor. 1:11), so also prayer by members of the church in heaven might be sought. Canonization, then, publicly establishes which persons can be surely known to be in heaven and may be properly asked to intercede on behalf of the church on earth.

Protestants, on the basis of the unique intercession of Christ Jesus (1 Tim. 2:5), exclude invocation of heavenly saints as unnecessary and unwarranted. They further find no basis in the Scriptures for a doctrine of purgatory. Thus, Protestant understandings of the communion of the saints focus on the believers on earth, who, “being united to one another in love, have communion in each other’s gifts and graces and are obliged to the performance of such duties, public and private, as to conduce to their mutual good, both in the inward and outward man” (Westminster Confession of Faith 28.1).

In the OT, an underworld place to which all were destined after death. The Hebrew word she’ol is generally translated as “the grave” in modern versions of the Bible, including the NIV. Sheol appears in the OT most frequently in songs and prayers (David’s song [2 Sam. 22:6]; Hannah’s prayer [1 Sam. 2:6]; many references in Psalms), as well as in the wisdom books of Job and Proverbs. The ancient Israelites visualized the cosmos as comprised of three distinct realms: heaven, the realm of the divine; earth, the realm of humanity and God’s creation; and Sheol, a place underneath the earth and the seas, the realm of the dead (Job 11:8; 26:5–7).

The Realm of the Dead

In the OT, Sheol is not a place of judgment or of God’s wrath, but rather a realm that harbored those who had died. Sheol was the great equalizer in the OT, as it was thought to be inhabited not only by the masses, but also by the rich and powerful (Job 3:19; Isa. 5:14; 14:9, 11), the bravest of warriors (Ezek. 32:21), the righteous (Gen. 37:35; Isa. 38:10; Ps. 30:3, 9), the wicked (Num. 16:30, 33), indeed everyone (Ps. 89:48; Eccles. 9:10). Although Sheol itself is not a place of judgment, it is connected to God’s wrath in the OT. The consequence of God’s wrathful judgment is frequently an early descent into Sheol (Num. 16:30; 1 Kings 2:6; Job 24:19; Ps. 31:17; Isa. 38:10; Ezek. 31:17). Premature death is the result of God’s wrath and judgment in the OT, not the descent into Sheol, which itself is inevitable.

Descriptions of Sheol do not occur in third-person narratives or in legal material, but are found only in first-person speeches throughout the OT. Moreover, Sheol is never described in full detail but is referred to only occasionally. Similar to depictions in other ancient Near Eastern cultures, descriptions of Sheol in biblical texts locate it in the farthest depths beneath the earth (Job 11:8; 26:6–13; Ps. 139:8) and the seas (Ezek. 31:15; Jon. 2:4), as contrasted with the heavens above. Sheol is portrayed as a watery underworld (Ps. 69:1–2, 13–15; Jon. 2:6), a place of darkness (Job 17:13; Ps. 88:3, 6, 12), of silence (Pss. 6:5; 31:17; Isa. 38:18), with gates at its entrance (Isa. 38:10; Jon. 2:7). By contrast, Sheol is also portrayed as a place of peace (1 Kings 2:6; Job 21:13), a place where greetings and conversations might take place (Isa. 14:9), where one would be reunited with a loved one who had already died (Gen. 37:35).

Sheol is a place where the fullness of joy in life no longer abides, for one cannot praise God in Sheol (Ps. 6:5; Isa. 38:18–19). Indeed, the book of Ecclesiastes encourages readers, “Eat your food with gladness. . . . Enjoy life with your wife, whom you love. . . . For in the realm of the dead [Sheol] . . . there is neither working nor planning nor knowledge nor wisdom” (9:7–10). In a similar manner, the book of Sirach in the Apocrypha states that one must fully enjoy one’s earthly life, for no pleasures are to be found in Sheol (14:16). Job, however, views Sheol as a positive alternative to his tragedies, and he imagines Sheol to be a peaceful place where earthly struggles give way to rest, even for the wicked (Job 3:1–19).

Sheol often is personified along with the figure of Death, particularly in the prophetic literature and Proverbs. Portrayals of Sheol generally are synonymous with those of Death and match iconographic representations of the god Death (Motu) in the ancient Near East. Sheol is portrayed as a monster with formidably large jaws (Isa. 5:14) and clutching hands (Ps. 89:48; Hos. 13:14), employing plagues and scourges to slay its victims (Hos. 13:14), as well as snares and traps (2 Sam. 22:6; Ps. 116:3) to feed its insatiable appetite (Prov. 1:12; 27:20; 30:16; Song 8:6; Hab. 2:5).

Sheol is not, however, a place outside the authority and power of Yahweh. Indeed, it is a place that is open to God’s vision (Job 26:6) and within the reach of God’s hand (Amos 9:2). The realm of Sheol is under the purview of God’s authority, and those who dwell there are not separated from God’s presence: “If I go up to the heavens, you are there; if I make my bed in the depths [Sheol], you are there” (Ps. 139:8). Yet the OT maintains that one’s life of faith in God is altered in Sheol. According to Ps. 6:5, “Among the dead no one proclaims your name. Who praises you from the grave [Sheol]?” And, indeed, “those who go down to the pit cannot hope for your faithfulness” (Isa. 38:18). These texts imply that although Yahweh’s presence remains with those who dwell in Sheol, the dead are unable to respond to God in praise and trust as they did in life.

The Afterlife and Resurrection

Belief in the afterlife was common in the ancient Near East. Thus, it is remarkable that the OT is so restrained in the hope that it offers for life after death. Most OT texts affirm that no one returns from Sheol (Job 7:9; Isa. 38:10, 18; cf. Sir. 48:5). Yet the question remains open. God’s limitless sovereignty is acknowledged in the prayer of Hannah: “The Lord brings death and makes alive; he brings down to the grave [Sheol] and raises up” (1 Sam. 2:6). Thus, Yahweh has the power to raise people up from Sheol, but whether he will choose to do so is a question unanswered in the OT.

Hints of resurrection from the grave can be found in the metaphoric use of Sheol in the psalms and the prophetic literature to represent dire struggle and sin from which the psalmist or Israel receives healing and deliverance: “I will deliver this people from the power of the grave [Sheol]; I will redeem them from death. Where, O death, are your plagues? Where, O grave [Sheol], is your destruction?” (Hos. 13:14 [see also Job 14:13; Pss. 16:10–11; 30:2–3; 49:13–15; 86:13; Jon. 2:3]). However, it is unclear whether these texts portray salvation after descent into Sheol has already taken place or, rather, Yahweh’s deliverance experienced as a protection from descending into Sheol in the first place. Stronger hints at a bodily resurrection come from the narratives in which the prayers of Elijah and Elisha result in a resurrection from the dead (1 Kings 17:17–24; 2 Kings 4:17–37).

When the OT was translated into Greek for Hellenized Jewish readers, “Sheol” was translated as “Hades,” importing a similar Greek concept of the underworld into the biblical text. The NT uses the words “Hades” and “hell” interchangeably; however, the distinction between the grave and hell is maintained. The grave is simply a place to which all are destined, as was Sheol. Thus, it is not until the NT that firm conceptualizations of a place for eternal punishment, as well as a place of eternal reward, emerge. Jewish literature written between the OT and the NT demonstrates a stronger hope in the resurrection, yet these texts largely parallel the OT usage of Sheol as simply an underworld abode of the dead. It is not until the coming of Christ that the resurrection from the dead transforms from a glimmer of hope to a resplendent promise in the Bible.

The first human beings. According to Gen. 2, God created Adam (whose name means “humanity” and is related to the word for “ground”) from the dust of the ground and his own breath, showing that humankind is a part of creation but has a special relationship with God. This description contrasts with the Babylonian account of the creation of the first humans from the clay of the ground and the blood of a demon god (Qingu in the Enuma Elish). The Bible thus presents a more dignified understanding of the place of humankind in the world. God placed Adam in a garden in Eden (a name that means “delight” or “abundance”). Even so, God, noting that it was not good for Adam to be alone, created Eve (whose name means “living”), his female counterpart. She was created from Adam’s side (or rib), signifying their equality. She was to be his “helper,” a word that does not denote subordination, since elsewhere in the Bible God is said to be the psalmist’s helper (Pss. 30:10; 54:4). Eve was Adam’s wife, and God pronounced that future marriage will be characterized by leaving one’s parents, being joined as a couple, and consummating the relationship with sexual intercourse (Gen. 2:24).

Adam and Eve were to tend the garden of Eden. They were permitted to eat the fruit of all the trees of the garden except for the tree of the knowledge of good and evil. Eating the fruit of this tree, against God’s express prohibition, would be an assertion of moral independence that would meet with God’s punishment.

In Gen. 3 the serpent convinced Eve that it would be good to eat the fruit of the forbidden tree. Adam was present with her as the serpent spoke, but he remained silent. After eating the fruit, Eve gave some to Adam, and he ate without protest. Both Adam and Eve were therefore guilty of the first sin. The results were immediate, including the alienation of Adam and Eve, signaled by the fact that they could no longer stand naked before each other without shame.

Adam and Eve were punished for their rebellion. Eve was punished in her most intimate relationships. She would now experience increased pain when giving birth, and her relationship with her husband would become a power struggle as her desire to control him would be met with his attempt to dominate her (Gen. 3:16). Adam felt the consequences of his action in his work, which now would be tinged with frustration (3:17–19). In addition, although they did not die immediately, they were removed from the garden and access to the tree of life, so death would be their ultimate end.

After Adam and Eve departed from the garden, they had children. We know of Cain and Abel, whose conflict is well known from Gen. 4. After the death of Abel, Eve gave birth to Seth. The genealogies of Cain (Gen. 4:17–24) and Seth suggest that humanity is divided into those who resist and those who follow God (5:1–32). Surprisingly, in the rest of the OT Adam is mentioned only in the first verse of the genealogy in 1 Chron. 1, and Eve not at all (cf. Hos. 6:7).

In the NT, Adam is mentioned in the Lukan genealogy of Jesus (Luke 3:38) and in Rom. 5:12–21; 1 Cor. 15; 1 Tim. 2:13–14; Jude 14. In Romans, Paul associates Adam with the entry of sin and death into the world. Paul contrasts Adam with Christ. Whereas Adam’s act introduced sin and death, Christ’s act brought reconciliation with God and life. Paul makes essentially the same point in 1 Cor. 15 (see esp. vv. 22, 45). Christians thus read Gen. 3 through the commentary supplied by Paul and believe that it supports the notion of original sin, that all humans are sinners from birth.

Eve is mentioned twice in the NT. In 1 Tim. 2:11–15 Paul argues that women should learn quietly and not teach or have authority over men because Eve was created after Adam and was the one deceived by the serpent. Debate surrounds the issue whether Paul here addresses a local situation or is citing a universal principle. Paul again mentions the deception of Eve in 2 Cor. 11:3, but here he applies it to men and women who are in danger of being deceived by false teachers.

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

In the Bible, gestures are made with either parts of the body or items, such as clothing and rings, directly connected to the body. For this reason, it makes sense to classify biblical gestures in relation to the different body parts that are identified with the gestures. It is, however, challenging to know where to draw a line on classifying a gesture. For example, a devious person is described in Prov. 6:13 as one “who winks maliciously with his eye, signals with his feet and motions with his fingers.” It is unclear whether this is a single gesture or multiple ones, and whether all signify different things or the same thing.

Head

Gestures that relate to the head range from simple head motions to semiviolent acts such as hair pulling. Simple head motions include lifting of one’s head in honor (Gen. 40:13), bowing one’s head in mourning (Ps. 35:14), tossing one’s head in mockery and derision (2 Kings 19:21), and shaking one’s head as insult (Ps. 22:7; Mark 15:29).

A common action is the shaving of the head, which can be for purification (Lev. 14:8–9; Num. 6:9; 8:7 [includes all body hair]), mourning (Deut. 21:11–13; Job 1:20; Isa. 15:2; Jer. 16:6; 47:5; 48:37; Ezek. 27:31; Amos 8:10; Mic. 1:16), remorse (Jer. 41:5), or shaming (Jer. 2:16). However, priests are forbidden from shaving their heads even in mourning (Lev. 21:5; Ezek. 44:20), while the high priest is to wear a turban on his head during sacrificial duties (Exod. 29:6).

Anointing of the head is done when a priest or king is installed (Exod. 29:7; Ps. 23:5) or simply as a sign of God’s goodness and blessing on a person (Eccles. 9:8). Blessing may also involve placing a hand on the head of the person being blessed (Gen. 48:14–18; Exod. 29:19), while the same gesture on the head of sacrificial animals is a symbolic means of transferring sin (Lev. 3:2, 8, 13; 4:4, 15, 24, 29, 33; 8:18, 22).

In the OT, a woman’s head can be shaved in mourning (Deut. 21:12–13; cf. Jer. 47:5), but in the NT, a shaved head can be a cause for disgrace (1 Cor. 11:5–6).

Face. Facial gestures range from expressions to actions such as touching or covering the face. A face can be downcast in anger (Gen. 4:5–6) or bowed to the ground in honor (Gen. 48:12), in dejection (Josh. 7:6), in humility (Ruth 2:10), in worship (2 Chron. 20:18; Ps. 138:2), in subjection, supplication, reverence (1 Sam. 20:41; 25:41; 28:14; 2 Sam. 14:4, 22; 18:28; 24:20; 1 Kings 1:23; 1 Chron. 21:20), or in dread (e.g., Moses before Yahweh [Exod. 3:6]).

The face can be covered or veiled as an indication of uncleanness (Lev. 13:45), in grief/mourning (2 Sam. 19:4; Ezek. 24:17), in resignation (1 Kings 19:13), with intent to deceive in adultery (Job 24:15), or in horror of judgment (Esther 7:8; Ezek. 12:6, 12). It can also be buried in the dust in remorse (Lam. 3:29).

God can be described as hiding or turning away his face against wickedness and evil (Deut. 31:18; 32:20; Ps. 34:16; Isa. 8:17; Jer. 33:5; Ezek. 7:22; 15:7; 20:46; 21:2) or in an act of withholding blessings (Job 13:15; Pss. 10:1; 13:1; 27:9; 30:7; 34:16; Isa. 54:8; 59:2; 64:7). God can also turn his face toward a place in judgment (Ezek. 4:3, 7; 6:2). In 1 Sam. 5:3–4 the idol of the Philistine god Dagon falls facedown before the ark of the covenant, apparently overpowered by Yahweh.

Acts of humiliation or dishonor can involve spitting in the face (Num. 12:14; Deut. 25:9; Job 17:6; 30:10; Isa. 50:6), slapping the face (1 Kings 22:24; 2 Chron. 18:23; Job 16:10; Lam. 3:30; Mic. 5:1), pulling a skirt up over someone’s face in shaming judgment (Jer. 13:26; Nah. 3:5), and hooking and dragging someone by the nose (2 Kings 19:28). Although being struck on the cheek is humiliating, Jesus instructs his disciples to “turn the other cheek” as a sign of resistance to violence (Matt. 5:39; Luke 6:29).

One can lift one’s face in worship (2 Kings 20:2; Job 22:26; Isa. 38:2) or in confidence (Job 11:15) and can fail to lift it in shame and disgrace (Ezra 9:6). Although the shaving of beards in mourning is common practice (Ezra 9:3; Isa. 15:2; Jer. 41:5; 48:37), the forced shaving of beards is an act of shaming and insulting (2 Sam. 10:4; 1 Chron. 19:4–5; Isa. 7:20; 50:6).

Eyes. Winking the eye is perceived as an evil, deceptive, or malicious act (Ps. 35:19; Prov. 6:13; 16:30). Eyes can be lifted up in worship and expectation (Pss. 121:1; 123:1).

Mouth. Pursed lips can characterize an evil person (Prov. 16:30), while a hand can be clapped over the mouth in awe and submission (Job 21:5; 40:4). Psalm 72:9 looks to the righteous king before whom the desert tribes will bow and whose “enemies lick the dust” in defeat.

Ears. An Israelite slave for life is to have a hole punched through his or her earlobe, held against a doorpost, with an awl (Exod. 21:6; Deut. 15:17). Blood is sprinkled on the lobe of the right ear for purification (Exod. 29:20; Lev. 8:23–24; 14:17), while supplication can be described as asking for the turning of an ear (2 Kings 19:16; Ps. 31:2). Turning one’s ear signifies paying attention or taking something to heart (Ps. 49:4; Prov. 4:20; 5:13).

Neck. The neck can be adorned (Song 1:10) as a sign of pride and honor (Gen. 41:42; Judg. 5:30; Prov. 1:9; Ezek. 16:11) or outstretched in arrogance (Ps. 75:5 TNIV: “Do not lift your horns against heaven; do not speak with outstretched neck”). Jeremiah put a yoke on his neck as a prophetic sign of the approaching Babylonian conquest (Jer. 27–28). While putting someone’s neck in a yoke is an act of triumphal conquest (Ps. 105:18), stepping on the neck of a subdued enemy is an act of subjugation and humiliation (Josh. 10:24).

Body

Nakedness in public is considered shameful (Gen. 9:22–23; Nah. 3:5; Rev. 3:18), so that it is sometimes pictured as part of divine judgment (Deut. 28:48; Isa. 47:2–3; Lam. 1:8; Mic. 1:11) or as a sign of promiscuity (Isa. 57:8; Ezek. 16:36). An unkempt body can be a sign of mourning, as it is for Mephibosheth (2 Sam. 19:24). A certain kind of body covering is a sign of marriage proposal or protection (Ezek. 16:8; 23:18; Hos. 2:9). Body dismembering, even in war, is an act of humiliation (2 Sam. 4:12).

Chest. In self-mortification, one can pound one’s chest in mourning (Ezek. 21:12) or in remorse (Jer. 31:19; Luke 18:13). The breasts of sacrificial animals are waved before God as a “wave offering” before being eaten (Exod. 29:26; Lev. 7:30; Num. 6:20).

Hand, arm. Hand gestures include motions such as lifting hands in worship, clapping hands in joy, and clapping a hand over one’s mouth in awe. The expression “outstretched arm” (Exod. 6:6; Deut. 4:34; 5:15; 7:19; 9:29; 11:2; 26:8; 1 Kings 8:42; 2 Kings 17:36; 2 Chron. 6:32; Ps. 136:12; Jer. 21:5; 27:5; 32:17, 21; Ezek. 20:33–34) indicates power, might, strength. It is often used of God to indicate his ability to defeat powerful armies and enemies. God is implored by the psalmist to lift his hand and act for the sake of the righteous (Ps. 10:12).

Since the right hand is the hand of power, the act of sitting at the right hand indicates being favored (1 Kings 2:19; Ps. 110:1; Matt. 22:44; Mark 12:36; Luke 20:43; Acts 2:35; Heb. 1:3; 8:1; 10:12; 12:2; 1 Pet. 3:22). When taking an oath, one places a hand under the thigh/crotch (Gen. 24:2; 47:29), most likely the right hand (see Gen. 48:14, 17–18; Lev. 8:23; 14:14).

Clapping the hands can be a sign of awe (Ezek. 6:11), malice, or remorse (25:6), while a bared arm can be a sign of judgment (4:7). Job claps his hand over his mouth in awe of God and in submission and repentance (Job 40:4–5).

Hands can be lifted in worship (1 Kings 8:22; 1 Tim. 2:8), to beseech (Ps. 28:2), to protect and bless (Ps. 10:12), in an oath (Deut. 32:40), or to harm (Exod. 24:11; 1 Sam. 24:6, 10; 2 Sam.1:14; 18:12).

Pilate washes his hands to proclaim his innocence over the death of Jesus (Matt. 27:24), while 1 Pet. 5:6 urges believers to humble themselves “under God’s mighty hand,” so that in due time they will be lifted up.

Buttocks. Exposure of the buttocks can serve as a humiliating insult and provocation, as happens to David’s men (2 Sam. 10:4; 1 Chron. 19:4) and Egyptian and Cushite captives (Isa. 20:4).

Leg. The leg or thigh is often a euphemism for the male reproductive organs, so that putting one’s hand under a thigh in oath (Gen. 24:2; 47:29) may involve actually grabbing the genitalia. Animal thighs are waved to God in offering before being consumed (Lev. 9:21; 10:14; Num. 6:20), while oaths administered to uncover adultery cause a guilty woman’s thighs to waste (Num. 5:2–27).

The most common gesture involving the knee is bowing, in worship or reverence (Deut. 33:3; Isa. 45:23; Rom. 11:4; 14:11; Phil. 2:10), in defeat (2 Sam. 22:40; Ps. 18:38; Isa. 60:14), in distress (Ps. 57:6), or in respect (1 Kings 1:31). In what seems to be a somewhat awkward position, Elijah puts his face between his knees in prayer (1 Kings 18:42).

Feet. Gestures involving the feet are probably the most common gestures in the Bible. Feet can be washed in hospitality (Gen. 18:4; 19:2; 24:32; 43:24; 1 Sam. 25:41), in ablution (Exod. 30:19, 21; 40:31), or in supplication (1 Sam. 25:41). Feet can be bathed in oil as a blessing (Deut. 33:24), uncovered in marriage proposals (Ezek. 16:8; cf. Ruth 3:4, 7), and stamped in remorse (Ezek. 25:6), and sandals can be removed from them in honor (Exod. 3:1–10) or disgrace (Deut. 25:9). The heavenly seraphs cover their feet in supplication before the throne of God (Isa. 6:2), while the feet of humans can signal deception (Prov. 6:13).

Enemies can be placed under one’s feet in subjugation (1 Kings 5:3; Pss. 8:6; 18:39; 45:5; 47:3; 110:1; Mal. 4:3; Rom. 16:20), have their feet shackled or ensnared (Job 13:27; 33:11; Pss. 25:15; 105:18), and be forced to lick the feet of victors in humiliation and defeat (Isa. 49:23). The righteous will bathe their feet in the blood of their enemies in revenge (Pss. 58:10; 68:23).

Those overwhelmed can grovel at the feet of the powerful (2 Kings 4:27, 37; Esther 8:3; Matt. 28:9; Mark 5:33; 7:25; Acts 10:25), while those emboldened can rise to their feet in confidence (Ezek. 2:1–2; 3:24; Dan. 8:18).

In the NT, dust can be shaken off one’s feet as an indication of divine judgment (Matt. 10:14; Mark 6:11; Luke 9:5), even as lying at a person’s feet is a recognition of authority/submission (Matt. 15:30; Mark 5:33; Luke 8:28, 35, 41, 47; 10:39; 17:16; Acts 4:37; 5:2). A woman publicly washes Jesus’ feet with her tears, wipes them with her hair, and kisses and perfumes them in what seems an act of love and repentance; but Jesus indicates that she has prepared his body for burial (Luke 7:38–46; John 11:2; 12:3). Jesus washes his disciples’ feet as instruction on servanthood and discipleship (John 13:5–14).

Fingers, Toes. Different fingers seem to have different roles assigned them. A finger sprinkles blood in cleansing (Lev. 4:6, 17, 25, 30, 34; 8:15; 9:9; 14:16; 16:14, 19; Num. 19:4), while blood on the tip of the right thumb and on the right big toe is for cleansing (Exod. 29:20; Lev. 8:23–24; 14:17, 25, 28).

One wears a signet ring as a sign of power (Esther 3:10) or a gesture of restoration and forgiveness (Luke 15:22). But fingers can also motion in deception (Prov. 6:13) or point in blame (Isa. 58:9). Jesus writes with his finger on the ground, apparently as a gesture of indifference to those pointing accusing fingers (John 8:6).

Clothes and Shoes

Garments. Garments attain significance as they are related to specific emotions. Wearing sackcloth and ashes in mourning is common (Gen. 37:34; Ezek. 7:18; 2 Sam. 3:31), while ripping garments in mourning is also frequently attested (Gen. 37:34; 44:13; Lev. 10:6; 21:10; Josh. 7:6; 2 Sam. 1:11; 3:31; 13:31; 1 Kings 21:27; 2 Kings 2:12; 19:1; Esther 4:1; Isa. 32:11; 37:1; Jer. 41:5).

Ripping someone’s clothing to expose nakedness (Ezek. 16:39; 2 Sam. 10:4) or pulling a person’s skirts up over the face (Jer. 13:26) is an act of shaming or insulting. But tearing one’s clothes off can be a sign of fury (Matt. 26:65). Persons with defiling diseases are expected to warn off others by wearing torn clothes and shouting, “Unclean! Unclean!” (Lev. 13:45).

By laying their clothes at Saul’s feet, the crowd may be acknowledging his authority in the stoning of Stephen (Acts 7:58).

Sandals. A woman can remove a man’s sandal in contempt (Deut. 25:5–10), while a sandal can be removed by a kinsman-redeemer to indicate giving up a right or as a transfer of property (Ruth 4:7–8). A sandal can also be removed in mourning (Ezek. 24:17) or be cast over a piece of land to claim ownership (Pss. 60:8; 108:9).

Prophetic Gestures

Prophetic gestures in the OT are mostly concerned with the call to repentance and approaching judgments upon failure to heed the warning. Jeremiah puts a yoke on his neck (Jer. 27–28; cf. Deut. 28:48), Ezekiel cooks with dung (Ezek. 4:12) and sleeps on his left side for 390 days and then on his right side for 40 days (4:5–6), Isaiah strips off his clothing (Isa. 20:2–3; 32:11), and Hosea marries an unfaithful wife (Hos. 1:1–3).

In the NT, Jesus cleanses the temple as an act of symbolic judgment (Matt. 21:12; Mark 11:15; John 2:15). He also breaks bread and drinks wine (Matt. 26:26; Mark 14:22; Luke 22:19; 24:30, 35; Acts 2:46; 20:11; 27:35; 1 Cor. 11:24–25) and washes his disciples’ feet (John 13:1–13), thereby establishing symbolic Christian practices.

In Gen. 2:18, 20 the KJV translates the Hebrew phrase ’ezer kenegdo, used to describe Eve’s relationship toward Adam, as “help meet.” The NIV translates the words as “a helper suitable” (for Adam), but finding a precise English equivalent is difficult in part because this is the only place in the Bible where these two words occur together. Other translations prefer “helper who is just right” (NLT) or “helper as his partner” (NRSV). The Hebrew word ’ezer (“helper”) is often used of God or an aiding human prince or army, and thus it does not denote subordination (e.g., Ps. 30:10). The Hebrew word kenegdo implies mutuality, matching, or correspondence. Those words together make Eve a “suitable helper” (cf. NET: “a companion who corresponds to him”). The disagreement regarding appropriate gender roles makes this a hotly debated text. See also Helper.

Despite tendencies to downplay the reality of God’s anger (God is classically described as “without passions”), if we are to do justice to both Testaments, we must allow the language of Scripture to stand, where God often is said to be angry with individuals or nations, including Israel. Although God is changeless (Mal. 3:6), he interacts in a personal way with a time-bound world. The Bible writers intend us to understand that there is something in God’s anger to which human anger is analogous, though God’s anger is not identical to ours (Hos. 11:9). God’s anger is not an automatic response; he can restrain it (Ps. 78:38). God is said to be characteristically slow to become angry; that is, his anger is a deliberate response (Exod. 34:6, a text with numerous echoes) and may also be short-lived (Ps. 30:5; Mic. 7:18).

God’s anger against Israel in the wilderness is noteworthy (Heb. 3:10, 17). The apostasy with the golden calf (Exod. 32:10–12), the complaining (Num. 11:1, 33), and the failure to enter the promised land following the report of the spies (Num. 32:10–11) all provoke God to anger. Failure to heed God’s word (Zech. 7:12) or that of his prophets (2 Chron. 36:16), neglect of his worship (2 Chron. 29:6–8), and intermarriage with idolaters (Ezra 9:14) are behaviors that incur the wrath of God.

God’s anger is directed against individuals, particularly for failures of leadership, as with Moses (Exod. 4:14; Deut. 1:37) and Solomon (1 Kings 11:9–11). God’s anger often is directed against the Israelite and Judean kings, not just those who committed idolatry (2 Chron. 25:15), but even those who are faithful in most respects, for their failure to remove the idolatrous high places (2 Kings 23:19).

Picking up on the warning that God’s anger will be directed against those who do not pay homage to God’s appointed king (Ps. 2:5, 12), Jesus declares that disobedience to God’s Son brings upon one the wrath of God (John 3:36), which evidently is not incompatible with his love for the world (3:16). According to Rom. 4:15, God’s wrath is a consequence of the law; that is, the law, giving concrete expression to the character of God, brings culpability for transgression. God’s wrath is revealed against all forms of ungodliness and its tendency to suppress the truth (Rom. 1:18). Those who demonstrate their disobedience to God or his truth will be subjected to his anger (Rom. 2:8; Eph. 5:6; Col. 3:6).

A pervasive metaphor for anger is that of a burning fire (Deut. 32:22; Ps. 89:46; Isa. 66:15) along with associated images of smoke (Ps. 18:8) and smelting metal (Ezek. 22:20, 22). Other images are the winepress (Isa. 63:3; Rev. 14:19), drinking from a vessel (Isa. 51:22; Rev. 14:10), and a tempest (Ezek. 13:13).

The judgment that follows as a consequence of God’s anger being aroused takes the form of the withholding of God’s covenant favor (Ps. 95:11; Isa. 54:8) or the implementation of his covenant curses (Deut. 29:27), specifically through drought (Deut. 11:17), plague (Ps. 78:50), the sword (Ps. 78:62), and deliverance into the hands of enemies (2 Kings 13:3), leading to exile (2 Chron. 6:36). God’s anger can be depicted in various forms of cosmic upheaval or the undoing of creation (2 Sam. 22:8–16; Ps. 18:7; Jer. 4:26). God’s anger is beyond human ability to endure (Ps. 76:7), such that hiding in Sheol is considered preferable (Job 14:13).

God’s wrath becomes particularly associated with a coming day of wrath at the end of the age, when God’s justice will be powerfully displayed (Dan. 8:19; Zeph. 2:3; Luke 21:23; Rom. 2:5; Rev. 6:17).

Subjection to God’s anger may evoke the cry “How long?” (Pss. 79:5; 80:4). While God’s mercy cannot be taken for granted, since his anger against some may be final as an expression of his justice (Jer. 30:24; Rom. 12:19), God’s anger may be assuaged or averted through humbling oneself (2 Chron. 12:7) and an appeal to God for mercy (Ps. 106:23; Hab. 3:2), by repentance (2 Chron. 29:10; Ezra 10:14; Jon. 3:9), by zealous action to root out evil (Num. 25:11), and by the faithful ministry of God’s appointed servants (Num. 1:53; 18:5).

The NT brings to fulfillment these forms of mediation in presenting the ultimate remedy for God’s wrath in the person and work of Jesus Christ (Rom. 5:9; 1 Thess. 1:10; 5:9). The use of “propitiation” language (Rom. 3:25; Heb. 2:17; 1 John 2:2), though its significance is disputed, is classically understood in terms of the need for God’s wrath to be satisfied. In that case, it is specifically the cross of Christ that ultimately deals with God’s righteous anger against sinners.