A flag, streamer, emblem, or carved object raised on a pole. On the ancient battle field, raised banners and blown trumpets served as the primary tools for mass communication. They could indicate troop movements and serve as rallying points (Isa. 18:3). Once the battle was won, banners proclaimed victory. Cloth banners usually were colored and carried symbols to represent a particular group, whether it was a military unit, clan, tribe, or nation (Num. 2:2; Ps. 60:4). The actual appearance of Israelite banners is unknown, but the images of banners from other nations have been found carved into ancient reliefs. For example, the Narmer Palette (c. 3000 BC) shows three different kinds of banners raised above the heads of soldiers.

The earliest reference to a banner in the Bible occurs after the Israelites defeated the Amalekites at Rephidim near Mount Sinai. To commemorate the victory, Moses built an altar and named it Yahweh nissi, “The Lord is my banner” (Exod. 17:15). In a sense, Moses’ raised hands served as banners to encourage the Israelites by assuring God’s presence and victory (17:11–13).

When Moses placed the bronze serpent on a pole, he raised it as a banner for the Israelites to look upon it and be healed (Num. 21:8). Jesus drew a parallel between the raised serpent and the raising up of the Son of Man (John 3:14). Metaphorically, Jesus was a banner lifted up to proclaim salvation for the world.

An interesting use of banner is in Song 6:4, where the woman is described as “majestic as troops with banners.” The man is so in awe of his beloved that it mesmerizes him and causes his heart to race. The NIV renders Song 2:4 as “let his banner over me be love,” the idea being that the man would make his love for his beloved public.

The southern section of the Transjordan, with the Jordan River to the west, Bashan to the north, Ammon to the east, and Moab to the south. The Jabbok River ran across it from east to west, and “Gilead” could be used either more widely to describe the whole area or more narrowly to describe the land either south or north of the Jabbok. It was a high, fertile region, famed for its healing balm and spices (Gen. 37:25; Jer. 8:22; 46:11) as well as its pastures and livestock (Num. 32:1; 1 Chron. 5:9; Song 4:1; 6:5).

Jacob named Gilead after the heap of stones that witnessed his covenant with Laban (Gen. 31:21–55). “Gilead” also became a personal and clan name (Num. 26:29–30; 27:1) when, following the Israelites’ defeat of Sihon the Amorite on their way to Canaan (Deut. 2:36; Josh. 12:1–3), the region was allotted to Reuben, Gad, and part of Manasseh (Num. 36:1; Deut. 3:10–15).

Israel drew some of its national leaders from Gilead (Judg. 10:3; 11:1) and defended it keenly against Gentile enemies (1 Sam. 11). However, there was often tension between the tribes east and west of the Jordan (Josh. 22:10–34; Judg. 5:17; 12:1–7). When David fled from Absalom (2 Sam. 17:22), crossing into the Transjordan was viewed as having left the land (2 Sam. 17:22; 19:9). Returning across the river was like a reenactment of the conquest (2 Sam. 19:15). There is similar symbolism in the Jordan crossings made by Elijah, a prophet from Gilead, and his successor, Elisha (1 Kings 17:3; 2 Kings 2:8, 14).

After the division of the kingdom, Israel’s hold on the Transjordan became increasingly tenuous. Two alliances between Israel and Judah failed to win Ramoth Gilead back from the Arameans (1 Kings 22; 2 Kings 8:28–29), and Hazael later conquered the entire region (2 Kings 10:32–33). After a brief respite under Jehoash (2 Kings 13:25), Pekah lost Gilead to Tiglath-pileser III of Assyria (15:29).

Nevertheless, Gilead remained a prized possession of Yahweh (Pss. 60:7; 108:8; Jer. 22:6). Hosea may have condemned Gilead’s sinfulness (Hos. 6:8; 12:11), but the prophets also looked forward to a day when Gilead’s conquerors would be punished (Amos 1:3, 13) and its richness would be restored to Israel (Jer. 50:19; Obad. 1:19; Mic. 7:14; Zech. 10:10).

The Geography of Moab

Undisputed territory. Moab proper lies between the Arnon and the Zered valleys east of the Dead Sea. The Arnon is the deepest gorge in Jordan (seventeen hundred feet) and is two miles wide at the upper edge. It served as a natural northern boundary for geopolitical Moab, even though the nation frequently expanded its control farther north. The canyon eventually splits into four branches, “the wadis [NIV mg.: “ravines”] of the Arnon” (Num. 21:14–15 NASB). The Zered to the south is the only river in Jordan that constituted a permanent political border.

The average elevation of Moab is about thirty-two hundred feet, with some mountains nearing four thousand feet. Moab receives considerably more rain (sixteen inches per year) than do the eastern fringes of Israel, as moisture is picked up from the humid Jordan Valley and the Dead Sea by the prevailing westerly winds. The band of arable land is narrow because the terrain next to the Rift Valley is rugged. Cities in Moab were among places mentioned as suitable for livestock for the two and one-half tribes settling in Transjordan (Num. 32:1–4).

The plateau and plains of Moab. When mishor refers to the plateau of Moab, it always has the definite article in Hebrew (Deut. 3:10; 4:43; Josh. 13:9, 16, 17, 21; Jer. 48:8, 21). The plateau begins where the foothills of Gilead end and extends south to the Arnon Gorge. The desert boundary to the east fluctuates somewhat, depending on wet or dry years. The average elevation is about twenty-six hundred feet, with an average rainfall of fourteen to sixteen inches. In the biblical period, primary contenders for control of this region were Moabites and Israelites. The Moabites considered the plateau part of their territory, with their northern boundary reaching the foothills of Gilead.

The “plains [’arebot] of Moab” (Num. 22:1; 26:3; 31:12; 33:48–50; 36:13; Deut. 34:1; Josh. 13:32) could refer to the southeastern corner of the Jordan Valley below the plateau opposite Jericho. Nevertheless, because the Hebrew preposition ’al, used repeatedly in the Numbers passages, can mean “above,” it might refer to plains “above” the Jordan opposite Jericho—in other words, part of the plateau. This makes more sense in light of the events that unfolded while the Israelites were camped there. Both expressions are indicative that the name of Moab was attached to territories beyond the strictly political boundaries.

The History of Moab in the Bible

Origins of the Moabites. After the destruction of Sodom and Gomorrah, Lot’s daughters determined to carry on the family line by sleeping with their father (Gen. 19:30–38). The son of the elder daughter was named “Moab.” According to an etymology in the LXX, the name in Hebrew means “from my father” (Gen. 19:37).

The exodus and the conquest. Moses’ song refers to leaders of Moab among those whom Israel would encounter (Exod. 15:15). As the Israelites made their way past Edom (Num. 20:14–21), they may also have given a wide berth to geopolitical Moab, moving instead along the desert highway to the east (Num. 21:10–20; Deut. 2:8–9; Judg. 11:18; but see also Deut. 2:29) until they arrived at the territory that Sihon, king of the Amorites, had previously captured from the Moabites (Num. 21:21–26). This is the plateau (Heb. mishor) north of the Arnon (Deut. 2:36) stretching to Ammon (Josh. 13:10). The capital city of Sihon was Heshbon on the plateau (mishor) (Josh. 13:21). After defeating the Amorites, the Israelites camped on the “plains of Moab” (Num. 22:1; 33:48–50), where they remained until crossing the Jordan River. Most likely they did not jeopardize their security by moving down into the Jordan Valley.

Frightened by this multitude, the king of Moab and the elders of Midian sent for Balaam to curse the Israelites (Num. 21–24). Instead, Balaam pronounced four sets of blessings on Israel, and in the final one Balaam spoke of a “star . . . out of Jacob” who would “crush the foreheads of Moab” (Num. 24:17). Because the Moabites refused to welcome the Israelites and hired Balaam, the Moabites, along with Ammonites, were excluded from the assembly of the Lord for ten generations (Deut. 23:3–6). The verse immediately prior to this passage excludes those born of forbidden marriages, which might be the reason for specifying Moab and Ammon.

The plateau (mishor) was allocated to the tribes of Reuben and Gad (Num. 32:34–38; Josh. 13:8–9). Their presence enabled the Israelites to maintain a hold in the region, a fact that would be significant some three centuries later (Judg. 11:26). As the Israelites prepared to enter the land, Moses restated the covenant on the plains of Moab (Num. 36:13; Deut. 29:1). When it came time for Moses to die, he climbed Mount Nebo from the plains of Moab to the top of Pisgah, and after his death the Israelites mourned him there for thirty days (Deut. 34:1–8).

The judges through the monarchy. During the period of the judges, the Moabites pushed north across the Arnon and as far as Jericho. When Ehud killed Eglon, the Moabites were driven back and subjected to Israel for eighty years (Judg. 3). The respite was temporary, however, due to repeated apostasy on the part of the Israelites. They turned to worship the gods of the peoples around them, among them the gods of the Moabites (Judg. 10:6). At some point during the period of the judges, relations between Israel and Moab were sufficiently friendly that the family of Elimelek could take refuge there during the famine in Judah (Ruth 1). When all the men of the family died, the Moabite Ruth converted to the worship of Yahweh (Ruth 1:16), which meant that she could indeed become part of the congregation of Israel, overcoming the restriction in Deut. 23:3–6.

Ruth’s son was Obed, the father of Jesse, the father of David (Ruth 4:21). This family link with Moab may explain why David sought refuge for his father and mother in Moab in the dark days when he was fleeing from Saul (1 Sam. 22:1–4). David was appealing to a national enemy in doing this since Saul had been fighting against the Moabites along with the Ammonites, the Edomites, and the Philistines since he became king (1 Sam. 14:47). The complexity created for David by this combination of family allegiances and ongoing national concerns is evident in his later actions as king. When he defeated the Moabites, he brutally subdued them, reducing them to a vassal kingdom (2 Sam. 8:2–12). The united kingdom continued to control the plateau of Moab, evident in the towns noted in David’s census; it reached through the tribe of Gad to the city of Aroer in the Arnon Gorge (2 Sam. 24:5).

Solomon built places of worship for the gods of his wives, among them Chemosh, “the vile god of Moab” (2 Kings 23:13). As a result, God removed all but the southern kingdom of Judah from the Davidic dynasty and the plateau of Moab came under the control of the northern kingdom for more than half a century. The Moabite Stone, discovered in the nineteenth century AD at Dibon, indicated that Omri, king of Israel, conquered the plateau of Medeba and reestablished connections with the tribe of Gad. This continued until near the end of Ahab’s reign. Although the Moabite Stone indicates that Mesha revolted during the reign of Ahab, the biblical text puts it after Ahab’s death. The revolt prompted an alliance between Joram and Jehoshaphat to subdue Moab (2 Kings 3:4–27).

The prophets and after the exile. Moab is the object of stinging rebuke from several prophets (Isa. 15–16; 25:10; Jer. 48; Ezek. 25:8–11; Amos 2:1–3). Moab’s forthcoming judgment is described in grim terms, equating Moab’s end to that of Sodom and Gomorrah (Zeph. 2:9). Even so, God declares, “I will restore the fortunes of Moab in days to come” (Jer. 48:47). Moab will be humbled along with Edom and the Philistines at the word of the Lord (Pss. 60:8; 108:9). After the return from exile, Moabites were among those with whom the Israelites intermarried (Ezra 9:1; Neh. 13:1; cf. Deut. 23:3–6).

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

In ancient times, footwear generally was sandals, a flat sole constructed of leather, wood, or matted grass secured to the foot with leather straps. Soldiers and dignitaries had more-substantial foot coverings than common people had (cf. Eph. 6:15). Sandals were common and cheap; their quality and presence or absence were indicators of social status (Ezek. 16:10; Luke 15:22). Prisoners were unshod (2 Chron. 28:15; Isa. 20:2–4), and those in mourning also went barefoot (2 Sam. 15:30; Ezek. 24:17). One put on sandals in preparation for a journey (Exod. 12:11; Mark 6:9; Acts 12:8). Moses and Joshua were instructed to take off sandals when they stood on holy ground (Exod. 3:5; Josh. 5:15). The transfer of a sandal from one party to another sealed a property transaction (Ruth 4:6–10; cf. Ps. 60:8), while the removal of the sandal of a man who refused to marry his brother’s widow was a ceremony of disgrace (Deut. 25:9–10).

The lowest servant in a household removed guests’ sandals and washed their feet, as Jesus demonstrated for his disciples (John 13:5; cf. 1 Sam. 25:41; Luke 7:38). John the Baptist did not consider himself worthy of the humble task of untying Jesus’ sandal (Matt. 3:11; Mark 1:7; Acts 13:25).

In ancient times, footwear generally was sandals, a flat sole constructed of leather, wood, or matted grass secured to the foot with leather straps. Soldiers and dignitaries had more-substantial foot coverings than common people had (cf. Eph. 6:15). Sandals were common and cheap; their quality and presence or absence were indicators of social status (Ezek. 16:10; Luke 15:22). Prisoners were unshod (2 Chron. 28:15; Isa. 20:2–4), and those in mourning also went barefoot (2 Sam. 15:30; Ezek. 24:17). One put on sandals in preparation for a journey (Exod. 12:11; Mark 6:9; Acts 12:8). Moses and Joshua were instructed to take off sandals when they stood on holy ground (Exod. 3:5; Josh. 5:15). The transfer of a sandal from one party to another sealed a property transaction (Ruth 4:6–10; cf. Ps. 60:8), while the removal of the sandal of a man who refused to marry his brother’s widow was a ceremony of disgrace (Deut. 25:9–10).

The lowest servant in a household removed guests’ sandals and washed their feet, as Jesus demonstrated for his disciples (John 13:5; cf. 1 Sam. 25:41; Luke 7:38). John the Baptist did not consider himself worthy of the humble task of untying Jesus’ sandal (Matt. 3:11; Mark 1:7; Acts 13:25).

In ancient times, footwear generally was sandals, a flat sole constructed of leather, wood, or matted grass secured to the foot with leather straps. Soldiers and dignitaries had more-substantial foot coverings than common people had (cf. Eph. 6:15). Sandals were common and cheap; their quality and presence or absence were indicators of social status (Ezek. 16:10; Luke 15:22). Prisoners were unshod (2 Chron. 28:15; Isa. 20:2–4), and those in mourning also went barefoot (2 Sam. 15:30; Ezek. 24:17). One put on sandals in preparation for a journey (Exod. 12:11; Mark 6:9; Acts 12:8). Moses and Joshua were instructed to take off sandals when they stood on holy ground (Exod. 3:5; Josh. 5:15). The transfer of a sandal from one party to another sealed a property transaction (Ruth 4:6–10; cf. Ps. 60:8), while the removal of the sandal of a man who refused to marry his brother’s widow was a ceremony of disgrace (Deut. 25:9–10).

The lowest servant in a household removed guests’ sandals and washed their feet, as Jesus demonstrated for his disciples (John 13:5; cf. 1 Sam. 25:41; Luke 7:38). John the Baptist did not consider himself worthy of the humble task of untying Jesus’ sandal (Matt. 3:11; Mark 1:7; Acts 13:25).

Literally, “Aram of the Two Rivers.” This is a region of the northern Euphrates above the point where it is joined by the River Harbor in the west of what is now Syria, and thus northwest of Mesopotamia proper. Associated with the patriarchs, its proximity to Israel also made it a place from which opposition might come. Genesis 24:10 notes that it was here that Abraham’s servant came to the city of Nahor and met Rebekah at the well, while Deut. 23:4 indicates that this was Balaam’s home region. Cushan-Rishathaim, Israel’s first foreign oppressor in Judges, came from here (Judg. 3:8), while both 1 Chron. 19:6 and the title of Ps. 60 indicate that the Ammonites hired mercenaries from the region when engaged in war against David.

A minor state in the Anti-Lebanon among a group of Syrian states that attacked Israel after David’s message of sympathy to the Ammonites was misconstrued (1 Chron. 19:6), but which he ultimately defeated (2 Sam. 8:3; cf. Ps. 60:1). See also Zobah.

A collection of 150 poems. They are the hymnbook of the OT period, used in public worship. Psalms contains songs of different lengths, types, and dates. The earliest psalm (Ps. 90) is attributed to Moses (mid-second millennium BC), while the content of Ps. 126 and Ps. 137 points to the latest periods of the OT (mid-first millennium BC). They continue to be used as a source of public worship and private devotion.

Historical Background

Most psalms have a title. In the Hebrew text this title comprises the first verse, whereas English translations set it off before the first verse. Titles vary. Many name an author (e.g., David [Ps. 3]; Asaph [Ps. 77]; sons of Korah [Ps. 42]), while others provide information about genre (e.g., Psalms of Ascent [Pss. 120–134]), tune (e.g., “Do Not Destroy” [Ps. 75]), use in worship (Ps. 92), and a circumstance that led to composition (Ps. 51). Information in the title gives hints concerning how psalms were written and brought into a final collection.

Composition

As mentioned, the titles of the psalms often give indications of authorship and occasionally name the circumstance that led to the writing of the psalm. A good example is Ps. 51, where the title states, “For the director of music. A psalm of David. When the prophet Nathan came to him after David had committed adultery with Bathsheba.” The title connects the psalm with the events recorded in 2 Sam. 11–12 and suggests that David wrote the song in response to his sin and Nathan’s confrontation.

Although only a handful of the psalms have such a historical title, it is likely that most psalms were composed in response to some specific circumstance that encouraged the author to write. Interestingly, though, the psalmists do not speak about the specific circumstance in the psalm itself. Psalm 51, for instance, fits perfectly with the situation that the title describes in that it expresses guilt toward God and asks for forgiveness, but nowhere does it speak specifically about adultery. The psalmists do this intentionally because they are writing the song not as a memorial to an event, but rather as a prayer that others who have had similar though not identical experiences can use after them. Thus, Ps. 51 has been used as a model prayer for many penitents, whether they have sinned like David or in another way.

Most modern hymns have a similar background. John Newton, for instance, was inspired to write “Amazing Grace” because of awe that he felt at his conversion to Christianity from the evil of being a slave trader. However, when he wrote it, he wanted others to sing it as reflecting not on his conversion but on their own.

Collection

The psalms were composed over a thousand-year period. Thus, it appears that the book of Psalms was a growing collection until it came to a close at an unknown time between the writing of the two Testaments.

In 1 Chron. 16:7–36 we may get a glimpse of how the process worked. The text describes David turning a musical composition over to the Levitical musician Asaph and his associates. It is likely that the priests kept an official copy of the book of Psalms in the holy place (the temple while it stood). The psalms, after all, were the hymns of ancient Israel. Their primary function was as a corporate book of prayer, though certainly they could be used in private devotions (note Hannah’s prayer in 1 Sam. 2:1–10 and its relationship to Ps. 113).

Organization and Structure

The psalms have no obvious organization that explains the location of all the psalms. They are not organized in terms of genre, authorship, time of composition, or length. There is only one statement about organization, found in Ps. 72:20: “This concludes the prayers of David son of Jesse.” In the light of this comment, it is surprising that a number of Davidic psalms appear in subsequent sections (Pss. 101; 103; 108–110; 122; 124; 131; 133; 138–145). The best explanation is that at one point Ps. 72 concluded the Davidic psalms, but there was a reorganization before the canonical order was permanently closed.

A number of contemporary theories try to find some deep structure to the book, but it is best to refrain from speculation in regard to the overall structure. Nonetheless, a few structural characteristics are obvious. First, the division of Psalms into five books seems to reflect the fivefold division of the Pentateuch:

I. Book 1 (Pss. 1–41)

II. Book 2 (Pss. 42–72)

III. Book 3 (Pss. 73–89)

IV. Book 4 (Pss. 90–106)

V. Book 5 (Pss. 107–150)

Each book ends with a doxology. Such an intentional association with the Pentateuch would lend support to the Psalter’s claim to authority. Although these are prayers to God, they are also God’s word.

Second, within the Psalter there are subcollections. That is, there are psalms that came into the book not individually but as a group. The best-known such group are the Psalms of Ascent (Pss. 120–134), probably so named because worshipers sang them while going up (ascending) to the Temple Mount during one of the annual religious festivals in Jerusalem.

Third, it appears that psalms are intentionally placed at the beginning and at the end of the book to serve as an introduction and a conclusion. Psalms 1–2 serve as an introduction that alerts the reader to the twin important themes of law and messiah. Psalm 1 pronounces a blessing on those who love God’s law. The psalms, after all, are an intimate and personal conversation with God. One must be on the side of the godly to enter such a holy textual space, just as one must be godly to enter the precincts of the temple. After the reader enters, Psalm 2 provides an encounter with God and his anointed one (messiah). At the end of the book, the last five psalms (Pss. 146–150) constitute a tremendous doxology of praise.

This leads to the final observation on structure. Psalms of lament predominate at the beginning of the book, but they give way to hymns of praise toward the end. It is almost as if one enters the Psalter mourning and leaves it praising. Indeed, the Psalter brings the reader into contact with God and thus transforms the reader from sadness to joy.

Literary Considerations

Genre. The individual psalms may be identified as songs, prayers, or poems. Specifically, they are lyric poems (expressing the emotions of the poet), often addressed to God, and set to musical accompaniment. Although the categories overlap, seven different types of psalms can be recognized, with the first three being by far the most common.

• Lament. The largest single group of psalms are the laments, characterized by the expression of unhappy emotions: sadness, disappointment, anger, worry. The lamenters call on God to save them, even while at times complaining about God’s actions toward them (Ps. 42:9–10). Some laments contain petitions for forgiveness (Ps. 51), while others assert innocence of any wrongdoing (Ps. 26). A few laments even contain curses directed toward the enemies who are trying to harm the psalmist (Ps. 69:19–28). Most laments end by praising God or reaffirming confidence in God (Ps. 130:7–8). Usually the reason for the change from mourning to rejoicing is not given, but Ps. 77 pinpoints the reason as the memory of God’s great salvation events in the past (vv. 10, 16–20). One psalm, Ps. 88, laments but never makes the turn, remaining in the pit of despair. Yet even here we have a glimmer of hope in that the one who laments is still speaking to God.

• Thanksgiving. When God answers a lament, the response is thanksgiving. Psalms of thanksgiving are very similar to hymns (see below), but they cite an earlier problem that God has addressed. Psalm 30 praises God for restoring the psalmist’s good fortune and health after he suffered due to his earlier arrogance that led him to forget God (vv. 6–7).

• Hymn. Hymns are psalms of unalloyed praise directed toward God. The psalmists often call for others to join their worship of God (Ps. 100).

• Remembrance. While many psalms evoke memories of God’s actions in the past (as the lament in Ps. 77 recalls the exodus), certain psalms focus on rehearsing the actions of God in the past. Psalm 136 is one of the most memorable examples. As a liturgical psalm, it recites a divine action (“[God] swept Pharaoh and his army into the Red Sea” [v. 15]) followed by a congregational response (“His love endures forever”).

• Confidence. These psalms are defined by their mood of quiet trust in God even in the midst of trouble. They often present a reassuring image of God. The picture of God as a shepherd in Ps. 23 or as a mother in Ps. 131 are good examples.

• Wisdom. Some psalms meditate on the law (Pss. 1; 119) or have interests similar to those of wisdom literature, such as Job, Proverbs, and Ecclesiastes (Pss. 49; 73).

• Kingship. A number of psalms praise God as king (Ps. 47) or the human king as his agent (Pss. 20–21) or both (Ps. 2).

Style. The psalms are poems, and so their style is characterized by the use of parallelism and figurative language. Poetry is also notable for its short lines. A poet packs a lot of meaning into very few words. So it is important to slow down and reflect on a psalm in order to derive its maximum effect. Besides brevity of expression, parallelism, and figurative language, poets create interest by using other literary tools. The psalmists use these poetic devices not only to inform their readers’ intellect but also to stimulate their imagination and arouse their emotions. (See also Acrostic; Imagery; Poetry.)

Theological Message

Although the psalms are not theological essays, readers can learn about God and their relationship with God from these poems. The book of Psalms is a bit like a portrait gallery of God, using images to describe who he is and the nature of our relationship with him. Some examples include God as shepherd (Ps. 23), king (Ps. 47), warrior (Ps. 98), and mother (Ps. 131), and the list could be greatly expanded. Each one of these picture images casts light on the nature of God and also the nature of our relationship with God. After all, the aforementioned psalms explicitly or implicitly describe God’s people as sheep, subjects, soldiers, and children.

Connection to the New Testament and Today

Jesus himself draws attention to Psalms as a book that anticipated his coming suffering and glorification (Luke 24:25–27, 44). The Gospels recognized that Jesus’ zeal for God was well expressed by Ps. 69:9 (John 2:17). When at the apex of his suffering on the cross, Jesus uttered the words found in Ps. 22:1 (Matt. 27:46). The NT writers also saw that Jesus was the fulfillment of the covenant that promised that a son of David would have an everlasting throne (2 Sam. 7:16). Accordingly, the royal psalms (e.g., Pss. 2; 110) often were applied to Jesus, who is the Messiah (the Christ, “the anointed one”).

Today we read Psalms not only as an ancient witness to the coming work of Christ but also, as John Calvin put it, as a mirror of our souls. The psalms were written for worshipers who came after them with similar though not identical joys and problems. The psalms should become models of our prayers.

In the Bible, gestures are made with either parts of the body or items, such as clothing and rings, directly connected to the body. For this reason, it makes sense to classify biblical gestures in relation to the different body parts that are identified with the gestures. It is, however, challenging to know where to draw a line on classifying a gesture. For example, a devious person is described in Prov. 6:13 as one “who winks maliciously with his eye, signals with his feet and motions with his fingers.” It is unclear whether this is a single gesture or multiple ones, and whether all signify different things or the same thing.

Head

Gestures that relate to the head range from simple head motions to semiviolent acts such as hair pulling. Simple head motions include lifting of one’s head in honor (Gen. 40:13), bowing one’s head in mourning (Ps. 35:14), tossing one’s head in mockery and derision (2 Kings 19:21), and shaking one’s head as insult (Ps. 22:7; Mark 15:29).

A common action is the shaving of the head, which can be for purification (Lev. 14:8–9; Num. 6:9; 8:7 [includes all body hair]), mourning (Deut. 21:11–13; Job 1:20; Isa. 15:2; Jer. 16:6; 47:5; 48:37; Ezek. 27:31; Amos 8:10; Mic. 1:16), remorse (Jer. 41:5), or shaming (Jer. 2:16). However, priests are forbidden from shaving their heads even in mourning (Lev. 21:5; Ezek. 44:20), while the high priest is to wear a turban on his head during sacrificial duties (Exod. 29:6).

Anointing of the head is done when a priest or king is installed (Exod. 29:7; Ps. 23:5) or simply as a sign of God’s goodness and blessing on a person (Eccles. 9:8). Blessing may also involve placing a hand on the head of the person being blessed (Gen. 48:14–18; Exod. 29:19), while the same gesture on the head of sacrificial animals is a symbolic means of transferring sin (Lev. 3:2, 8, 13; 4:4, 15, 24, 29, 33; 8:18, 22).

In the OT, a woman’s head can be shaved in mourning (Deut. 21:12–13; cf. Jer. 47:5), but in the NT, a shaved head can be a cause for disgrace (1 Cor. 11:5–6).

Face. Facial gestures range from expressions to actions such as touching or covering the face. A face can be downcast in anger (Gen. 4:5–6) or bowed to the ground in honor (Gen. 48:12), in dejection (Josh. 7:6), in humility (Ruth 2:10), in worship (2 Chron. 20:18; Ps. 138:2), in subjection, supplication, reverence (1 Sam. 20:41; 25:41; 28:14; 2 Sam. 14:4, 22; 18:28; 24:20; 1 Kings 1:23; 1 Chron. 21:20), or in dread (e.g., Moses before Yahweh [Exod. 3:6]).

The face can be covered or veiled as an indication of uncleanness (Lev. 13:45), in grief/mourning (2 Sam. 19:4; Ezek. 24:17), in resignation (1 Kings 19:13), with intent to deceive in adultery (Job 24:15), or in horror of judgment (Esther 7:8; Ezek. 12:6, 12). It can also be buried in the dust in remorse (Lam. 3:29).

God can be described as hiding or turning away his face against wickedness and evil (Deut. 31:18; 32:20; Ps. 34:16; Isa. 8:17; Jer. 33:5; Ezek. 7:22; 15:7; 20:46; 21:2) or in an act of withholding blessings (Job 13:15; Pss. 10:1; 13:1; 27:9; 30:7; 34:16; Isa. 54:8; 59:2; 64:7). God can also turn his face toward a place in judgment (Ezek. 4:3, 7; 6:2). In 1 Sam. 5:3–4 the idol of the Philistine god Dagon falls facedown before the ark of the covenant, apparently overpowered by Yahweh.

Acts of humiliation or dishonor can involve spitting in the face (Num. 12:14; Deut. 25:9; Job 17:6; 30:10; Isa. 50:6), slapping the face (1 Kings 22:24; 2 Chron. 18:23; Job 16:10; Lam. 3:30; Mic. 5:1), pulling a skirt up over someone’s face in shaming judgment (Jer. 13:26; Nah. 3:5), and hooking and dragging someone by the nose (2 Kings 19:28). Although being struck on the cheek is humiliating, Jesus instructs his disciples to “turn the other cheek” as a sign of resistance to violence (Matt. 5:39; Luke 6:29).

One can lift one’s face in worship (2 Kings 20:2; Job 22:26; Isa. 38:2) or in confidence (Job 11:15) and can fail to lift it in shame and disgrace (Ezra 9:6). Although the shaving of beards in mourning is common practice (Ezra 9:3; Isa. 15:2; Jer. 41:5; 48:37), the forced shaving of beards is an act of shaming and insulting (2 Sam. 10:4; 1 Chron. 19:4–5; Isa. 7:20; 50:6).

Eyes. Winking the eye is perceived as an evil, deceptive, or malicious act (Ps. 35:19; Prov. 6:13; 16:30). Eyes can be lifted up in worship and expectation (Pss. 121:1; 123:1).

Mouth. Pursed lips can characterize an evil person (Prov. 16:30), while a hand can be clapped over the mouth in awe and submission (Job 21:5; 40:4). Psalm 72:9 looks to the righteous king before whom the desert tribes will bow and whose “enemies lick the dust” in defeat.

Ears. An Israelite slave for life is to have a hole punched through his or her earlobe, held against a doorpost, with an awl (Exod. 21:6; Deut. 15:17). Blood is sprinkled on the lobe of the right ear for purification (Exod. 29:20; Lev. 8:23–24; 14:17), while supplication can be described as asking for the turning of an ear (2 Kings 19:16; Ps. 31:2). Turning one’s ear signifies paying attention or taking something to heart (Ps. 49:4; Prov. 4:20; 5:13).

Neck. The neck can be adorned (Song 1:10) as a sign of pride and honor (Gen. 41:42; Judg. 5:30; Prov. 1:9; Ezek. 16:11) or outstretched in arrogance (Ps. 75:5 TNIV: “Do not lift your horns against heaven; do not speak with outstretched neck”). Jeremiah put a yoke on his neck as a prophetic sign of the approaching Babylonian conquest (Jer. 27–28). While putting someone’s neck in a yoke is an act of triumphal conquest (Ps. 105:18), stepping on the neck of a subdued enemy is an act of subjugation and humiliation (Josh. 10:24).

Body

Nakedness in public is considered shameful (Gen. 9:22–23; Nah. 3:5; Rev. 3:18), so that it is sometimes pictured as part of divine judgment (Deut. 28:48; Isa. 47:2–3; Lam. 1:8; Mic. 1:11) or as a sign of promiscuity (Isa. 57:8; Ezek. 16:36). An unkempt body can be a sign of mourning, as it is for Mephibosheth (2 Sam. 19:24). A certain kind of body covering is a sign of marriage proposal or protection (Ezek. 16:8; 23:18; Hos. 2:9). Body dismembering, even in war, is an act of humiliation (2 Sam. 4:12).

Chest. In self-mortification, one can pound one’s chest in mourning (Ezek. 21:12) or in remorse (Jer. 31:19; Luke 18:13). The breasts of sacrificial animals are waved before God as a “wave offering” before being eaten (Exod. 29:26; Lev. 7:30; Num. 6:20).

Hand, arm. Hand gestures include motions such as lifting hands in worship, clapping hands in joy, and clapping a hand over one’s mouth in awe. The expression “outstretched arm” (Exod. 6:6; Deut. 4:34; 5:15; 7:19; 9:29; 11:2; 26:8; 1 Kings 8:42; 2 Kings 17:36; 2 Chron. 6:32; Ps. 136:12; Jer. 21:5; 27:5; 32:17, 21; Ezek. 20:33–34) indicates power, might, strength. It is often used of God to indicate his ability to defeat powerful armies and enemies. God is implored by the psalmist to lift his hand and act for the sake of the righteous (Ps. 10:12).

Since the right hand is the hand of power, the act of sitting at the right hand indicates being favored (1 Kings 2:19; Ps. 110:1; Matt. 22:44; Mark 12:36; Luke 20:43; Acts 2:35; Heb. 1:3; 8:1; 10:12; 12:2; 1 Pet. 3:22). When taking an oath, one places a hand under the thigh/crotch (Gen. 24:2; 47:29), most likely the right hand (see Gen. 48:14, 17–18; Lev. 8:23; 14:14).

Clapping the hands can be a sign of awe (Ezek. 6:11), malice, or remorse (25:6), while a bared arm can be a sign of judgment (4:7). Job claps his hand over his mouth in awe of God and in submission and repentance (Job 40:4–5).

Hands can be lifted in worship (1 Kings 8:22; 1 Tim. 2:8), to beseech (Ps. 28:2), to protect and bless (Ps. 10:12), in an oath (Deut. 32:40), or to harm (Exod. 24:11; 1 Sam. 24:6, 10; 2 Sam.1:14; 18:12).

Pilate washes his hands to proclaim his innocence over the death of Jesus (Matt. 27:24), while 1 Pet. 5:6 urges believers to humble themselves “under God’s mighty hand,” so that in due time they will be lifted up.

Buttocks. Exposure of the buttocks can serve as a humiliating insult and provocation, as happens to David’s men (2 Sam. 10:4; 1 Chron. 19:4) and Egyptian and Cushite captives (Isa. 20:4).

Leg. The leg or thigh is often a euphemism for the male reproductive organs, so that putting one’s hand under a thigh in oath (Gen. 24:2; 47:29) may involve actually grabbing the genitalia. Animal thighs are waved to God in offering before being consumed (Lev. 9:21; 10:14; Num. 6:20), while oaths administered to uncover adultery cause a guilty woman’s thighs to waste (Num. 5:2–27).

The most common gesture involving the knee is bowing, in worship or reverence (Deut. 33:3; Isa. 45:23; Rom. 11:4; 14:11; Phil. 2:10), in defeat (2 Sam. 22:40; Ps. 18:38; Isa. 60:14), in distress (Ps. 57:6), or in respect (1 Kings 1:31). In what seems to be a somewhat awkward position, Elijah puts his face between his knees in prayer (1 Kings 18:42).

Feet. Gestures involving the feet are probably the most common gestures in the Bible. Feet can be washed in hospitality (Gen. 18:4; 19:2; 24:32; 43:24; 1 Sam. 25:41), in ablution (Exod. 30:19, 21; 40:31), or in supplication (1 Sam. 25:41). Feet can be bathed in oil as a blessing (Deut. 33:24), uncovered in marriage proposals (Ezek. 16:8; cf. Ruth 3:4, 7), and stamped in remorse (Ezek. 25:6), and sandals can be removed from them in honor (Exod. 3:1–10) or disgrace (Deut. 25:9). The heavenly seraphs cover their feet in supplication before the throne of God (Isa. 6:2), while the feet of humans can signal deception (Prov. 6:13).

Enemies can be placed under one’s feet in subjugation (1 Kings 5:3; Pss. 8:6; 18:39; 45:5; 47:3; 110:1; Mal. 4:3; Rom. 16:20), have their feet shackled or ensnared (Job 13:27; 33:11; Pss. 25:15; 105:18), and be forced to lick the feet of victors in humiliation and defeat (Isa. 49:23). The righteous will bathe their feet in the blood of their enemies in revenge (Pss. 58:10; 68:23).

Those overwhelmed can grovel at the feet of the powerful (2 Kings 4:27, 37; Esther 8:3; Matt. 28:9; Mark 5:33; 7:25; Acts 10:25), while those emboldened can rise to their feet in confidence (Ezek. 2:1–2; 3:24; Dan. 8:18).

In the NT, dust can be shaken off one’s feet as an indication of divine judgment (Matt. 10:14; Mark 6:11; Luke 9:5), even as lying at a person’s feet is a recognition of authority/submission (Matt. 15:30; Mark 5:33; Luke 8:28, 35, 41, 47; 10:39; 17:16; Acts 4:37; 5:2). A woman publicly washes Jesus’ feet with her tears, wipes them with her hair, and kisses and perfumes them in what seems an act of love and repentance; but Jesus indicates that she has prepared his body for burial (Luke 7:38–46; John 11:2; 12:3). Jesus washes his disciples’ feet as instruction on servanthood and discipleship (John 13:5–14).

Fingers, Toes. Different fingers seem to have different roles assigned them. A finger sprinkles blood in cleansing (Lev. 4:6, 17, 25, 30, 34; 8:15; 9:9; 14:16; 16:14, 19; Num. 19:4), while blood on the tip of the right thumb and on the right big toe is for cleansing (Exod. 29:20; Lev. 8:23–24; 14:17, 25, 28).

One wears a signet ring as a sign of power (Esther 3:10) or a gesture of restoration and forgiveness (Luke 15:22). But fingers can also motion in deception (Prov. 6:13) or point in blame (Isa. 58:9). Jesus writes with his finger on the ground, apparently as a gesture of indifference to those pointing accusing fingers (John 8:6).

Clothes and Shoes

Garments. Garments attain significance as they are related to specific emotions. Wearing sackcloth and ashes in mourning is common (Gen. 37:34; Ezek. 7:18; 2 Sam. 3:31), while ripping garments in mourning is also frequently attested (Gen. 37:34; 44:13; Lev. 10:6; 21:10; Josh. 7:6; 2 Sam. 1:11; 3:31; 13:31; 1 Kings 21:27; 2 Kings 2:12; 19:1; Esther 4:1; Isa. 32:11; 37:1; Jer. 41:5).

Ripping someone’s clothing to expose nakedness (Ezek. 16:39; 2 Sam. 10:4) or pulling a person’s skirts up over the face (Jer. 13:26) is an act of shaming or insulting. But tearing one’s clothes off can be a sign of fury (Matt. 26:65). Persons with defiling diseases are expected to warn off others by wearing torn clothes and shouting, “Unclean! Unclean!” (Lev. 13:45).

By laying their clothes at Saul’s feet, the crowd may be acknowledging his authority in the stoning of Stephen (Acts 7:58).

Sandals. A woman can remove a man’s sandal in contempt (Deut. 25:5–10), while a sandal can be removed by a kinsman-redeemer to indicate giving up a right or as a transfer of property (Ruth 4:7–8). A sandal can also be removed in mourning (Ezek. 24:17) or be cast over a piece of land to claim ownership (Pss. 60:8; 108:9).

Prophetic Gestures

Prophetic gestures in the OT are mostly concerned with the call to repentance and approaching judgments upon failure to heed the warning. Jeremiah puts a yoke on his neck (Jer. 27–28; cf. Deut. 28:48), Ezekiel cooks with dung (Ezek. 4:12) and sleeps on his left side for 390 days and then on his right side for 40 days (4:5–6), Isaiah strips off his clothing (Isa. 20:2–3; 32:11), and Hosea marries an unfaithful wife (Hos. 1:1–3).

In the NT, Jesus cleanses the temple as an act of symbolic judgment (Matt. 21:12; Mark 11:15; John 2:15). He also breaks bread and drinks wine (Matt. 26:26; Mark 14:22; Luke 22:19; 24:30, 35; Acts 2:46; 20:11; 27:35; 1 Cor. 11:24–25) and washes his disciples’ feet (John 13:1–13), thereby establishing symbolic Christian practices.

The southern section of the Transjordan, with the Jordan River to the west, Bashan to the north, Ammon to the east, and Moab to the south. The Jabbok River ran across it from east to west, and “Gilead” could be used either more widely to describe the whole area or more narrowly to describe the land either south or north of the Jabbok. It was a high, fertile region, famed for its healing balm and spices (Gen. 37:25; Jer. 8:22; 46:11) as well as its pastures and livestock (Num. 32:1; 1 Chron. 5:9; Song 4:1; 6:5).

Jacob named Gilead after the heap of stones that witnessed his covenant with Laban (Gen. 31:21–55). “Gilead” also became a personal and clan name (Num. 26:29–30; 27:1) when, following the Israelites’ defeat of Sihon the Amorite on their way to Canaan (Deut. 2:36; Josh. 12:1–3), the region was allotted to Reuben, Gad, and part of Manasseh (Num. 36:1; Deut. 3:10–15).

Israel drew some of its national leaders from Gilead (Judg. 10:3; 11:1) and defended it keenly against Gentile enemies (1 Sam. 11). However, there was often tension between the tribes east and west of the Jordan (Josh. 22:10–34; Judg. 5:17; 12:1–7). When David fled from Absalom (2 Sam. 17:22), crossing into the Transjordan was viewed as having left the land (2 Sam. 17:22; 19:9). Returning across the river was like a reenactment of the conquest (2 Sam. 19:15). There is similar symbolism in the Jordan crossings made by Elijah, a prophet from Gilead, and his successor, Elisha (1 Kings 17:3; 2 Kings 2:8, 14).

After the division of the kingdom, Israel’s hold on the Transjordan became increasingly tenuous. Two alliances between Israel and Judah failed to win Ramoth Gilead back from the Arameans (1 Kings 22; 2 Kings 8:28–29), and Hazael later conquered the entire region (2 Kings 10:32–33). After a brief respite under Jehoash (2 Kings 13:25), Pekah lost Gilead to Tiglath-pileser III of Assyria (15:29).

Nevertheless, Gilead remained a prized possession of Yahweh (Pss. 60:7; 108:8; Jer. 22:6). Hosea may have condemned Gilead’s sinfulness (Hos. 6:8; 12:11), but the prophets also looked forward to a day when Gilead’s conquerors would be punished (Amos 1:3, 13) and its richness would be restored to Israel (Jer. 50:19; Obad. 1:19; Mic. 7:14; Zech. 10:10).

Apparently a musical term of uncertain meaning that occurs in the headings of Pss. 60 (“lily”); 80 (“lilies”). More precisely, it is “lily of the testimony” (NLT, NKJV; NIV: “lily of the covenant”). It is possible that the two words should be read independently of each other: “Lily. Testimony.”

The fertile region of the Tigris and Euphrates valleys, bordered on the north by the Taurus Mountains and on the east by the Zagros Mountains (modern Iraq). The region extends from Turkey to the Persian Gulf. The northern part of this region is Aram Naharaim (“Aram of the two rivers”), often called “Mesopotamia” in some Bible translations (see Gen. 24:10; Deut. 23:4; Judg. 3:8; 1 Chron. 19:6 KJV, NASB, ESV). Abraham, Sarah, and their family were originally Arameans from Ur in southern Mesopotamia (Gen. 25:20; Deut. 26:5; cf. Acts 7:2). Later, Abraham and his family moved to the northern Mesopotamian city of Harran (Gen. 11:31). One boundary of the land that God promised to Abraham was the Euphrates River (Gen. 15:18). King David’s army fought against an Aramean army from Mesopotamia (1 Chron. 19:6; cf. Ps. 60:1 NKJV). Later, Judah was carried away into exile in Babylon, situated in Mesopotamia on the Euphrates River (2 Kings 24:14). Luke notes that residents of Mesopotamia were present on the day of Pentecost (Acts 2:9).

A Hebrew title of uncertain meaning found in the superscription of six psalms ascribed to David (Pss. 16; 56–60). Previous suggestions connect the title with Hebrew words for “gold” and “atonement.” The LXX renders the title as “inscription” (Gk. stēlographia), suggesting that the Hebrew should read the same (cf. Isa. 38:9). These psalms may have been inscribed on stelae in the temple.

A Hebrew title of uncertain meaning found in the superscription of six psalms ascribed to David (Pss. 16; 56–60). Previous suggestions connect the title with Hebrew words for “gold” and “atonement.” The LXX renders the title as “inscription” (Gk. stēlographia), suggesting that the Hebrew should read the same (cf. Isa. 38:9). These psalms may have been inscribed on stelae in the temple.

The Geography of Moab

Undisputed territory. Moab proper lies between the Arnon and the Zered valleys east of the Dead Sea. The Arnon is the deepest gorge in Jordan (seventeen hundred feet) and is two miles wide at the upper edge. It served as a natural northern boundary for geopolitical Moab, even though the nation frequently expanded its control farther north. The canyon eventually splits into four branches, “the wadis [NIV mg.: “ravines”] of the Arnon” (Num. 21:14–15 NASB). The Zered to the south is the only river in Jordan that constituted a permanent political border.

The average elevation of Moab is about thirty-two hundred feet, with some mountains nearing four thousand feet. Moab receives considerably more rain (sixteen inches per year) than do the eastern fringes of Israel, as moisture is picked up from the humid Jordan Valley and the Dead Sea by the prevailing westerly winds. The band of arable land is narrow because the terrain next to the Rift Valley is rugged. Cities in Moab were among places mentioned as suitable for livestock for the two and one-half tribes settling in Transjordan (Num. 32:1–4).

The plateau and plains of Moab. When mishor refers to the plateau of Moab, it always has the definite article in Hebrew (Deut. 3:10; 4:43; Josh. 13:9, 16, 17, 21; Jer. 48:8, 21). The plateau begins where the foothills of Gilead end and extends south to the Arnon Gorge. The desert boundary to the east fluctuates somewhat, depending on wet or dry years. The average elevation is about twenty-six hundred feet, with an average rainfall of fourteen to sixteen inches. In the biblical period, primary contenders for control of this region were Moabites and Israelites. The Moabites considered the plateau part of their territory, with their northern boundary reaching the foothills of Gilead.

The “plains [’arebot] of Moab” (Num. 22:1; 26:3; 31:12; 33:48–50; 36:13; Deut. 34:1; Josh. 13:32) could refer to the southeastern corner of the Jordan Valley below the plateau opposite Jericho. Nevertheless, because the Hebrew preposition ’al, used repeatedly in the Numbers passages, can mean “above,” it might refer to plains “above” the Jordan opposite Jericho—in other words, part of the plateau. This makes more sense in light of the events that unfolded while the Israelites were camped there. Both expressions are indicative that the name of Moab was attached to territories beyond the strictly political boundaries.

The History of Moab in the Bible

Origins of the Moabites. After the destruction of Sodom and Gomorrah, Lot’s daughters determined to carry on the family line by sleeping with their father (Gen. 19:30–38). The son of the elder daughter was named “Moab.” According to an etymology in the LXX, the name in Hebrew means “from my father” (Gen. 19:37).

The exodus and the conquest. Moses’ song refers to leaders of Moab among those whom Israel would encounter (Exod. 15:15). As the Israelites made their way past Edom (Num. 20:14–21), they may also have given a wide berth to geopolitical Moab, moving instead along the desert highway to the east (Num. 21:10–20; Deut. 2:8–9; Judg. 11:18; but see also Deut. 2:29) until they arrived at the territory that Sihon, king of the Amorites, had previously captured from the Moabites (Num. 21:21–26). This is the plateau (Heb. mishor) north of the Arnon (Deut. 2:36) stretching to Ammon (Josh. 13:10). The capital city of Sihon was Heshbon on the plateau (mishor) (Josh. 13:21). After defeating the Amorites, the Israelites camped on the “plains of Moab” (Num. 22:1; 33:48–50), where they remained until crossing the Jordan River. Most likely they did not jeopardize their security by moving down into the Jordan Valley.

Frightened by this multitude, the king of Moab and the elders of Midian sent for Balaam to curse the Israelites (Num. 21–24). Instead, Balaam pronounced four sets of blessings on Israel, and in the final one Balaam spoke of a “star . . . out of Jacob” who would “crush the foreheads of Moab” (Num. 24:17). Because the Moabites refused to welcome the Israelites and hired Balaam, the Moabites, along with Ammonites, were excluded from the assembly of the Lord for ten generations (Deut. 23:3–6). The verse immediately prior to this passage excludes those born of forbidden marriages, which might be the reason for specifying Moab and Ammon.

The plateau (mishor) was allocated to the tribes of Reuben and Gad (Num. 32:34–38; Josh. 13:8–9). Their presence enabled the Israelites to maintain a hold in the region, a fact that would be significant some three centuries later (Judg. 11:26). As the Israelites prepared to enter the land, Moses restated the covenant on the plains of Moab (Num. 36:13; Deut. 29:1). When it came time for Moses to die, he climbed Mount Nebo from the plains of Moab to the top of Pisgah, and after his death the Israelites mourned him there for thirty days (Deut. 34:1–8).

The judges through the monarchy. During the period of the judges, the Moabites pushed north across the Arnon and as far as Jericho. When Ehud killed Eglon, the Moabites were driven back and subjected to Israel for eighty years (Judg. 3). The respite was temporary, however, due to repeated apostasy on the part of the Israelites. They turned to worship the gods of the peoples around them, among them the gods of the Moabites (Judg. 10:6). At some point during the period of the judges, relations between Israel and Moab were sufficiently friendly that the family of Elimelek could take refuge there during the famine in Judah (Ruth 1). When all the men of the family died, the Moabite Ruth converted to the worship of Yahweh (Ruth 1:16), which meant that she could indeed become part of the congregation of Israel, overcoming the restriction in Deut. 23:3–6.

Ruth’s son was Obed, the father of Jesse, the father of David (Ruth 4:21). This family link with Moab may explain why David sought refuge for his father and mother in Moab in the dark days when he was fleeing from Saul (1 Sam. 22:1–4). David was appealing to a national enemy in doing this since Saul had been fighting against the Moabites along with the Ammonites, the Edomites, and the Philistines since he became king (1 Sam. 14:47). The complexity created for David by this combination of family allegiances and ongoing national concerns is evident in his later actions as king. When he defeated the Moabites, he brutally subdued them, reducing them to a vassal kingdom (2 Sam. 8:2–12). The united kingdom continued to control the plateau of Moab, evident in the towns noted in David’s census; it reached through the tribe of Gad to the city of Aroer in the Arnon Gorge (2 Sam. 24:5).

Solomon built places of worship for the gods of his wives, among them Chemosh, “the vile god of Moab” (2 Kings 23:13). As a result, God removed all but the southern kingdom of Judah from the Davidic dynasty and the plateau of Moab came under the control of the northern kingdom for more than half a century. The Moabite Stone, discovered in the nineteenth century AD at Dibon, indicated that Omri, king of Israel, conquered the plateau of Medeba and reestablished connections with the tribe of Gad. This continued until near the end of Ahab’s reign. Although the Moabite Stone indicates that Mesha revolted during the reign of Ahab, the biblical text puts it after Ahab’s death. The revolt prompted an alliance between Joram and Jehoshaphat to subdue Moab (2 Kings 3:4–27).

The prophets and after the exile. Moab is the object of stinging rebuke from several prophets (Isa. 15–16; 25:10; Jer. 48; Ezek. 25:8–11; Amos 2:1–3). Moab’s forthcoming judgment is described in grim terms, equating Moab’s end to that of Sodom and Gomorrah (Zeph. 2:9). Even so, God declares, “I will restore the fortunes of Moab in days to come” (Jer. 48:47). Moab will be humbled along with Edom and the Philistines at the word of the Lord (Pss. 60:8; 108:9). After the return from exile, Moabites were among those with whom the Israelites intermarried (Ezra 9:1; Neh. 13:1; cf. Deut. 23:3–6).

A transliteration of the Hebrew word for “lilies.” The word appears in the titles to Pss. 45; 69; 80 (the title of Ps. 60 uses the singular, shushan). It likely refers to either lily-shaped musical instruments or a melody. Some word studies suggest specific reference to a six-stringed instrument. The same Hebrew word is translated “lilies” in Song 2:16; 4:5; 5:13; 6:2; 7:2.

The title of Ps. 80 includes the instruction “to the tune of ‘The Lilies of the Covenant,’ ” apparently referring to a musical accompaniment. Several psalms are prefixed with titles including shoshannim (“lilies” [Pss. 45; 69; 80]) and shushan ’edut (“lily of the covenant” [Ps. 60]).

Apparently a musical term of uncertain meaning that occurs in the headings of Pss. 60 (“lily”); 80 (“lilies”). More precisely, it is “lily of the testimony” (NLT, NKJV; NIV: “lily of the covenant”). It is possible that the two words should be read independently of each other: “Lily. Testimony.”

A location apparently in the Rift Valley near the southern end of the Dead Sea, notable for its heavy concentration of salt. Numerous battles cited in Scripture took place there, usually between the armies of Judah and Edom, the peoples who lived on either side of the valley (2 Sam. 8:13; 2 Kings 14:7; 1 Chron. 18:12; 2 Chron. 25:11; Ps. 60 superscription; see also Gen. 14:3).