The books of Samuel tell the story of how kingship began in Israel and was subsequently secured under David. Almost all of David’s own story is recounted in Samuel, including God’s promise to him of a dynasty. This promise became a key seedbed for the messianic hope within the OT, which finds its fulfillment in Jesus as David’s son (Matt. 1:1).
Genre and Purpose
Samuel is part of a block of texts running from Joshua through Kings (excluding Ruth), which is known in the Hebrew Bible as the Former Prophets. This block offers a more or less continuous account of Israel’s life in the land of promise from its entry under Joshua until the exile after Jerusalem was captured by the Babylonians (2 Kings 25). Any assessment of the genre and purpose of Samuel must consider its relationship to these surrounding texts, though it should also recognize the distinctive elements of Samuel itself.
At its simplest, Samuel is a work of narrative prose that tells how kingship began in Israel and was secured under David after the failure of Saul, though it also contains a number of important poems. Although contemporary history writing would not be done in the same way, since Samuel points to the ways in which God is active throughout this time, Samuel certainly offers a testimony to this crucial period in Israel’s history. It is not the whole story of the period, as its testimony is concerned with a specific set of issues, and that testimony is related through God’s purposes for Samuel, Saul, and David. But this observation is vital for appreciating that Samuel is not just the story of how kingship came to Israel but is specifically a theological examination of it. It explores how God was at work, fulfilling the hope for kingship that had been expressed through Judg. 17–21, while also providing hope that the exile was not the end of his purposes for Israel as a whole and the kings of David’s line in particular. We should not think of this as a dry piece of history writing, for an important element is also that the telling of this story should entertain and grip those who either read or (perhaps more likely) heard it. Knowing that God had acted in the past for his people and that these actions continued to be important was not enough; the excitement that this should generate also needed to be apparent in the skill with which the story was told.
Outline
I. The Rise of Samuel (1 Sam. 1–7)
II. The Birth of Monarchy (1 Sam. 8–12)
III. Saul’s Early Reign and Rejection (1 Sam. 13–15)
IV. Long Rivalry Narrative: David and Saul (1 Sam.16–2 Sam. 1)
A. David’s anointing and arrival at court (1 Sam. 16–17)
B. David within Saul’s court (1 Sam. 18–20)
C. David as an outlaw in Judah (1 Sam. 21–26)
D. David in Philistine territory and Saul’s death (1 Sam. 27–2 Sam. 1)
V. Short Rivalry Narrative: David and Ish-Bosheth (2 Sam. 2:1–5:5)
VI. First Summary of David’s Reign (2 Sam. 5:6–8:18)
VII. Narrative of David’s Court (2 Sam. 9–20)
A. David accepts Mephibosheth (2 Sam. 9)
B. The war with Ammon and David’s sin (2 Sam. 10–12)
C. Long rebellion narrative: Absalom against David (2 Sam. 13–19)
D. Short rebellion narrative: Sheba against David (2 Sam. 20)
VIII. Second Summary of David’s Reign (2 Sam. 21–24)
Composition
Authorship and sources. The books of Samuel are anonymous, and any assessment of their authorship needs to start with this basic fact. There is a tradition in the Talmud (b. B. Bat. 14b; 15a) that associates the book with Samuel, Nathan, and Gad, presumably concluding that the books of Samuel constitute the source mentioned by 1 Chron. 29:29. But this reference is only to information on David’s life and thus is unlikely to refer to the whole of Samuel. Since Samuel’s own death is recorded in 1 Sam. 25:1, the book’s title in our tradition (in the LXX the books of Samuel are the first two books of Kingdoms, which continue into Kings) is unlikely to refer to authorship. Rather, it is more likely that a later author has drawn together a range of source materials in order to offer a coherent testimony about the origins of kingship.
For some time, the main sources behind Samuel seemed to have been identified, and they included a series of Shiloh traditions concerning the end of the house of Eli and the rise of Samuel (1 Sam. 1:1–4:1a), an ark narrative (2 Sam. 4:1b–7:1; 6), traditions concerning Saul and the origins of kingship (1 Sam. 7:2–15:35), a history of David’s rise (1 Sam. 16:1–2 Sam. 5:5), a succession narrative (2 Sam. 9–20), and a Samuel appendix (2 Sam. 21–24). Within this analysis, the place of 2 Sam. 5:6–25 and 2 Sam. 7:1–8:17 remained unclear, but the general thought was that the sources were more or less placed one after the other in their chronological sequence. But the probability of this conclusion has been challenged in recent times because the various sections of the books are clearly aware of information in other parts, so that the whole is actually well integrated. In addition, the actual boundaries of the sources remained unclear. An unfortunate effect of the source theories is that they tended to downplay some parts of the book, especially 2 Sam. 21–24, as being of less importance, whereas some recent studies have shown that they are closely integrated into the rest of the book, tying together themes developed elsewhere while also showing the structural integrity of the whole of Samuel.
Samuel is likely the end product of several stages of material collected together, rather than being the product of sources that are kept intact, but it is still a unified work. Possibly the oldest material is the collection of longer poems in 1 Sam. 2:1–10; 2 Sam. 1:17–27; 22:1–23:7, all of which draws on common themes and language and comments on the nature of kingship. The opening and closing blocks form the bookends, raising the hope of kingship (1 Sam. 2:1–10) and then commenting on how the king must submit to God’s reign (2 Sam. 22:1–23:7). In the central poem (2 Sam. 1:17–27) David laments the deaths of Saul and Jonathan. It is likely that these poems were joined with the stories about Samuel, Saul, and David in the ninth century BC but were then carefully placed to comment on the stories and yet also be commented on by them. Further editing may have continued until the time of Hezekiah in the late eighth century BC. Later on, more or less the whole of Samuel as we know it was included in the Former Prophets, perhaps during the exile. The important point to note here is that Samuel is a carefully composed whole and not simply a collection of source materials.
Literary devices. Evidence for the nature of the book’s composition can be seen in how it employs certain literary devices throughout. Two that are worth noting are the way the text plays with narrative chronology and employs repetition in various forms. The play with narrative chronology means that although the movement of the book is broadly chronological (moving from the origins of the monarchy to the latter period of David’s reign), not every element is recorded in its actual chronological sequence, since at some points other factors were more important. Alternatively, at some points different narrative strands are brought into a chronological relationship with one another, most notably in comparing the locations of David and Saul in 1 Sam. 27–2 Sam. 1. A simple example of relating material outside its chronological sequence occurs in 1 Sam. 26:12, where it is said that God had caused Saul’s soldiers to sleep so that David could enter Saul’s camp only after David had reached Saul, though clearly the soldiers must already have been asleep.
At other points, the breaks with chronological sequence cover different stories about David. For example, in 2 Sam. 5:17–8:14 there are four accounts about David, two in which he overcomes enemies (5:17–25; 8:1–14) and two associated with events in Jerusalem and public worship (6:1–7:29). Since 7:1 tells us that David’s desire to build a temple came after God had delivered him from all his enemies, it follows that the events of chapter 7 must have come after those of 8:1–14. Here, arranging the material to highlight the theme of public worship was more important than placing it in chronological sequence.
This same section also demonstrates the use of repetition. Hence, 5:17–25 recounts two nearly identical defeats of the Philistines in which David must trust God, while the victories in 8:1–14 are twice said to come about because God gave David victory wherever he went (8:6, 14). Similarly, both 6:1–23 and 7:1–29 depend upon interest in the ark and thus mutually interpret each other. Other large-scale repetitions include two announcements of the coming of kingship (1 Sam. 2:10, 34), two announcements of the end of Eli and his family in the sanctuary at Shiloh (1 Sam. 2:27–36; 3:10–14), and two times when David does not kill Saul (1 Sam. 24; 26). In an oral culture, such repetitions are not evidence of poor composition but rather are a crucial tool for emphasizing the central themes being developed. In addition, variations within each repetition are a tool for increasing the audience’s interest, showing that the authors of Samuel were interested in both giving historical testimony and entertaining their audience.
Text
It is generally agreed that the text of Samuel poses more than its fair share of difficulties, something that can be seen in the often significant differences between the received Hebrew text (MT) and the early translations, especially the main Greek translation (LXX). For example, in 1 Sam. 17 the best-regarded edition of the LXX lacks vv. 12–31, 50, 55–58, and even in shared material it is sometimes significantly shorter. It is generally agreed that the Greek version resolves a number of anomalies, but is this because the MT has been expanded or because the LXX has been abbreviated? In addition, three significant Samuel manuscripts were found at Qumran. Although two of these are only fragmentary, one covers significant portions of Samuel. Although the disputed portions of 1 Sam. 17 are absent from it, there are some points where it appears to support the LXX and others where it agrees with the MT while also introducing some other issues of its own.
It is clear, therefore, that complex issues are involved in determining the text of Samuel, and one must avoid taking a doctrinaire position and allow each point to be resolved on its own merits. At the same time, the difficulties should not be magnified beyond reason, since large sections of the text can be established with reasonable certainty, and for all the problems, the MT remains a reliable guide. One might suggest in the case of 1 Sam. 17, for example, that the LXX text represents an early attempt to address apparent difficulties in the narrative (especially the question of when Saul met David) that nevertheless failed to realize that not everything in Samuel is narrated in exact chronological order. Nevertheless, anyone who compares different translations of Samuel (e.g., NIV and NRSV) will notice variants and should make use of good commentaries at that point.
Central Themes
The reign of God. Kingship lies at the heart of Samuel. But although it is concerned with the story of Israel’s first two kings (Abimelek in Judg. 9 is an aberration and probably only a local figure), it places their story within the framework of God’s reign. No matter what authority a king in Israel might claim, it was always subject to God’s greater authority. Indeed, Samuel makes clear that God did not need a king but rather chose the monarchy as the means by which his own reign might be demonstrated.
An important way in which God’s reign is demonstrated is through the motif of the reversal of fortunes, in which the powerful are brought down and the weak raised. This is announced in Hannah’s Song (1 Sam. 2:4–8) and is then demonstrated when God removed the corrupt family of Eli from their position of power in the sanctuary at Shiloh (2:27–36; 4:1–18). On the other hand, Samuel himself came to prominence even though he had no position of power. Saul, likewise, although a member of a relatively wealthy family (9:1–2), knew that he was not someone who had automatic power (9:21) but still was raised up to be king by God. Yet when he, like Eli before him, became corrupt and clung to power rather than submit to God, he too was removed so that he could be replaced (15:28–29).
David also came from a humble position as the youngest son in his family (1 Sam. 16:11), but unlike Eli and Saul, he would not grasp power for himself. Indeed, he twice refused to kill Saul when he had the chance (1 Sam. 24; 26) and punished those who claimed that they could exercise violence on his behalf (2 Sam. 1:11–16; 4:9–12). Even when it seemed that David had later lost all to Absalom, he held to the fact that he could reign only as long as he had God’s support (2 Sam. 15:25–26). This, in fact, is a central theme in 2 Sam. 7 when David wanted to build a temple for God, for there it is made clear that David cannot act without God’s authority, and that his descendants will have authority as long as they too submit to God (2 Sam. 7:11b–15). David’s closing songs (22:1–23:7) make clear that the king has no authority apart from God.
Kingship. Kingship in Israel is closely related to the theme of God’s reign. The possibility of kingship first arises in Hannah’s Song (1 Sam. 2:10) and is confirmed by the man of God who announces the judgment against Eli’s family (2:34). Both references occur before Israel’s elders requested a king because of the failure of Samuel’s sons (8:1–9), indicating that the request for a king did not take God by surprise. In addition, it indicates that authentic kingship in Israel could only be that which was initiated by God.
The story of Saul’s rise to the throne needs to be read in light of this. Although the human move to kingship stemmed from the request of the elders for a king (1 Sam. 8:4–9), it was still the case that Saul could become king only because of God’s decision. Although 1 Sam. 8–12 often has been broken down into supposedly conflicting sources, it is better to read it as a unified text but to note that the narrator’s voice is not equivalent to any of the characters that speak through it. When the text is understood in this way, it is possible to appreciate that kingship was part of God’s purposes for Israel, but it needed to follow his model. Kings in Israel could prosper only when they submitted to the greater reign of God. It was Saul’s mistake that he did not recognize this. David, although he made some terrible mistakes, always understood this truth, and his closing songs (2 Sam. 22:1–23:7) reflect on it. David learned what Saul never did: power is never something to be grasped; rather, it can only be accepted as a gracious gift from God to be used for his purposes.
New Testament Connections
The importance of the books of Samuel for the NT is far greater than its five direct citations there (Acts 13:22; Rom. 15:9; 2 Cor. 6:18 [2×]; Heb. 1:5) might indicate. The theme of kingship and the associated promise to David in 2 Sam. 7 are fundamental to the messianic hope throughout the OT and are picked up in the NT. Even when the NT cites other OT texts (such as Ps. 2) with reference to Jesus, it is still the books of Samuel that lie behind the citation. In addition, the NT frequently indicates that Jesus was a son of David (e.g., Matt. 1:1). Although such texts do not cite Samuel directly, they clearly allude to it because of God’s promise that David’s throne would be established forever (2 Sam. 7:16). Jesus’ ministry transcends that of David in every way, but we cannot understand his ministry apart from David and God’s promise to him.
