Big Idea: Entering the King’s presence is an awesome privilege, and in worship we join the psalmist in preparation for that tremendous experience.
Understanding the Text
Psalm 24 is titled “Of David. A psalm [mizmor].” First occurring in Psalm 3, the term mizmor is generally understood to mean a poem that is sung to musical accompaniment (see comments on the title for Ps. 3). While the order of the words is reversed here (not “A psalm of David,” as it usually is), the order does not seem to have much significance.
In Psalm 23:6 David affirms that when “goodness and love” have pursued him into the Lord’s house, he will dwell there forever. As a natural follow-up psalm, Psalm 24 is directly concerned with who will or may ascend the mountain of the Lord (24:3).
Psalm 24 is a companion to Psalm 15, with Psalm 24:3–6 corresponding to Psalm 15:2–5b (see table 1). Both psalms pose the question of who may enter the Lord’s sanctuary and then give an answer in ethical terms. Note that both instructional texts begin with a general and positive description of the person who may enter the Lord’s sanctuary, and then Psalm 24 turns entirely negative in its particulars, while Psalm 15 is more balanced between positive and negative particulars. Both texts conclude, as they begin, with a positive affirmation, 15:5c basing this affirmation on the suppliant’s behavior, and 24:5 upon God’s.
In 1 Corinthians 10:26 Paul quotes the first verse of Psalm 24 to establish the principle that no food should be considered “forbidden,” because the earth, and everything in it, belongs to the Lord.
Outline/Structure
The following outline is based on the assumption that the question/answer format is one between the Levites and priests.
1. Celebration of creation (24:1–2)
2. The liturgical procession to the temple (24:3–10)
a. The liturgical question asked by the Levites (24:3)
b. The answer of the priests (24:4–6)
c. The priests order the temple gates to enlarge so the King of glory may enter (24:7)
d. Levites ask the Deity’s identity (24:8a)
e. Priests answer (24:8b–c)
f. The priests, a second time, order the temple gates to enlarge so the King of glory may enter (24:9)
g. Levites ask the Deity’s identity a second time (24:10a)
h. Priests answer a second and definitive time (24:10b–c)
Historical and Cultural Background
Psalm 24 was likely used many times, perhaps even routinely, as a ritual psalm in ancient Israel on the approach of the Levites and priests to the temple. The form critics have called it an entrance liturgy. Some believe it was written for the occasion of the ark’s relocation from Kiriath Jearim to Jerusalem (1 Sam. 7/1 Chron. 13), accompanied by songs and musical instruments (1 Chron. 13:8). Psalm 132 certainly celebrates this event, and perhaps Psalm 68:24–27 does also.1Still others—including this writer—would assign the psalm to the time when Solomon brought the ark into the holy of holies (1 Kings 8). The description of the gates in 24:7 and 9 suggests this, since the tabernacle had doors but not gates. In that case, “Of David” in the title is a dedication rather than an ascription of authorship. In Israel’s early history, the ark of the covenant accompanied the Levites as they made their processional way to the temple. When the ark was no longer a part of the ritual and was permanently housed in the temple, the Levites or priests, on their way to serve their appointed time in the temple, would ask the entrance question (“Who may ascend the mountain of the Lord?”), and an unnamed voice posed the identity question (“Who is this King of glory?”). The identity of the speakers is not clear, but I have suggested it is an interchange between the Levites and priests.
The Mishnah informs us that in the Second Temple period the Levites recited Psalm 24 in the temple on the first day of the week (Sunday),[2] and in some Jewish traditions it is still recited on that day. The reason for the first day of the week is that God began to create the world on that day, which Psalm 24 celebrates.
It is quite obvious that the orientation of the psalm is the temple, and even though the speakers are not identified and the ark is not mentioned, based on other information from Scripture (e.g., 2 Sam. 6), we assume that the ark accompanies the procession to “the mountain of the Lord.”
The question-and-answer format of 24:3–10 suggests the antiphonal nature of the religious liturgy being enacted. Certain terms fill out the word picture of this scene: the procession ascends Mount Zion (“ascend the mountain of the Lord,” 24:3) and stands in the court (“stand in his holy place” [sitting in the court was forbidden], 24:3b;3also 135:2 [ESV], the priests “stand” in the house of the Lord); with the procession now positioned at the massive gates, a voice commands the gates to enlarge, so the King of glory, the Creator of the world, too big, metaphorically speaking, to pass through the massive temple gates, may enter (“Lift up your heads, you gates,”424:7, 9).
Interpretive Insights
Title A psalm. For the designation “a psalm” (mizmor), see the comments above and on the title for Psalm 3.
24:1 The earth is the Lord’s, and everything in it . . . and all who live in it. The theological truth behind the statement “the earth is the Lord’s” is based on the Pentateuch, found especially in Exodus 9:29 and Deuteronomy 10:14, and, of course, generally attested by the creation narrative of Genesis 1–2.
24:2 for he founded it . . . established it. The personal pronoun “he” comes before the verb to emphasize that it is God who did this (“for it is he who founded it”). The root word for “establish” (kun) means to “build” a house.[5] Psalm 8:3 uses the same verb in the sense of “create” (NIV: “set in place”).
24:3 Who may ascend the mountain of the Lord? Who may stand in his holy place? David bought the threshing floor of Araunah, on which Solomon ultimately built the temple (1 Chron. 21:18–22:1). The question/answer format occurs here and in 24:8 and 10.
24:4 clean hands and a pure heart, who does not trust in an idol. “Clean hands” were a symbol of a “pure heart.” One’s “hands” were a metaphor of one’s exterior life (toward neighbors), and the “heart” a metaphor of one’s interior life (toward God; Ps. 73:1). The verb “trust” literally means “to lift up” and is technical language for taking an oath (“to lift up the hands” in swearing an oath). The ESV translates: “who does not lift up his soul.” The word “his soul” (the Septuagint reading) is actually “my soul” in the Masoretic Text and has a long-established textual authenticity. We have here an instance of direct and indirect speech together. When the worshiper swore, he would say, “I swear by my life.” Here the term “my life” (direct speech) is retained, while the “I swear” (direct speech) has been changed to indirect, “who does not swear to an idol by ‘my life.’” Here also two negative commandments of the Torah are in view, idolatry and false testimony (Exod. 20:3, 16).
24:6 Such is the generation . . . who seek your face, God of Jacob. The Hebrew reads literally, “This is the generation” (see KJV). If the psalm celebrates the new temple of Solomon, the psalmist is acknowledging the Godward orientation of this generation that succeeded in building the long-awaited temple. Exodus 33:7 uses the phrase “to seek the Lord” (NIV: “inquiring of the Lord”) to describe those who go to worship in the tabernacle. To “see” God’s face (Pss. 11:7; 17:15) and to “seek” his face are synonymous, except in degree (Ps. 27:8). “Jacob” is a poetic designation for Israel (Ps. 14:7). It is probable that the Hebrew clause “who seek your face, O Jacob” (see KJV) should be read, “who seek your face, O God of Jacob” (Ps. 20:1; Isa. 2:3, and so LXX).
This verse ends with selah, a liturgical term, here marking the end of a strophe and indicating where the Levites made a liturgical response (see NIV footnote; see also sidebar “Selah” in the unit on Ps. 3).6
24:7 Lift up your heads, you gates; be lifted up, you ancient doors. “Heads” is a metaphor for the lintels of the temple gates. Yahweh was so marvelously great that the temple could not contain his presence. Therefore, the gates must, figuratively speaking, enlarge themselves high and wide to let the King of glory pass through. On the occasion of the dedication of the temple, Solomon prays, “But will God really dwell on earth? The heavens, even the highest heaven, cannot contain you. How much less this temple I have built!” (1 Kings 8:27). In that mode of thought, the voice in Psalm 24 commands the lintels of the gates to lift themselves up to allow the King of glory, the Creator of the universe (24:1–2), to come in.
24:8 Who is this King of glory? The Lord strong and mighty. The question here is a liturgical response, not a formal request for information. The word translated as “strong” is found in only one other place in the Old Testament (Isa. 43:17; NIV: “reinforcements”), where it describes a powerful army. The word “mighty” (gibbor) is quite common and is repeated in the following phrase, identifying Yahweh as a God who is powerful in military conflict (Exod. 15:3).
24:9 Lift up your heads . . . that the King of glory may come in. As if the gates did not hear or respond to the first command, a second is issued. This name for God (“King of glory”) is found nowhere else in the Hebrew Bible, although Psalm 29:3 has “the God of glory.” It is used five times in this psalm.
24:10 Who is he, this King of glory? Part of the beauty of the liturgy is repetition. A second time, in response to the liturgical question, another voice asks for further clarification, and the pronoun presses for precision: “Who is he, this King of glory?”7
The Lord Almighty. “Lord Almighty” translates the phrase “Lord of Hosts [tseba’ot].” The term “hosts” references the angels and the stars (Pss. 103:21; 148:2; NIV: “heavenly hosts”),[8] a veiled allusion to Yahweh’s creation. In 1 Samuel 4:4 and 2 Samuel 6:2 the phrase “Lord of Hosts” designates Yahweh, who sits on the cherubim of the ark. Thus the psalm closes as it began: the God of creation, the One to whom everything belongs, the Creator of the heavenly hosts, is the God who seeks entry into his temple. Syntactically the responders pick up the pronoun “he” of the preceding question to press their answer: “The Lord of hosts—he is the King of glory,” and no one else.
Theological Insights
This psalm begins where Scripture begins, with creation, and declares that the world, with everything in it and all its inhabitants, is the Lord’s because he created it. Like Genesis 1, it begins on a universal note and writes God’s name on the world and all its creatures. The reader should recognize that the description of creation in 24:2 is a visual account, the earth appearing to rest upon the vast waters of the sea (see Gen. 1:9–10).
That Hebrew religion was an ethical faith is unmistakable in the Torah, despite the volume of legal and liturgical detail found there. The legal and liturgical elements of the Old Testament faith were the crucible in which the ethical content of the faith was contained. This balance can also be seen in Psalm 24. It is, as Goldingay labels it, a processional liturgy,9and the liturgy sets forth an ethical faith and an awesome and holy God. The concern of the liturgical convoy is “Who may stand in his holy place?” The undefined “who” of 24:3 is given clarity in the answer of 24:4: “The one who has clean hands and a pure heart,” and is further defined by the exclusion of idolatry (“who does not trust in an idol,” 24:4b; cf. the second commandment, Exod. 20:3) and the prohibition of false witness, presumably against one’s neighbor (the ninth commandment, Exod. 20:16). This reinforces our observation that the ethical nature of the Hebrew faith (and the Christian faith follows suit) was the heart of that faith, and the liturgical/legal elements were secondary (“secondary” does not mean unimportant; see Mic. 6:8).
Teaching the Text
Rather than developing one of the “Key Themes” as our sermon/lesson, we might take all of them seriatim and thus give the message of the psalm the broad exposure it deserves. First, we may observe that the basic principle of this psalm is that the world belongs to God (24:1). Verse 2 explains this claim: the Lord “founded it.” Then there is an interesting shift from the world to the temple in verse 3. The question has cosmic implications for who is worthy to appear in the presence of such a God.10
Second, as the psalmist turns our attention to the temple, he seeks to establish the identity of those who are worthy to enter it, or to enter God’s presence, and he does so in ethical terms (24:4–6). This question calls for an examination of the heart and perhaps applies not only to priests but to all worshipers who would enter the temple. The metaphor of “clean hands” is an allusion to the exterior life of the worshiper, maybe even to his or her relationship to others, while a “pure heart” is a metaphor that suggests the worshiper’s relationship to God (see 1 John 4:20). We might mention Jesus’s teaching on the two great commandments (e.g., Mark 12:29–31). Micah 6:8 raises a similar question and gives a similar answer in terms of the relationship to one’s neighbor (“to act justly and love mercy”) and one’s relationship to God (“to walk humbly with your God”). The profile is expanded in verse 4b with the requirement of the second commandment (“who does not trust in an idol or swear by a false god”; see Exod. 20:4–6). We may emphasize the conjugal nature of ethics and liturgy, the latter an offense without the former. Our liturgy must always reflect our commitment to a holy life.
The third attention center is the address to the gates of the temple in preparation for God’s entrance. He is too great to get through the restrictive gates of Mount Zion’s temple without some spacious adjustments, so the gates are commanded to raise their “heads” (lintels) so that the King of glory might come in (24:7–9). Here is an opportunity to stress the greatness of our God. The world he made cannot contain him, nor can our little personal world. This should be a spiritual incentive to faith.
Fourth, the psalm closes as it begins, by turning the floodlight on the person of God, this time, the “King of glory” (24:10). This is the God who “founded” the earth and who is, figuratively speaking, too great to walk through these gates. Yet the Creator of the world condescends to enter the earthly sanctuary to meet his people, just as he condescends to dwell in Israel’s praises (Ps. 22:3). The concept of divine condescension and self-humiliation is written indelibly into the Christian gospel, and it is not a New Testament novelty but has its beginnings in the Hebrew Scriptures.
Illustrating the Text
The earth belongs to the Lord.
Quote: God and the Astronomers, by Robert Jastrow. The acknowledgment that God is the Creator of the universe is a basic premise of the biblical faith. The fact that the Bible begins with the story of creation is no coincidence but quite intentional, and creation is a frequent theme in the Psalms. Recognizing the need for faith, Jastrow concludes his book with these words: “For the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountains of ignorance; he is about to conquer the highest peak; as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries.”11
God has a registered patent on the universe.
Science: One of the great intellectual violations of our time is the denial of the Creator of the world. With advancing knowledge of the universe, especially our own Milky Way galaxy, we know that the universe is infinitely huge and interminably complex. As of February 2014, scientists working on NASA’s Kepler planet-hunting telescope have confirmed a count of “more than 3,600 planet candidates, of which 961 have been verified as bona-fide worlds,”[12] and from this kind of information, scientists have extrapolated that there may be a whopping 100 billion planets in our galaxy alone.[13] If that does not give you a sense of awe, just think of this: the observable universe—that is, the region that we can observe with our best exploration instruments—has a radius of about 46 billion light years. Compare that to our galaxy, whose diameter is about 100,000 light years[14] (a light year is about 6 trillion miles). That is the universe God made, and the universe that belongs to him. David did not have those statistics in his mind, of course, but he knew that God was the Creator of the world, and that fundamental premise underwrites the theology of Psalm 24.
Lift up your heads, that the King of glory may come in.
Hymn: “Lift Up Your Heads, Ye Mighty Gates,” by Georg Weissel. This hymn was written during the Thirty Years’ War (1618–48), a devastating time of suffering in Europe that also has given Christianity some of its greatest hymns.[15] With a clear connection to Psalm 24, the hymn begins with these words, “Lift up your heads, ye mighty gates: behold, the King of glory waits!” The second stanza then brings this incredible challenge, “Fling wide the portals of your heart: make it a temple, set apart from earthly use for heaven’s employ, adorned with prayer and love and joy.”[16] You may want to sing it as a congregation or simply read the words of the hymn.