... framework that suggests urgency gives the Hebrew a powerful tension that is maintained throughout the book. These verses contain a combination of sensory images. The lilies evoke both sight and scent, the apple tree sight and taste, and the reference to shade has a tactile sense. Raisins and apples suggest taste. The man’s arms under the woman’s head and embracing her are tactile for the central pair, but evoke a visual image for the audience. The use of double refrain lines in verses 6 and 7 suggests ...
... blind. And the same method can be applied to other senses. Hear the music of voices, the song of a bird, the mighty strains of an orchestra, as if you would be stricken deaf to-morrow. Touch each object you want to touch as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never smell and taste again. Make the most of every sense; glory in all the facets of pleasure and beauty which the world reveals to you through the several ...
A group of men celebrated on and on in a sports bar. "Here's to 94," one of them toasted. "Hip-94-Hooray," another of them cheered. "Ninety-four, Ninety-four," "Ninety-four," they chanted in unison. The waitress could take the mystery no longer. When one of them left for the men's room, she intercepted him and asked, "Why the big deal about 94?" "It only took us 94 days to finish this puzzle we've been working on." "What's so special about that?" He replied, "Hey, the box reads 5-7 years." Puzzles are not ...
Introducing the Characters (1:1-6): The opening verses of the Song give the title and introduce the characters. The central woman (identified in the NIV as “Beloved”) and a group (NIV “Friends”) both speak. The central man (NIV “Lover”) is addressed in the second person and mentioned in the third person. He does not speak here, although admiration of him by both the individual woman and the group forms the core of this section. Both sensory images and royal language are used to describe him. 1:1 The first ...
Remember your childhood suspicion that both your mother and your teacher had eyes in the back of their heads? As you got older, you realized it wasn't literally true, but it was a way of describing their awareness of what you were doing. Well now, we are coming to a place where it could be a much more literal statement. In fact, they could even have eyes in the back of their mouths. There have been some interesting developments in the field of perception, spurred in part by research to help the blind, but ...
The first sixteen verses of Exodus 13 belong to the framework that begins in Exodus 12. They return to the themes of unleavened bread and the firstborn, completing the braided work of 12:1–13:16 (see an outline of this structure in §13). The observance of the Feast of Unleavened Bread (B′) in verses 2–10, with Moses speaking the message to the people, mirrors God’s words to Moses in (B), 12:14–20. The law of the firstborn redemption in verses 11–16 (A′) mirrors the killing of the firstborn in Egypt and the ...
The lectionary gives us two types of traditional texts for our Maundy Thursday services over the span of the three cycles. One type is before us tonight: the text of the foot washing, the text of Jesus clearly demonstrating the importance of his love for us and our call to love others. The other is what you and I call the “last supper”: how the ritual, the practice, of our meal together, whether the celebration of a Seder reordered and meaning changed, the gift of the sacrament, or remembrance proclaimed ...
Fashion is a trillion dollar industry. It makes up 2% of the entire world’s GDP.[1] Why does apparel, the clothing we wear, play such a large part in our lives? For this we can look to art and literature, and even to scripture and the church. Unlike other animals, for as long as humans have roamed the earth, we have been concerned with clothing ourselves. From the moment of the “fall” in Genesis 1, we began a journey of finding ways to conceal our original “nakedness” and to express ourselves instead ...