The Great Commandment: The parable of the wedding feast (vv. 1–14) is regularly considered to be an allegorical revision of an earlier more straightforward parable told by Jesus. Fenton lists as allegorical elements that strike the reader as strange and unnatural the killing of those who brought the invitation (v. 6), the destruction of the guests (v. 7), and the burning of a city while a meal is waiting to be served (v. 7). These are “no doubt additions, made by the Church or the Evangelist” (p. 347). Beare notes that there are three versions: Matthew’s, which is a “fullblown allegory,” Luke’s (“a genuine parable”), and one in The Gospel of Thomas (pp. 432–34). Hill states that there can be no doubt that Matthew and Luke (14:16–24) present the same parable (p. 301), and Gundry holds that …