Alan Paton's novel, Cry, the Beloved Country, is the story of a black South African pastor, Stephen Kumalo, who travels from his small village of Ntodsheni to the city of Johannesburg, to find his son Jonathan. Jonathan had gone to the city to find employment, but while there had gotten involved with the wrong crowd, and when Pastor Kumalo finds his son, Jonathan is in jail for killing a white lawyer named Arthur Jarvis. In an intriguing turn of events, we learn that Arthur had been a leading advocate for the rights of black Africans and had just finished writing a book about the need for justice in that hate-torn nation.

In his grief the pastor goes to the father of Arthur Jarvis, to apologize for his son's crime. The elder Jarvis little agreed with his son's passion for working against the evils of apartheid. But in the aftermath of Arthur's death, the father struggles to make sense of the changes in his son's perspective that had set him on such a markedly different course in life. As a result, the father reads and rereads his son's manuscript. And that seems to explain what enabled the elder Jarvis not to berate or reject Pastor Kumalo, but instead to receive him kindly. In the days and weeks that follow, the elder Jarvis continues to embrace a new perspective, eventually promising to erect a new church building for the congregation Pastor Kumalo serves. Further, the elder Jarvis offers to build a dam for the village of Ntodsheni, so that the people might have year-round access to fresh water.

The very rumor of what is to be done sends a shock wave of hope throughout the village. There will now be water for irrigation. The people will be able to raise cattle. And because there will be abundant food and milk for their families, the young people of the village will no longer have to drift off to the cities to find work. There will be laughter and singing and dancing once again. Nothing had yet happened, and yet the village is transformed, as if the changes have already occurred. Writes Alan Paton, "Although nothing has come yet, something is here already."

The Gospel writers portray John the Baptist as one who raised the hopes of the ancient people of Israel, pointing the way to the coming of the Messiah, the One so much greater than John that the Baptist feels unworthy even to untie his sandals. As the Baptist begins his ministry, nothing has yet happened; and yet, in their anticipation of more yet to come, the people begin to respond as if the long-awaited Messiah were already present.