... that we “cut ourselves off from what he has to say to us” (J. B. Phillips, The New Testament in Modern English, p. 500). Literally, the text says, “and his word ... , 7. A thorough study of this language of contrast may be found in Johnson, Antitheses. The concept of doing the truth is also common in the Dead ... be in” (einai en) is one of the writer’s favorite expressions. It occurs eighteen times in these letters. See, e.g., 1:5 (“in him there is no darkness”), 1:7 (“as he is in the light”), 1: ...
... that we “cut ourselves off from what he has to say to us” (J. B. Phillips, The New Testament in Modern English, p. 500). Literally, the text says, “and his word ... , 7. A thorough study of this language of contrast may be found in Johnson, Antitheses. The concept of doing the truth is also common in the Dead ... be in” (einai en) is one of the writer’s favorite expressions. It occurs eighteen times in these letters. See, e.g., 1:5 (“in him there is no darkness”), 1:7 (“as he is in the light”), 1: ...
... measures and then come in exactly on the upbeat of the seventy-fifth. Gerald Johnson, historian and writer, plays the flute in the Baltimore symphony. He says that a ... you have to wait for." Claypool is right. But we don't want to wait. That prince of preachers, Phillips Brooks was pacing back and forth one day in a terrible fit of agitation. A friend asked him what ... . 1. PARABLES, ETC. 2. THE TAO OF POOH (N.Y.: E.P. Dutton, Inc., 1982). 3. Quotes on Mather, Wilberforce and Taylor taken from: LOVING GOD ...
