SETTING: Three scenes, in a courtyard garden, where two young people are engaged in conversation TIME: Christ's ministry Scene One MEGHAN: You don't care about anything. You never take a stand. You never have an opinion. You are always Mr. Charm, Mr. Warmth ... everybody likes you ... DEAN: Is there something wrong with that? MEGHAN: Yes. If nobody really knows anything about you. If nobody cares about anything you are, except being very, very nice. DEAN: What do you want? I don't even know where this ...
John 13:4-5; Matthew 27:15-26 I grew up with Marion Long. We started first grade together and, after eleven years, we graduated from high school together. We went to different colleges, and that severed our relationship. The last time I saw Marion was some years ago at a high school reunion. She now lives in South Carolina. I only know that because her mother recently died and I read the obituary. I mention Marion because I think we all have a tendency to connect particular incidents with people we've ...
Setting Imagination - in the actresses and in the audience - is the only requirement for a setting for this drama. The scene is Jerusalem, a city crowded with pilgrims attending the Festival, not far from the Temple, which is the center of Festival activity. A bench or two shall be provided, stage left, for the women to sit upon during part of their conversation. You may wish to use extras to show the audience there is a crowd in the city, although the dialogue will tell them that. If you do use extras, ...
Setting The balcony of the Herodian Palace at Jerusalem overlooking the city. A coffee table or cocktail table covered with a linen cloth holds a silver dish of fresh fruit - grapes, olives, your choice. There is a small bowl of fresh flowers in the center of the table. Stage right of the table there is a chair befitting the position of Pontius Pilate; it may be an overstuffed chair, a chancel chair as found in some liturgical churches, or another highbacked chair covered with gold or violet cloth. Stage ...
Setting Night on a Jerusalem street. Properties may include background painting of a first century building in front of which Mary Magdalene is standing when she encounters Stephanus and Lucia. Normally, no properties are required other than the audience’s imagination. Costumes Mary: flowing robe of black and white. Veil of same material, white, to cover hair. Sandals. A sparkling ring or two on her hands. Stephanus: simple white toga, sandals. Lucia: long, simple dress of bright colors. She may wear ...
Setting The private sitting room in the palace in which Herod is staying in Jerusalem. A throne-like chair, perhaps with a gold or violet throw covering it, should be provided for Herod; this chair should face the audience. A simple chair or stool should be placed in front of the chair so that Jesus, when he sits down, may face Herod but not the audience. Other appointments to the room may be added for effect: potted palms, a small table with a wine carafe and fresh fruits, and anything else appropriate to ...
Setting Near Golgotha, but far enough away from the three crosses that there are few people. The background may show the three crosses and some observers, if you want to paint a backdrop. Cast and Costumes Centurion: knee-length white or tan robe; at the bottom of the robe is a four-inch decorative hem of bright colors. He carries a small sword, sheathed at his left side. Sandals. If available, he also wears a Roman helmet. If a Roman soldier’s outfit is available from a costumer, it would be ideal. Peter ...
Setting The setting is a dual one, the differentiation most easily left to the audience’s imagination, unless you wish to construct a door to admit Judas to the room in the high priest’s palace where the encounter takes place. The outdoor half of the set is at stage right and may be marked with a palm tree or other foliage appropriate for spring in Israel. The indoor set, at stage left, is a beautifully appointed room in Caiaphas’ palace. This set requires three or four chairs, a cocktail or coffee table ...
READER 1 Somehow, Lord, everywhere we look in Scripture, the concept of maturity is always fused with our capacity to love, and our capacity to love is always bonded to our ability to first love ourselves. Why? Why did you have to make the task of maturation so brutally simple ... so crucifyingly modest? Why does our maturation migration always have to wing its way home to the context of loving ... the art of loving ... the work of loving? It is just such a naive notion ... such an idealistic and ...
READER 1 I hate that passage from 1 Corinthians ... a little leaven is all you need ... asking us to be unleavened bread. Who wants to be a flat old stale piece of unleavened bread? I mean, really, who would want to give up their leaven ... the leaven of power ... the leaven of titles ... the leaven of possessions ... the leaven of the good life ... the leaven of popularity or reputation or image? It is ridiculous to expect anyone to sincerely consider living a bland - boring - predictable life as a simple ...
READER 1 The Resurrection is not ... I repeat ... NOT ... something which happens only at the time of death, nor is it an event that only has impact on our dying. If the Resurrection was important only in terms of what happens beyond Life, and had no real impact or power over what happens during our lives, well, I guess I can honestly say that, then, I would have little use for a faith built on such a "post-living" concept or event. Resurrection that cannot transform the present ... Resurrection that ...
2412. God Loves the People
Matthew 28:16-20
Illustration
Tom Rietveld
The United States today is very similar to what 18th century England was like. Morals were all but gone on the part of the common man. The slave trade was at its height. A godless prison system entertained the people with public hangings. Gambling was a national obsession--one historian said that England was a vast casino. Drinking dominated the pastime of men and boys. False rumors were regularly used to manipulate the financial markets. Also, the Anglican church was in decay. Zeal for Christ was ...
2413. Easter Fits All
John 20:1-9
Illustration
Steven Molin
In the spring of 1981, the president of national hotel chain was speaking at a conference in Atlanta Georgia, and while he was there, he decided he needed a haircut. While sitting in the chair of a neighborhood barber, he struck up a conversation. "What are you doing for a vacation this summer?" The barber's face brightened, "My wife and I are taking a road trip, and we're driving to Phoenix." "Really" the hotel president asked, "and where are you going to stay while you're on this road trip?" The barber ...
2414. The Final Note
Illustration
George MacDonald
It is said of one of the famous composers that he had a rebellious son who used to come in late at night after his father and mother had gone to bed. And before going to his own room, he would go to his father's piano and slowly, as well as loudly, play a simple scale, all but the final note. Then leaving the scale uncompleted, he would retire to his room. Meanwhile the father, hearing the scale minus the final note, would writhe on his bed, his mind unable to relax because the scale was unresolved. ...
2415. THINK Test
Illustration
Alan Redpath
During a mutual encouragement fellowship at a time of stress for some church pastorates, the members subscribed to a simple formula applied before speaking of any person or subject that was perhaps controversial. T Is it true? H Is it helpful? I Is it inspiring? N Is it necessary? K Is it kind? If what you are about to say does not pass those tests, you must pledge to keep your mouth shut! Doing that will work in keeping the gossip at bay.